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James Frederick Ferrier

Chapter 7 THE COLERIDGE PLAGIARISM-MISCELLANEOUS LITERARY WORK

Word Count: 4578    |    Released on: 01/12/2017

e, and likewise one on which there is considerable division of opinion even in the present day. Into this controversy

a position which was unique; for the treasures of German poetry and prose had not as yet been fully opened up, and he was held to possess the means of doing this in a quite exceptional degree. The works of Schiller, Goethe, and the other poets came to the world-and to Coleridge with the rest-as a sort of revelation. But the poet in his own mind was nothing if not a philosopher-a kind of seer amongst men, speculating, somewhat vaguely it might be, on matters of transcendental import-and in Schelling he thought he had dis

ation from an essay written by Schelling. De Quincey cannot indeed explain away the mystery, but he makes the best of it, pleading excuses such as we often hear adduced in cases of 'kleptomania' when they occur amongst the well-to-do, or so-called higher classes-e.g., the evident fact that there was no necessity so to steal, no motive for stealing, even though the theft had evidently been committed. Still, though the defence may be ingenious, and though we may go so far as to acknowledge that Coleridge had sufficient originality of mind to weave out theories of his own without borrowing from others, it must be confessed that under the aggravated circumstances the argument falls somewhat flat; and this was the impression made on many minds even at the time. The ball once set rolling, the dispute went on, and the next important incident was an article by Julius Hare in the British Magazine of January 1835. This is a hot defence of the so-called 'Christian' philosopher, who is said to be influencing the best and most promising young men of the day, as against the assault of the 'English Opium-Eater'-'that ill-boding alias of evil r

eneral acknowledgments of indebtedness to Schelling to begin with. He acknowledges that there may be found in his works an identity of thought or phrase with Schelling's, and allows him to be the founder of the philosophy of nature; but he claims at the same time the honour of making that philosophy intelligible to his fellow-countrymen, and even of thinking it out beforehand. Having said so much, there follow pages together-sometimes as many as six or eight on end-which are virtually copied verbatim from Schelling, though with occasional interpolations of the so-called author here and there. Ferrier has examined the whole matter most minutely, and made a long list of the more flagrant cases of copying: thirty-one pages, he points out, are faithfully transcribed, partially or wholly, from Schelling's works alone, without allowing for what the author admits to be translated in part from a 'c

ate. Jowett, while at Berlin, had, it appears, seen Schelling, and talked to him of the plagiarisms. He took the matter, Jowett states, good-naturedly, thought Coleridge to have been attacked unfairly, and even went so far as to assert that he had expressed many things better than he could have done himself-certainly a very generous acknowledgment. Probably the most charitable construction we can put on Coleridge's act is that which Jowett himself advances in saying that the poet is not to be looked upon or judged as an ordinary man would be, seeing that often enough he hardly could be said to have been responsible for his actions; while his egotism, which was extreme, may have likewise led him-it may be almost unconsciously-into acts of doubtful honesty. But evidently, in spite of Ferrier's work, Jowett, and possibly even Schelling himself, had no idea of the extent to which the plagiarisms extended. There would, of course, have been comparatively little harm

n opposition to the Review, and the discomfiture of another journal carried on under the auspices of Constable. It was in the seventh number of Blackwood that the satire appeared-that is, the first number of Blackwood's Edinburgh Magazine as distinguished from the Edinburgh Monthly Magazine, published from Blackwood's office to begin with, but on comparatively mild and inoffensive lines. One may imagine the effect of this Tory outburst on the society of Edinburgh. All the literati of the town were involved: Sir Walter Scott himself, Mackenzie, Sir David Brewster, Sir William Hamilton, Professor Jamieson, Tytler, Playfair, and many others, some of whom emerged but seldom from the retirement of private life. Nowadays it would be difficult, if not impossible, to identify the different characters, were it not for the assistance of Professor Ferrier's marginal notes; but in those days they were no doubt recognisable enough. Of course the magazine went like wildfire; but the ludicrous description in semi-biblical language of individuals with absurd allegorical appenda

uld appeal most to Ferrier. A few years before his death Ferrier gave up the project he had in view of writing Wilson's life, partly in despair of setting forth his talents as he felt they should be set forth, and partly from the lack of material to work from. He says, in a letter written at the time, 'It would do no good to talk in general terms of his wonderful powers, of his genius being greater (as in some sense it

belonged-the school which opposed itself to the eighteenth-century enlightenment, making its cry the return to nature, and demanding with Fichte that a work of art should be a 'free product of the inner consciousness.' Another specimen

o well aware of the insufficiency of any translation of Faust to regard even the best in any other light than as a makeshift. But then things were different, and it was possible that wrong impressions of the original might be conveyed by inadequate translations. Ferrier's point was that Goethe, while writing in rhyme and in exquisitely poetical language, managed at the same time to find words such as might really be used by ordinary mortals; but the translators, in endeavouring rightly enough to keep to the rhyming form, entirely fail in their endeavour after the same end. He considers that though in prose we may deviate from the ordina

e thinking (whatever effect it may have ultimately upon their nobler genius, supposing them to have one) in the meantime absolutely kills, or appears to kill, all the minor faculties of the soul-all the lesser genial powers, upon the exercise of which the greater part of human happiness depends. They would own, not without remorse, that pure speculation-that is, knowledge pursued for itself alone-has often been tasted by them to be, as Coleridge elsewhere says, 'the bitterest and rottenest part of the core of the fruit of the forbidden tree.' This seems a strange confession for a thinker reputed so abstract as Ferrier, but of course the truth of what he

been a sort of Admirable Crichton amongst philosophers, to whom no subject came amiss, and who was ready to take his part in every sort of philosophical discussion. By Hegel and the idealist school he is somewhat co

arrives on shoulders that are innocent. Of course Ferrier believed that the worst prognostications of a quarter of a century before were now being realised by the application not being persevered in; but as to this particular piece of criticism, whatever our opinion of Patmore's poetic powers may be, surely the writer was unreasonably severe; surely the work does not deserve to be dealt with in such unmeasured terms of opprobrium. It is refreshing to turn to an appreciative, if also somewhat critical review of the poems of Elizabeth Barrett,

discovered in a copy of the folio 1632. Ferrier, who was a thorough Shakespeare student, and whose appreciation of Shakespeare is often spoken of by those who knew him, had no faith in the authenticity of the new readings, though he thinks they have a certain interest as matter of curiosity. He goes through the plays and the

Biography on the various philosophers. Two of these, the biographies of Schelling and Hegel, are printed in the Remains,

it, the 'second and junior of the Scottish Houses of Parliament.' Being therefore amenable to no other earthly power, it was justified in opposing the decrees of the Court of Session; though, however, the Free Church ministers were right in defending their constitutional privileges, Ferrier holds that they were wrong in doing so as the 'Church' i

on, and an appreciation of the work of Tennyson, Macaulay, Aytoun, and Lytton. In the same year, but a few months later, Ferrier was asked to deliver the opening address of the Edinburgh Philosophical Institution. This Institution has for long been the means of bringing celebrities from all parts of the country to lecture before an Edinburgh audience, and its origin and conception was largely due to Professor Wilson, Ferrier's father-in-law, who was in the habit of opening the session with an introductory address. His health no longer permitting this to be done, the directors requested Ferrier to take his place. The address was on purely general topics, dealing mainly with the objects of the Institution, then somewhat of a novelty. He concluded: 'Labour is the lot of man.

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