Faces in the Fire, and Other Fancies

fine smack of approval, 'rivers were made for wise men to contemplate and for fools to pass by without consideration.' Let us beware lest we fall beneath the Spaniard's

e lordliest of them all, I have made 164 my home. It is good to stand on these green banks, to survey the great expanse of gleaming waters, and to see the stately ships glide in and out. I often think of that early morning when John Forster found Carlyle standing beside the Thames at Chelsea, lost in an evident reverie of admiration. 'I should as soon have thought of assaulting him as of addressing him,' says Forster. To be sure! We do lots of things in this life of which we have no reason to be ashamed, things that are

consumed with envy because no broad river protected them from their foes, and bore to their gates the wealthy merchandise of many lands. I never noticed until I dwelt by these blue waters how all the Psalms and prophecies are coloured by this phase of Judean life. The prophets were for ever dreaming of the river; the psalmists were for ever singing of the river. Nothing delighted the people like a vision, such as visited Ezekiel, of a broad river rushing out from Jerusalem. No greater or more glowing message ever reached the disconsolate

ointing to the Thames, 'that, sir, is liquid history, liquid history!' Yes, Mr. Burns is quite right. The Thames has a glory of its own among the world's historic streams, although it is only a matter of degree. All rivers are liquid history. The records of the world's great rivers constitute themselves, to all intents and purposes, the history of the race. To take a single illustration, it is obvious that the student who has mastered the history and hydrography of the Niger, the Congo, the Zambesi, the Orange, and the Nile has little more to learn about Africa. From the times of which Herodotus writes, when Cyrus lost his temper 167 with the Tigris, and turned it out of its channel for drowning one of his sacred white horses, rivers have loomed very largely in the annals of human history. Indee

and veneration which rivers excite in those who live on their banks; of the feeling of the Hindus about the Ganges, of the Hebrews about the Jordan, of the Egyptians about the Nile, of the Romans about the Tiber, and of the Germans about the Rhine. Is it that rivers have, in a greater degree than almost any other inanimate object, the appearance of animation, and something resembling character? They are sometimes slow and dark-looking; sometimes fierce and impetuous; sometimes bright, dancing, and almost flippant.' However that may be, the fact itself remains; and it is surprising that our literature does not more adequately reflect this marked peculiarity. Macaulay himself felt the lack, and dreamed of writing a great epic poem on the Thames. 'I wonder,' he said, 'that no poet

rd Kipling, have given us the classics of the river. Bunyan's river-the river that all the pilgrims had to cross-is too familiar to need more than the merest mention. And as for Mr. Kipling, he, like Bunyan, is a writer of b

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nce, is that whoso bathes in it washes away all taint and speckle of sin.' And so, through Mr. Kipling's four hundred vivid pages, there wanders the old lama, through city and rice-fields, over hills and across plains, asking, always asking, one everlasting question: 'The River; the River of the Arrow; the River that can cleanse from Sin; where is the River? Where, oh, where is the River