By the Christmas Fire
ny of Bein
rs who put their best thoughts into books to be kept in cold storage for posterity. My Philosopher is eminently social, and is conversational in
ut another question. The questions follow one another with extreme rapidity. He acts upon my mind like an air pump. His questions speedily exhaust my small stock of acquired information. Into the m
ugh he has accumulated a good deal of experience, he is still in his intellectual prime. He has not yet reach
ood, the True, and the Beautiful. These words represent only the primary colors of the moral spectrum. Each one is broken up into any number of secondary colors. Thus the Good ranges all the way from the good to eat to the good to sacrifice one's self for; the Beautiful ascends from the m
ten down so that a wayfaring man, though a fool, need not err therein,-baking-powder and coffee and a dozen eggs, and last and least, and under no circumstances to be forgotten, a cake of condensed yeast. These things weigh
They are in barrels and boxes and paper bundles. They rise toward the sky in shelves that reach at last the height of the gloriously unattainable. He walks through the vales of Arcady, among pickles and cheeses. He lifts up his eyes wonderingly to snowy Olympus crowned wi
word!" I hadn't thought about it, but it is a pretty word,
erubs rioting in health, smiling old men, benignant matrons, radiant maidens, all feasting on ne
ory from the picture. It seems like an inadequate explanation to say that he is
eet ten. Three feet do not count for much when we are considering astronomical distances, but they make a great difference in the way things seem. There is a difference in the horizo
ase. There are many beautiful things in the store to be admired from below; but
ull adult sensibilities never created a masterpiece that gave
f alluringly to the biter,-or rather to one who would leisurely absorb it. Even now there is a vagueness of outl
ghly agree with him. However much the necessaries of life may have advanced in price, the prime luxuries are still
the visit to the grocer's has been a great success. It is
to a gay young knight who is setting forth in quest of dragons. It is blind of both eyes, and cannot see a dragon any more, and only shies, now and then, when it comes to a place where it saw one long ago. There
roduction, no tiresome analysis. It is pure story, "of imagination all compact." Things happen
he was a cock-a-doodle-doo. And he wanted to fly up into the sky. So he did fly up int
re gets to be too much connective tissue and too little to connect. When the imagination is in its first freshness, a story is almost without connective tissue. There seems hardly enough to hold it togeth
nd its loveliness increases with each repetition. In a classic tale he is quick to resent the slightest change in phraseology. There is a just severity in his rebuke when, in order to give a touch of novelty, I mix up the actions appropriate t
such an appreciative audience, how pleasant would be the pathway of art! The tragedy of Cock Robin reaches its hundredth night with no apparent falling off in interest. It is followed as only the finest critic will listen to the greate
n the humming birds, he does not therefore scorn the less brilliant hippopotamus. He has no repugnance to an ugliness that is only skin deep. He reserves his disapprobation for an ugliness that seems to be a visible sign of inner ungraciousness. The small monkeys he finds amusing; but he grows grave as h
would try a jackknife if I would let him. He wants to cut into things and see what they are made of. He wants to try experiments. He doesn't care how they come out; he knows they will come out some way or other. Having an imagination, he imagines things, and his imagination being healthy, the things he imagines are very pleasant. In this way he comes to have a very
light-hearted, tender-hearted, and altogether charming young
ophe which we speak of as being "grown-up"? Habit has dulled our perception of the absurd anti-cl
It is a bright, foaming torrent. Not a moment is wasted. The little girls are at once exchanging confidences, and the little boys are in Valhalla, where the heroes make friends with one another by indulging in everlasting a
are condemned to be suspended in the middle. Then you look at your antagonists on the opposite side. What a long, unrelenting row of humanity! These are the grown-ups. You
only getting over the ground. One feels like putting up a notice: "Lost, somewhere on the road between
should be looked upon as a reward o
till his honor
e order of nature. Growing is like falling,-it is all righ
ife rushes on with a sweet tumult. All things seem possible. It seems as if a lot of the unfinished business of the world is about to be put through with enthusiasm. Then, just as the process has
n like an Indian giver, taking away t
ifts
noisy and slowe
the rapture
as often been accomplished by the most deliberate educational processes. There are two kinds of educati
orth w
the poets t
endowed with
and the fac
hat the Educational Man with the Hoe is responsible for a good deal of the loss. In his desire for clea
to be feared, the Educational Man wit
d by careful trimming to make it look like something else, say a peacock standing under an umbrella. Curious effects could be produced in this wa
dgeworth's "Frank," a book much admired in its day. Frank, to begin with, was a very likable little boy. If he was not made of the "sugar and spice and all things nice" that little girls are made of, he had all the more homely miscellaneous ingredients that little boys are made of. The problem of the careful fat
The evening meal was transformed into a purgatorial discipline, and as
ide it so that each of the five persons present should have a just share. Frank
revealed. What would Frank do with that sixth piece of cake? Perhaps-horrible thought!-he might eat it. From this crime he was saved only to fall into the almost equal sin of unscien
ize of the pieces, and you were to take care that we each have our just shar
eces and gave one of the large and one of the small pieces to each person, and he then said: 'I believe I have divided the cake fairly now.' Everybody present said 'yes,
nk's mother. She was afraid that the family m
how you will divide the sugar that was upon the top of the cake, and which is now broke
ar are of such different sizes and shapes. I do not know how I shall ever
, 'I beg you will divi
tle mounds, and after carefully measuring
th, I acknowledge,' said the father, 'b
! I never thoug
ave thought of it,
nt to the closet, and brought forth a pair of scales. "By patiently adding and taking away, he at la
amily meals, saved them from the temptatio
d in her story of Frank and his orrery. Frank had read of an orrery in which the motions of the
It was a wonderful universe which Frank had created-as many great philosophers before him had created theirs-out of the inner consciousness. When it had been constructed to the best of his ability, the only question was, would his universe work,-would his planets go singing around the su
s eye rested upon it all,
one word, the absurdities,-but he did not use that offensive w
Mary, 'what is you
hat you abide steadily by whatever resolution you now make, either quite to finish or quite to give up this orrery. If you choose
of Time" and the
bserve that it will only be what others have repeatedly made before.... Master Frank will grow older, and when or why or how he made this orrery
"'Mary, bring your work b
work basket which Mary held. Mary sighed, but Frank did not sigh. He was proud to give his father a proof of
that I can keep to
but this is a good begi
ainst Frank's father. He was a truly good man, and well-to-do. Still, there have always been so many j
e making an experiment he did so. There was no one to tell him how it would come out, so he had to wait to see how it did come out. In this way he wasted a good deal of time that might have been spent in le
is father showed him the folly of it. Some of his experiments turned out to be very useful, but most of them did not. Some of them only proved that what people thought they knew was not so. Faraday seemed
a world, and if a person cannot be like Frank
was in regard to the seat of the soul. The question was suggested in this way. Being a small boy, and seeing the bars of an iron railing, he felt called upon to try experimentally whether he could squeeze throay to study philosophy was to wait till one could sit down in a chair and read it out of a book. But to Faraday the tho
of poetry, he asked to be all
r would like you to repeat them if you u
ay from any poetry he could not altogether understand, he would soon be grown-up,
e poem is "A frog he would a-wooing go,"-especially the first quatrain. His analysis is very defective;
would a-
o! says
other would l
powly, gammon
says Antho
whose presence in the garden, in spite of his usefulness, is an affront. He is a creature of romance; he is going
other would l
is a great, jovial soul, who, when the poetry is going to his liking, cries, "Heigh ho!"-and when Rowley cries, "Heigh ho!" my Philosopher cries, "Heig
ng go" as the high-water mark of poetical genius; but I should wish him to bring
estion wait
alth o
, appetite, and health, I cannot but feel that something is wrong. I am remi
t down like
son of
*
e amazing
bout by i
mployed his
untimely,
baking powder, and a small teacupful of hot water. She has beaten the eggs very light and stirred in the flour only a little at a time. She has beaten the dough and added granulated sugar with discretion. She has resisted the temptation to add more flour when she has been assured
dients of the educational cake are excellent, and an immense amount of faithful work has been put i
ascinating and disconcerting uncertainty. One thing is obvious, and that is that it is no more safe for the teacher than for the preacher to "banish Nature from his plan."
bout "the process of becoming" than about the thing which we have already become. She is quite capable of taking the finished product upon which we had prided ourselves an
t the function of teaching, and seem to imagine that it might go on automatically. We sometimes think of
c method must be subordinated to the vital. Teaching may be developed into a very neat and orderly system, but learn
as being quite upsetting. They have found out something that they had never known before, and the di
ll boy who had just got the answer to his sum in vulgar fractions. Nobody had helped him; he had found it out for himself; and now he could go out and play. "Let nothing confine me: I w
ind it so hard to keep still and to listen respectfully to people whose knowledge is merely reminiscent. Above all, it is
hat it takes a little time for us to make sure that it's the same old Alphabet this morning that we had the other day. She is the victim of preconceived ideas on the subject, but our minds are op
us for not paying attention to a new letter that is just swimming into our ken. If, however, she is fortunate e
hild, we say, has eager curiosity, a myth-making imagination, a sensitiveness to momentary impressions, a desire to make things and to destroy things, a tendency to imitate what he admires. His mind goes out not in one direction, but in many directions. Th
n these primitive things are the potentialities o
the boy David felt whe
ncies g
go on the pasture, wh
, the one eagle whee
ow and mused on the
I saw but the strip 'tw
y days are ordained to
, with my fancies, the
never to mix with,
ve in those fashions
and crave expression. The things he sees, the people he meets, are all symbols to him, just as the one eagle which "wheeled slow as in sleep" was to the shepherd lad the symbol of a great unknown world. That
we cannot understand him, and we employ people to explain him to us. We treat his works as alcohol is treated in the arts. It is,
on who is still in possession of all his early qualities. Wordswo
heart the
gination hav
orld, he sees all things as m
fixed and st
ebbing and a
on ever
ylark." The student of Child Psychology never found more images chasing one another through the mind. The fancies follow one another as rapidly as if Shelle
d joy whose rac
gain,
star of
broad d
w
poet
ight of
he mind wanders off and sees visions of purple evenings and golden lightnings and whi
hat e
, and fresh, thy
s the ideal life. The artist, the reformer, the inventor, the poet, the man of pure science, the really fruitful and original man of affairs,-these are the incorrigibles. They refuse to accept the hard-and-fast rules that are laid down for them. They insist upon finding
eas and su
t beauty o
ibilities. They see no reason to give up the habit of wonder. They never
a truant boy. He is one who has awakened right early on a wonderful morning. There is a spectacle to be seen by those who have
n bards
ideas
ays find
ays kee