Le roman d'un jeune homme pauvre (Play)

Le roman d'un jeune homme pauvre (Play)

Octave Feuillet

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Le roman d'un jeune homme pauvre (Play) by Octave Feuillet

Le roman d'un jeune homme pauvre (Play) Chapter 1 LE ROMAN

D'UN JEUNE HOMME PAUVRE

COMEDIE

Représentée pour la première fois à Paris, sur le THEATRE DU

VAUDEVILLE

le 22 novembre 1858.

CALMANN LEVY, EDITEUR

OEUVRES COMPLETES

D'OCTAVE FEUILLET

Format grand in-18.

LES AMOURS DE PHILIPPE 1 vol.

BELLAH 1 vol.

HISTOIRE DE SIBYLLE 1 vol.

HISTOIRE D'UNE PARISIENNE 1 vol.

HONNEUR D'ARTISTE 1 vol.

LE JOURNAL D'UNE FEMME 1 vol.

JULIA DE TRECOEUR 1 vol.

UN MARIAGE DANS LE MONDE 1 vol.

MONSIEUR DE CAMORS 1 vol.

LA PETITE COMTESSE, LE PARC, ONESTA 1 vol.

LE ROMAN D'UN JEUNE HOMME PAUVRE 1 vol.

UN ROMAN PARISIEN 1 vol.

SCENES ET COMEDIES 1 vol.

SCENES ET PROVERBES 1 vol.

LA VEUVE 1 vol.

L'ACROBATE, comédie en un acte.

LA BELLE AU BOIS DORMANT, comédie en cinq actes.

LE CAS DE CONSCIENCE, comédie en un acte.

LE CHEVEU BLANC, comédie en un acte.

CIRCE, proverbe en un acte.

LA CRISE, comédie en quatre actes.

DALILA, drame en quatre actes, six parties.

LA FEE, comédie en un acte.

JULIE, drame en trois actes.

MONTJOYE, comédie en cinq actes.

PERIL EN LA DEMEURE, comédie en deux actes.

LE POUR ET LE CONTRE, comédie en un acte.

REDEMPTION, comédie en cinq actes.

LE ROMAN D'UN JEUNE HOMME PAUVRE, comédie en cinq actes.

UN ROMAN PARISIEN, pièce en cinq actes.

LE SPHINX, drame en quatre actes.

LA TENTATION, comédie en cinq actes, six tableaux.

LE VILLAGE, comédie en un acte.

Paris. - Imp. N.-M. DUVAL, 17, rue de l'Echiquier

LE ROMAN

D'UN

JEUNE HOMME PAUVRE

COMEDIE

EN CINQ ACTES EN SEPT TABLEAUX

PAR

OCTAVE FEUILLET

DE L'ACADEMIE FRANCAISE

NOUVELLE EDITION

PARIS

CALMANN LEVY, EDITEUR

ANCIENNE MAISON MICHEL LEVY FRERES

3, RUE AUBER, 3

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Monsieur de Camors -- Volume 3

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by MAXIME DU CAMP, of the French Academy OCTAVE FEUILLET OCTAVE FEUILLET'S works abound with rare qualities, forming a harmonious ensemble; they also exhibit great observation and knowledge of humanity, and through all of them runs an incomparable and distinctive charm. He will always be considered the leader of the idealistic school in the nineteenth century. It is now fifteen years since his death, and the judgment of posterity is that he had a great imagination, linked to great analytical power and insight; that his style is neat, pure, and fine, and at the same time brilliant and concise. He unites suppleness with force, he combines grace with vigor. Octave Feuillet was born at Saint-Lo (Manche), August 11, 1821, his father occupying the post of Secretary-General of the Prefecture de la Manche. Pupil at the Lycee Louis le Grand, he received many prizes, and was entered for the law. But he became early attracted to literature, and like many of the writers at that period attached himself to the "romantic school." He collaborated with Alexander Dumas pere and with Paul Bocage. It can not now be ascertained what share Feuillet may have had in any of the countless tales of the elder Dumas. Under his own name he published the novels 'Onesta' and 'Alix', in 1846, his first romances. He then commenced writing for the stage. We mention 'Echec et Mat' (Odeon, 1846); 'Palma, ou la Nuit du Vendredi-Saint' (Porte St. Martin, 1847); 'La Vieillesse de Richelieu' (Theatre Francais, 1848); 'York' (Palais Royal, 1852). Some of them are written in collaboration with Paul Bocage. They are dramas of the Dumas type, conventional, not without cleverness, but making no lasting mark.

Monsieur de Camors -- Volume 2

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by MAXIME DU CAMP, of the French Academy OCTAVE FEUILLET OCTAVE FEUILLET'S works abound with rare qualities, forming a harmonious ensemble; they also exhibit great observation and knowledge of humanity, and through all of them runs an incomparable and distinctive charm. He will always be considered the leader of the idealistic school in the nineteenth century. It is now fifteen years since his death, and the judgment of posterity is that he had a great imagination, linked to great analytical power and insight; that his style is neat, pure, and fine, and at the same time brilliant and concise. He unites suppleness with force, he combines grace with vigor. Octave Feuillet was born at Saint-Lo (Manche), August 11, 1821, his father occupying the post of Secretary-General of the Prefecture de la Manche. Pupil at the Lycee Louis le Grand, he received many prizes, and was entered for the law. But he became early attracted to literature, and like many of the writers at that period attached himself to the "romantic school." He collaborated with Alexander Dumas pere and with Paul Bocage. It can not now be ascertained what share Feuillet may have had in any of the countless tales of the elder Dumas. Under his own name he published the novels 'Onesta' and 'Alix', in 1846, his first romances. He then commenced writing for the stage. We mention 'Echec et Mat' (Odeon, 1846); 'Palma, ou la Nuit du Vendredi-Saint' (Porte St. Martin, 1847); 'La Vieillesse de Richelieu' (Theatre Francais, 1848); 'York' (Palais Royal, 1852). Some of them are written in collaboration with Paul Bocage. They are dramas of the Dumas type, conventional, not without cleverness, but making no lasting mark.

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by MAXIME DU CAMP, of the French Academy OCTAVE FEUILLET OCTAVE FEUILLET'S works abound with rare qualities, forming a harmonious ensemble; they also exhibit great observation and knowledge of humanity, and through all of them runs an incomparable and distinctive charm. He will always be considered the leader of the idealistic school in the nineteenth century. It is now fifteen years since his death, and the judgment of posterity is that he had a great imagination, linked to great analytical power and insight; that his style is neat, pure, and fine, and at the same time brilliant and concise. He unites suppleness with force, he combines grace with vigor. Octave Feuillet was born at Saint-Lo (Manche), August 11, 1821, his father occupying the post of Secretary-General of the Prefecture de la Manche. Pupil at the Lycee Louis le Grand, he received many prizes, and was entered for the law. But he became early attracted to literature, and like many of the writers at that period attached himself to the "romantic school." He collaborated with Alexander Dumas pere and with Paul Bocage. It can not now be ascertained what share Feuillet may have had in any of the countless tales of the elder Dumas. Under his own name he published the novels 'Onesta' and 'Alix', in 1846, his first romances. He then commenced writing for the stage. We mention 'Echec et Mat' (Odeon, 1846); 'Palma, ou la Nuit du Vendredi-Saint' (Porte St. Martin, 1847); 'La Vieillesse de Richelieu' (Theatre Francais, 1848); 'York' (Palais Royal, 1852). Some of them are written in collaboration with Paul Bocage. They are dramas of the Dumas type, conventional, not without cleverness, but making no lasting mark.

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