Great Singers, First Series / Faustina Bordoni To Henrietta Sontag

ember 15, 1757, was one of most brilliant success, and in a night Paris was at her feet. Her genius, her beauty, her voice, her magnificent

young and lovely débutante accepted the homage of the time, which then as now expressed itself in bouquets, letters

a great fortune, and the good-humored gayety with which he won money from his friends was only equaled by the nonchalance with which he had squandered his own. He was a member of the Academy of Sciences, and enjoyed lounging in fashionable saloons and behind the scenes at the opera. Lauraguais had the temerity to attempt to carry off the young beauty, but, the enterprise failing, he had recourse to another expedient. One evening, supping with some friends, the conversation turned naturally on the star which had just risen, and there was much jesting over the maternal anxiety of Arnould mère. Lauraguais, laughing, instantly offered to lay an immense wager that within fifteen days Mme. Arnould would no longer attend Sophie to the opera. The bet was taken, and the next day a handsome but modest-looking young man,

o her relation with Lauraguais, though she never took pains to deprecate his anger or avert his suspicions. Discovering that he was intriguing with an operatic fair one, she contrived that Lauraguais should come on her tête-a-tête with a Knight of Malta. To his reproaches she answered, "This gentleman is only fulfilling his vows as Knight of Malta in waging war upon an infidel" (infidèle). At last she tired of leading such a fretful existence, and took the occasion of the Count's absence to break the bond. She filled her carriage with all of his valuable gifts to herself-jewelry, laces, and two children-and sent them to his hotel. The message was received by the Countess, who gladly accepted the charge of the l

een eaten by wolves. "Poor beasts! hunger must be a dreadful thing," ejaculated she. A beautiful but silly woman complained to her of the persistency of her lovers. "You have only to open your mouth and speak, to get rid of their importunities," was the pungent answer. She effectually silenced a coxcomb, who aimed to annoy her by saying, "Oh! wit

is wits have reviv

ara Ber

and I have committed eighty-four follies" (sottises). "A mere trifle," resp

a popular idol to be so summarily treated. She, however, retired for a time from the theatre with a pension of two thousand francs, having already accumulated a splendid fortune. Instantly that it was known she was un

en Gluck's magnificent opera, constructed on new art principles, was given to the Paris public, April 19, 1774, it created a deep excitement, and divided critics and connoisseurs into opposing and embittered camps, in which the most distinguished wits, poets, and philosophers ranged themselves, and pelted each other with lampoons, pamphlets, and epigrams, which often left wounds that had to be healed afterward by an application of cold steel. In this contest Sophie Arnould, who had speedily emerged from her retirement, took an

emark, "I believe it is the custom in France to rise when any one enters the room, especially if it be a person of some consideration." Gluck's eyes flashed with rage, as he sprang threateningly to his feet. "The custom in Germany, sir, is to rise only for those whom we esteem!" he said; then turning to Sophie, who had been stopped in th

me years afterward

ccasion of Edmund

a rage, because he

eeches by a thick-w

Hennin was obliged to make a humble apol

on, for it was at a later period that the old quarrels were resumed again with even more acrid personalities, and Piccini was imported from Italy by the Du Barry faction to be pitted against the German. Gluck returned from Germany, whither he had gone on a visit, to find the opposition cabal in full force, and the merits of the Italian composer lauded to the skies by the fickle public of Paris. But the former's greatest opera, "Iphigénie en Tauride," was produced, and gave a fatal blow to Piccini's ascendancy, though his own opera on the same subject was afterward given with great care. On the latter occasion Mi