Lancashire Sketches / Third Edition
d in shade, in
the of heart, a
nions now the
ting brooks" and
music of my
-lived thought th
isapp
dsw
candle." The old superstitions of the people, cherished by their manner of life, dwelling, as they did, in little seclusions, scattered over the country around, made these the meeting-places of witches, and all sorts of unholy things, of a weird nature. It is a common belief now, among the natives of the hills and solitary cloughs of Lancashire, that the best way of laying a ghost, or quieting any unearthly spirit whose restlessness troubles their lonely li
ions wearis
ead, and feelin
ge, ill begun
ngs, in formal
re now in the township of Urmston, though not in the exact spot where "Tim Bobbin" was born. As I stood in the hollow, looking round at the little cluster of dwellings, my friend pointed to a large, sleepy-looking old brick house, with a slip of greensward peeping through the paling in front, as the dwelling of William Shore, Esq., an eminent local musician, the author of that beautiful glee-arrangement of the music to Burns's matchless carou
let could
e, that did n
mbra
t is a curiously-illuminated miscellany of the finest kind; and, in spite of all it has gone through, thank Heaven, it is neither moth-eaten nor mildewed, nor in any way weakened by age. Its history is written all over the land in rich memorials, with a picturesque
English granges, surrounded by large outhouses, and clean, spacious yards, with glittering windows adorned with flowers, and a general air of comfort and repose about them; and then the ham
esting-pla
and refreshing
l. When the river was swollen by long rains, the nearer part of the Cheshire side used to present the appearance of a great lake, before the embankment was thrown up to protect the fields from inundation. In past times, that rich tract must have been a vast marsh. But yonder stands Urmston Hall, upon a green bank, overlooking the river. As I drew nearer the building, I was more and more struck with its picturesque appearance, as seen from the high road, which goes by it, at about a hundred yards' distance. It is a fine specimen of the wood-and-plaster hall, once common in Lancashire, of which Hulme Hall was an older, and perhaps the richest example, so near Manchester. Urmston Hall is "of the age of Elizabeth, adorned by a gable, painted in lozenges and trefoils." Baines says, "According to Seacombe, Sir Thomas Lathom possessed the manor of Urmston, in this parish (Flixton), and at
of the parish register book at Flixton, as witness my hand, this 30th November, 1824.-(Signed) Thomas Harper, parish clerk.'" This was all clear and straightforward so far as it went, but I wanted to prove the thing for myself, as far as possible, on the spot. I thought it best to begin by inquiring at the nearest of these cottages, opposite Urmston Hall. Inside I heard the dismal rattle of hand-looms at work, and through the window I could see the web and the wooden beams of the machine, and a pale gingham weaver, swaying back and forward as he threw his shuttle to and fro. The door, which led into the other part of the cottage, was open, and a middle-aged woman, with a thin, patient face, was spinning there, on the wooden wheel still used in country places. This was the first indication I had noticed of any part of the population being employed in manufacture. I went to the open door, and asked the woman if this was not the spot where "Tim Bobbin" was born, expecting a ready and enthusiastic affirmative. She gazed at me for an instant, with a kind of vague curiosity; and, to my astonishment, said she really couldn't tell. She hardly seemed to know who "Tim Bobbin" was. Poor as the inmates were, everything inside spoke of industry and cleanliness, and simple, honest living. She called her husband from his looms, in the other part of the cottage; but his answer was nearly the same, except that he referred me to a person in the neighbourhood, who was formerly master of the school kept in this old house, called "Richard o' Jone's." I turned and left the spot with a feeling of disappointment, but with a stronger desi