The Brain and the Voice in Speech and Song

of the voice-box, or larynx, containing

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'Mechanism of

ge; anteriorly are seen the two vocal processes which give attachment to the two vocal cords (white ligaments), which extend across the voice-box to be inserted in front in the angle of the shield cartilage. Groups of muscles pull u

rior portion, and seated upon its upper and posterior rim and articulated with it by separate joints are the two pyramidal cartilages (vide fig. 4). The two vocal cords as shown in the diagram are attached to the shield cartilage in front, their attachments being close together; posteriorly they are attached to the pyramidal cartilages. It is necessary, however, to describe a little more fully these attachments. Extending forwards from the base of the pyramids are processes termed the "vocal processes," and these processes give attachment to the elastic fibres of which the vocal cords mainly consist. There are certain groups of muscles which by their attachment to the cartilages of the larynx and their action on the joints are able to separate the vocal cords or approximate them; these are termed respectively abductor and adductor muscles (figs. 5 and 6). In normal respiration the posterior ring-pyramidal muscles contract synergically with the muscles of inspiration a

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modified), showing the

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), showing the posterior view

vocal cord itself, which by contracting shortens the vocal cord and probably allows only the free edge to vibrate; moreover, when not contracting, by virtue of the perfect elasticity of muscle the whole thickness of the cord, including this vocal muscle, can be stretched and thrown into vibration (vide fig. 8). In the production of chest notes the whole vocal cord is vibrating, the difference in the pitch depending upon the tension produced by the contraction of the tensor (ring-shield) muscle. When, however, the change from the lower to the upper register occurs, as the photographs taken by Dr. French and reproduced in a lecture at the Royal Institution by Sir Felix Semon show, the vocal cords become shorter, thicker, and rounder; and this can be explained by supposing that the inner portion of the vocal muscle contracts a

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est, With 3', Its New Position After Contraction of the Muscles. 4, Centre of Movement of the Pyramid Cartilage. 5, the Vocal Cords at Rest. 5', their New Position After Contraction of the Abductor and Adductor Muscles, Respec

bductor muscle upon the pyramid cartilages in separating the vocal cords;

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away, showing the conical cavity of the sound-pipe below the vocal cords. The ventric

pouch called a ventricle, and the upper surfaces of the vocal cords slope somewhat upwards from without inwards, so that the pressure of the air from above tends to press the edges together. The force of the expiratory blast of air from below overcomes the forces which approximate the edges of the cords and throws them into vibration. With each vibration of the membranous reeds the valve is opened, and as in the case of the siren a little puff of air escapes; thus successive rh

compass

D to f 75- 354

" c'' 13

" e " g''

b " f''' 2

rom about D 75 to f''' 1417 vibrations per second, but the

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ngue. The observer holds the tongue out gently with a napkin and reflects the light from the mirror on his forehead on to the back of the throat. The small mirror, set at an angle of 45° with the shaft, is of varying size, from half an inch to one inch in diameter, and may be fixed in a handle according to the size required. The mirror is warmed to preven

respiration and vocalisation. The vocal cords of a man are about seven-twelfths of an inch in length, and those of a boy (before the voice breaks) or of a woman are about five-twelfths of an inch; and there is a corresponding difference in size of the voice-box or larynx. This difference in length of the vocal cords accounts for the difference in the pitch of the speaking voice and the register of the singing voice of the two sexes. We should also expect a constant difference in the length of the cords

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ent of the windpipe is visible. (3) During the whisper the vocal cords are separated, leaving free vent for air through the glottis; consequently there is no vibration and no sound produced by the cords. (4) The soft vocal note, or aspirate, shows that the chink of the glotti

es the laryngoscope teach regarding the change occurring in the vocal cords during the singing of the two to two and a half octaves? If the vocal cords are observed by means of the laryngoscope during phonation, no change is seen, owing to the rapidity of the vibrations, although a scale of an octave may be sung; in the lower notes, however, the vocal cords are seen not so closely approximated as in the very high notes. This may account for the difficulty experienc

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he whole cord is vibrating, including the inner strand of the vocal muscle. At the break from D to E (3 and 4) the cords suddenly become shorter and thicker; presumably the inner portion of the vocal muscle (thyro-arytenoid) is contracting strongly, permitti

nd loudness. Complex neuro-muscular mechanisms preside over these two functions of the vocal instrument. The instrument is under the control of the will as regards the production of the notes in loudness and duration, but not so as regards pitch; for without the untaught instinctive sense of the mental perception of musical sounds correct intonation cannot be obtained by any effort of the will. The untaught ability of correct appreciation of variations in the pitch of notes and the memorising and producing of the same vocally are termed a musical ear. A gift even to a number of people of poor intelligence, it may or may not be associated with the sense of rhythm, which, as we have seen, is dependent upon the mental perception of successive movements associated with a sound. Both correct modulation and rhythm are essential for melody. The sense of hearing is the primary incitation to the voice. This accounts for the fact that children who have learnt to speak, and suffer in early life with ear disease, lose

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e voice-box. Sound vibrations are represented issuing from the larynx, and here they become modified by the resonator; the throat portion of the resonator is shown continuous with the nasal passages; the mouth portion of the resonator is not in action, o