The Great German Composers

ianne, the daughter of Joseph Pergin, a rich banker; but on account of the father's distaste for a musical son-in-law, the marriage d

ge which had begun to take place in this composer's theories of dramatic music. In Paris he had been struck with the operas of Rameau, in which the declamatory form was strongly marked. His early Italian training had fixed in his mind the importance of pure melody. From Germany he obtained his appreciation of harmony, and had made

e" and "Alceste" in Vienna with a fair amount of success; but his tastes drew him strongly to the French stage, where the art of acting and declamation was cultivated then, as it is now, to a height unknown in other parts of Europe. So Ave find him gladly a

admiration of the world. A dissolute king was ruled by a succession of mistresses, and all the courtiers vied in emulating the vice and extravagance of their master. Yet in this foul compost-heap art and literature nourished with a tropical luxuriance. Voltaire was at the height of his splendid career, the most brilliant wit and philosopher of his age. The lightning

ls uplifted in the "Nouvelle Hélo?se" and the "Confessions" awakened men's minds with a great rebound to the charms of Nature, simplicity, and a social order untrammeled by rules or conventions. The eloquence with which these theories were propounded carried the Fre

ar removed as possible from their own effete civilization, did not realize that they were playing with the fire which was to burn out the whole social edifice of France with such a terrible conflagration; for, back and be