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Robbery under Arms / A Story of Life and Adventure in the Bush and in the Australian Goldfields

Chapter 4 No.4

Word Count: 2872    |    Released on: 01/12/2017

mistake. I wonder where they're taking them to.' Aileen shrugged her shoulders and walked i

All sorts of wonders passed through our minds as we walked down the creek bank, with our bridles in our hands, towards where our horses usually fed. One was easy to catch, the oth

while before we saw them. 'My word,' said Jim, 'ain't they restless. They can't hav

ly. I had a kind of idea, but I t

wheeling them every now and then. Their horses were pretty well knocked up. I knew father at once, and the old chestnut mare he used to ride-an animal with legs like timbers and a mule

l to-morrow morning. The dog came home, I suppose-that's what brought you here, wasn't it? I th

y, and what are you g

ee all about it to-morrow. I'll go and take a s

m wanted any. He didn't say anything, but went to sleep on his horse, which walked in and out among the angry cattle as he sat on the saddle with his head down

Hunter's and Falkland's brands on, which showed t

e circle dots belong to Banda. What a mob of calves! not one of t

slept after daylight, whether he had work to do or not. He certainly COULD work; daylight or dark, wet or dry, cold or hot, it was

start the cattle; we've been long enough here; let 'em head up that gully, and I'll sho

I said. 'They're all Mr. Hunter's and Mr

e when I was a child. 'You do what I tell you if you've any pluck and gumption about you; or else you and your brother can

better it would have been for all of us, the old man as well as ourselves; but it seemed as if it wasn't to be. Partly from use, and partly from a love of danger and something new, which is at the bottom of half the crime in the bush districts,

housands of years ago by an earthquake or something of that kind. The hills were that steep that every now and then some of the young cat

rack there was. There were overhanging rocks and places that made you giddy to look at, and some of these must ha

reat work it was to force the footsore cattle along,

e thought he'd have seen the track?

ated. It looks like it, at any rate. I saw how it was; father had given Crib a cruel beating the night before, when he was put out for some trifling matter, and the dog had left him and run home. But now he

per, I believe the cattle would have charged back and beat us. There was a sort of rough table-land-scrubby and stony and thick it was, but still the grass wasn't bad in summer, when the country b

e?' said father, riding up just then, as we were taking it easy a l

Jim, looking rather dismal. '

at's only the line to keep. I'll show you somethi

getting very hungry, and as he wasn't done growing he had no end of an appe

keep us wandering in this blessed Nulla Mountain all day. I wish I'd never seen the blessed cattle. I was only waiting f

aid; 'but it's too late now. W

then steering our course by the clear round top of Sugarloaf, that could be seen for miles round, but ne

e were any farms up

whisper. 'There's a "duffing-yard" some

it, anyway. We'll soo

now and then there was a break in the fence, when one of us had to go outside and hunt them until we came to the next bit. At last we came to

ho had cattle to hide and young stock they didn't want o

nce, and made up with limbs and logs, the range went up as steep as the side of a house. The cattle were that tired

them. 'We must brand these calves before dark. One of you can go to that gunyah, just under

ulkily began to put some bark and

'we're bound to be caught some day if we keep on at it. The

truck at this, and

u against your will. You may as well lend a hand to brand

rk like that. I remember thinking, like many another young fool, I sup

t, once he's regularly gone in for any of the devil's work and wage

en, and drop all this duffing work. It don't pay. I'm old enough to

l when they locked me up and sent me out here for a paltry hare; broke my old mother's heart, so it did. I've had a pound for every hair in her ski

cave with a face of joy, a bag of sh

nd a big lump of cheese. Get the fire right, Dick, while I get so

self, and gave Jim and me a sip each. I felt less inclined to quarrel with father after that. So we draft

d see they were all belonging to Mr. Hunter and Mr. Falkland. How they came to leave them all so long unbranded I can't say. Very careless

o with them all when he had br

in a straight line. These cows are dead sure to make straight back the very minute they're let

e round for a hot bran

here, would it?' and father actually laughed. It wasn't a very gay kind of a laugh, and he shut up his mouth wi

r that they are not the property of the man to whom that brand belongs. He may believe them to be his, but may never have seen them in his lif

seen sucking another man's cows, it is pretty plain that the brand on the calves has been put on without the consent of the owner of the cows-which is cattle-stealing; a felony

of time in Berrima Gaol-worse luck-my first stretch. Bu

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Robbery under Arms / A Story of Life and Adventure in the Bush and in the Australian Goldfields
Robbery under Arms / A Story of Life and Adventure in the Bush and in the Australian Goldfields
“Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.1314 Chapter 14 No.1415 Chapter 15 No.1516 Chapter 16 No.1617 Chapter 17 No.1718 Chapter 18 No.1819 Chapter 19 No.1920 Chapter 20 No.2021 Chapter 21 No.2122 Chapter 22 No.2223 Chapter 23 No.2324 Chapter 24 No.2425 Chapter 25 No.2526 Chapter 26 No.2627 Chapter 27 No.2728 Chapter 28 No.2829 Chapter 29 No.2930 Chapter 30 No.3031 Chapter 31 No.3132 Chapter 32 No.3233 Chapter 33 No.3334 Chapter 34 No.3435 Chapter 35 No.3536 Chapter 36 No.3637 Chapter 37 No.3738 Chapter 38 No.3839 Chapter 39 No.3940 Chapter 40 No.4041 Chapter 41 No.4142 Chapter 42 No.4243 Chapter 43 No.4344 Chapter 44 No.4445 Chapter 45 No.4546 Chapter 46 No.4647 Chapter 47 No.4748 Chapter 48 No.4849 Chapter 49 No.4950 Chapter 50 No.5051 Chapter 51 No.5152 Chapter 52 No.5253 Chapter 53 No.5354 Chapter 54 No.54