Corleone: A Tale of Sicily
l turn priest, too,' said Ippolito Saracinesc
to say that a man who had never seen some particular thing, a
till it burned freely, and then struck two or three chords of a modulation. A sheet of ruled paper on
the square divisions of the carved ceiling. He was a discontented man, and knew it, which made his disconte
s old enemy, Ugo del Ferice, and had found himself at last altogether in the latter's power, though not in reality his debtor. At the same time, he had fallen very much in love with a young widow, who, loving him very sincerely in her turn, but believing, for many reasons, that if she married him she would be doing him an irreparable injury, had sacrificed herself by marrying Del Ferice instead, sel
mpted to occupy himself with business had made him cool and clear-headed, so that he never did anything at all ruinous. The hot temper which he had inherited from his father and grandfather now rarely, if ever, showed itself, and it seemed as though nothing could break through the quiet indifference which had become a second outward nature to him. He had travelled
he thumb unusually delicate and long, the nails naturally polished. The elder brother's face, with its large and energetic lines, its gravely indifferent expression and dusky olive hue, contrasted at every point with the features of the young priest, soft in outline, modelled in wax rather than chiselled in bronze, pale and a little transparent, instead of swarthy,-feminine, perhaps, in the best sense of the word, as it can be applied to a man. Ippolito had the clear, soft brow
mposer; for he lacked the rough creative power which hews out great conceptions, though he possessed in a high degree the taste and skill which can lightly and lovingly and wisely impart fine detail to the broad beauty of a well-plan
f interest on both sides. In the midst of the large and peaceable patriarchal establishment in which they lived, and in which each member made for himself or herself an existence which had in it a certain subdued
Orsino was not afflicted with artistic tastes, nor with any undue appreciation of useless objects. Ippolito's short grand piano occupied a prominent position near the middle window, and not far from it was Orsino's deep chair, beside which stood a low table covered with
without in the least understanding what the younger man was trying to express. He was fond of any musical sound, in an undefined way, as most Italians are, and he knew by experience that if he let Ippolito alone something pleasant to hear would before lo
or in all Europe, for that matter, there is
e,' answered Orsino, no
ly looked about you for
besides, there is no reason in the world why I should ever marry at all, any more tha
e may be regarded as a means of
mbeciles,' answere
g his brother's face, but
taller they are, the more silent they are, in nine cases out of ten. Of course there are exceptions, but you can generally tell at a glance whether any particul
argument?' asked the
s an obse
o you deduc
ncourages talking, when no one has anything to say. It encourages marriage, without love. It sets up fashion against tas
opped, he
else?' asked I
hell on
ighting it. 'Since that is your opinion, why not take orders? You might become a prophet or a saint, you know. The first step towards sanctity is to despise the pomps and van
as though his brother had spoken in earnest. 'At all events, I mean
travel again?' i
ent houses, and I shall not try that again. I would even be an actor, if I had the gift. Perhaps I should make a good farmer, but our father will not trust me now, for he is afraid that I should make ruinous experiments if he gave me the management of an estate. This
eur musi
credit, because I deserve none myself. But you do not take your clerical profession seriously, and you are an amateur, a dilettante of the altar. If you do not have distractions about the vestments you wear when you are saying mass, it is because you have an intimate, unconscious artistic conviction that they are beautiful and
ood humouredly, b
our vocation, as you call it, was a liking for the state of priesthood, not for the work of a priest. Now I do not care about any state in particular, but I want work of some sort, at any cost. I w
d grown indiffere
. You ought to know a little theology. Are we put into the world with a purpose, or not? Is there an intention in our existence, or is there not? Am I to live through another forty or fifty years of total inact
,' said Ippo
y intelligent man, but too much happiness and too much money have paralysed him. H
happy. That is
s together in secret, as though it were their lawful prey. As they never wanted anything else, they
re fond
a part of their happiness. We are also a part of their dulne
an i
s on the architecture of our father's and mother's happiness. It is rather a negative mission in life, you must
f your own!' laughed Ippolito. '
f happiness. Marriage is not a
ttante husband, as you say that I am an
ose ceilings which are only to be found in old Roman palaces, and belong intimately to the existence which those old dwellings suggest. Orsino thought of the grim dark walls outside, of the forbi
rhaps as strong as either of them. But he did not believe that he could last as long. In the midst of an enforced idleness he felt the movement of the age about him, and he said to himself that he was in the race of which they were only spectators, and that he was born in times when it was impossible to stan
odern education, and his mother had died when he was a mere child. Brought up by men, among men, he had reached manhood early, in close da
so been less room for old-fashioned prejudices and traditions than formerly, and a good deal less respect for them, as there had been, too, a much more lively consciousness of the outer world's movements. The taking of Rome in 1870 was the death-blow of medi?valism; and the passing away of King Victor Emmanuel and of Pope Pius the Ninth was the end of Italian
was satisfied and happy. Times might change as they would, popes might die, kings might be crowned, parties might wrangle in political strife, and the whole country might live through its perilous joys of sudden prosperity and turn sour again in the ferment that follows failure,-it was all the same to Giovanni and Corona. A
s though it might lose some of its strength if anyone else could see it, or as if it could be spoiled by the light like a photograph not yet fixed. People som
ever been changeable or capricious people, and time had made solid their lives. To each other they were as they had always
only in recollection a vision of it, while they could not see the value of what remained nor appreciate something which had come with years. Strangers who came to Rome and saw the Princess of Sant' Ilario
eneath the strong black eyebrows. There were silver threads in the magnificent hair, but they were like the lights on a raven's wing. She was straight and strong and graceful still, she had been compared to velvet and steel-slighter perhaps than in her full
n one of the Saracinesca men. It was too fine to be womanish, too high to be effeminate, as it showed itself in Ippolito, the priest-musician. But it was unmistakably something which was neither in the old Prince, nor in Giovanni, nor in any of the other three brothers, and it made betwe
and those who talk the most of feeling are often those that feel the least. For conveying a direct impression, what is the sharpened conciseness of Euclid, or the polished eloquence of Demosthenes, what is the sledgehammer word blow of ?schylus, or the li
eyes of his friends and of the world, the more so in proportion as he shows the more plainly what he feels. Yet most of those who laugh at him have probably been in love themselves. A cynic would say that the humour of it lies in the grim certainty which others feel that it cannot last. Fear is terribly real to him who feels it, but a man who is frightened without cause is always laughable and generally contemptible. It is true that whereas we are all
pes when they had not been strong enough to make one of their own, and the absence of any womanly element in the great house, between the untimely death of the old Prince's wife, and Giovanni Saracinesca's marriage with the Duchessa d'Astrardente nearly thirty years later, had certainly not favoured a tendency to devotional practices. When young Ippolito made up his mind to be a priest, the aged head of the family growled out a few not very edifying remarks in his long white beard. Even ten years earlier, he might have gone into a
She had never been able to think of a possible wife for him-as she often thought of wives for her other sons-without a sharp thrust of pain which could not be anything but jealousy. It was not e
ell, that in a moment of danger he would think first of her, precisely as her husband would. Such instincts are, perhaps, but shadowy inklings of the gray primeval past, when women and children
not easily explained, to which the name of telepathy has lately been attached as a tentative definition. But these two were not unhealthy, nor morbidly sensitive, nor otherwise different from normal hu
occurred in the family for many years, excepting Orsino's rather foolish and most unlucky attempt to occupy himself in business at the time o