Old Kensington
ivy where
in, stone
for grapes
green lea
. Bro
d its voice. The church clock is silent now, but the rooks caw on undisturbed from one spring to another in the Old Kensington suburb. There are tranquil corners still, and sunny silent nooks, and ivy wreaths growing in the western sun; and jessamines and vine-trees, planted by a former generation, spreading along the old garden-walls. But every year the shabby stream of progress rises and engulfs one relic or another, carrying off many and many a landmark and memory. Last year only, the old church was standing, in its iron cage, at the junction of the thoroughfares. It was the Church of England itself to Dolly and George Vanbor
stricken as she thought of the present-of distances immeasurable-of life and its inconceivable mystery; and then her heart would warm with hope perhaps of what might be to come, of the overwhelming possibilities-how many of them t
your gla
sreal
re not green as yet, nor was their land overflowing with milk and honey. How ever, they sang praises for others, as all people do at times, thanks be to the merc
areas, for particulars of which you are requested to apply to the railway company, and to Mr. Taylor, the house-agent. In those days the lanes spread to Fulham, white with blossom in spring, or golden with the yellow London sunsets that blazed beyond the cabbage-fields. In those days the
d sun-dial many and many a time. Sometimes now, as she comes walking along the straight avenues, Dolly thinks she can hear the echo of their own childish voices whooping and calling to one anoth
rge Vanborough, throwing
ploding with schoolboy wit
ross the court to her apartments. The children think she is a witch, and always on the watch for them, though they do not tell Robert so. The Morgans turn up Old Street, and George and Dolly escort them so far on their way home. It is a shabby street, with shops at one end and old-fashioned houses, stone-stepped, bow-windowed at the other. Dear Old Street! where an echo still lingers of the quaint and stately music of the past, of which the voice comes to us like a song of Moz
every flagstone and window; they turn up a passage of narrow doorways and wide-eaved roofs, and so get out into the high-road again. They look up with friendly recognition at the little boy and girl in their quaint Dutch garb standing on their pedestals above the crowd as it passes the Vestry-hall; then they turn down a sunshiny spring lane, where ivy is growing, and bricks are twinkling in the west
andles, and to burn the sandal-wood matches; but Dolly, who was a little P
rgans,' said George, 'sinc
e or not, this was what Ge