Immortal Memories
e said emphatically, he stands
d all the treasures of literature constantly passing into his study. Cowper had but eighteen books altogether during many of his years in Olney, and some of us who have lent our volumes in the past and are still sighing over gaps in our shelves find consolation in the fact that six of Cowper's books had been returned to him after a friend had borrowed for twenty years or so. Now, it is comparatively easy to write good letters with a library around you; it is marvellous that Cowper could have done this w
on discreetly kept away from prose, and his letters, be it remembered, lack distinction as do most letters of the nineteenth century. If, however, as we are really to believe, he it was who really made the first edition of Palgrave's Golden Treasury of Lyric Poetry, he came near to Cowper in his sanity of judgment, and one delights to think that in that precious volume Cowper ranks third-that is, after Shakspere and Wordsworth-in the number of selections that are there given, and
ng in it, rather than a whole poem full of musical periods,
d Robert Browning an
ts only the flavour of your pipe to make it perfectly delightful!" Naturally tolerant of total abstinence, he asks one friend to drink to the success of his Homer, and thanks another for a present of bottle-stands. From beginning to end, save in those periods of aberration, there is no more resemblance to Cowper in the picture that certain narrow-minded people have desired to portray than there is in these same people's conception of M
criticism of Cowper by living writers has been of surpassing excellence. For the first fifty or sixty years of the century that we are recalling Cowper was the most popular poet of our country, with Burns and Byron for rivals. He has been largely dethroned by Wordsworth and Shelley, and Tennyson, not one of whom has been praised too much. But if Cowper has sunk somewhat out of sight of late years, owing to inevitable circumstances, it is during these late years that he has secured the goodwill of the best living
for the dethronement of later favourites. "Each age must write its own books," says Emerson, and this is particularly the case with the great body of poetry. Cowper, however, will live to all time among students of literature by his longer poems; he will live to all time among the multitude by his ballads and certain of his lyrics. He will, assuredly, l