The Ladies' Work-Table Book

The Ladies' Work-Table Book

Anonymous

5.0
Comment(s)
6
View
2
Chapters

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Ladies' Work-Table Book Chapter 1 MATERIALS AND IMPLEMENTS FOR WORKING.

MATERIALS FOR PLAIN NEEDLEWORK.

The subject of this chapter is one to which it is hardly possible to pay too much attention; since, on the judicious selection of materials, depends, to a vast extent, the success of that prudent and well-regulated economy, which is so essential to the welfare and prosperity of every family. On this account, we have thought it right to place before our readers the following observations, which should be carefully attended to, as of the utmost importance. In purchasing goods, be careful to examine the quality; and, if not experienced in such matters, take with you an experienced friend. Cheap goods generally prove the dearest in the end. The following rules may assist you in this respect, if under the necessity of relying upon your own judgment. Be careful, in purchasing articles, such as linen, calico, &c., for a specific purpose, to have it the proper width. A great deal of waste may be incurred, by inattention to this important direction.

Calico is often so dressed up, as to make it extremely difficult to ascertain its real quality: hence, it is best to buy it undressed. It should be soft, and free from specks. It is of various widths, and of almost all prices. A good article, at a medium price, will be found cheapest in the end.

Linen is of various qualities. That which is called Suffolk hemp is considered the best. Irish linen is also in great repute. But you must be careful to escape imposition; as there are plenty of imitations, which are good for nothing.

Muslin Checks are much used for caps, &c., and are of various qualities. You may form a good judgment of these, by observing the thin places between the checks and the threads; if the former be good, and the latter even, they may generally be relied on.

Blue Checks.-These may be procured either of cotton or linen; but the linen ones, though highest in price, are cheapest in the end: they will wear double the length of time that the cotton ones will.

Prints.-Give a good price, if you wish to secure a good article. Some colors, as red, pink, lilac, bright brown, buff, and blue, wear well; green, violet, and some other colors are very liable to fade. The best way is to procure a patch, and wash half of it. This will test the color, and may prevent much disappointment.

Flannels.-The Welsh flannels are generally preferred, as those that are the most durable. Lancashire flannels are cheapest, but are far inferior in quality. You may know the one from the other by the color: the flannels of Lancashire are of a yellowish hue; those of Wales are a kind of bluish gray tint.

Woollen Cloths.-These vary exceedingly, as to quality. The low-priced ones are not worth half the purchase money. Good woollen cloth is smooth, and has a good nap. If the sample shown you, be destitute of these qualities, have nothing to do with it, unless you want to be cheated.

Stuffs.-The quality of these is sometimes very difficult to detect. Holding them up to the light is a good plan. You should also be particular as to the dyeing, as that is sometimes very indifferently managed, and the stuff is dashed. Black dye is liable to injure the material. Low-priced stuffs are rarely good for anything.

Crape.-This is often damaged in the dying. You should spread it over a white surface before you purchase it, as by that means, the blemishes in the material, if any, will be more likely to appear.

Silks.-These are, if good, costly; and great care should be exercised in selecting them. They should not be too stiff, as in that case they are liable to crack; and on the other hand, they should not be too thin, as that kind is liable to tear almost as soon as paper. A medium thickness and stiffness is the best. If plain, you must be careful that there are no stains or specks in them; and if figured, it is advisable to have the pattern equally good on both sides. This will enhance the price at first, but you will find it to be good economy afterward. In silks that are to be sold cheap, a kind of camel's hair is frequently introduced. This may be detected by pulling a piece of the suspected silk cross ways, and if camel's hair be mixed with it, it will spring with a kind of whirring sound. This should be attended to.

Satin.-It is of various qualities and prices. The best is soft and thick. When used for trimmings, it should be cut the cross way, as it then looks better, and has a much richer appearance than when put on straight.

These general observations will be of great use, and should be well impressed upon the memory, so as readily to be called into exercise when needed.

In making up linen, thread is much preferable to cotton. Sewing-silk should be folded up neatly in wash leather, and colored threads and cotton in paper, as the air and light are likely to injure them. Buttons, hooks and eyes, and all metal implements, when not in use, should be kept folded up; as exposure to the air not only tarnishes them, but is likely to injure them in a variety of ways.

MATERIALS FOR FANCY NEEDLEWORK.

Canvas (coarse) eighteen threads to the inch. Work in cross stitch with double wool. This is proper for a foot-stool, sofa-pillow, &c.

Canvas (very coarse) ten threads to the inch. Work in cross stitch, over one thread, with single wool. If used for grounding, work in two threads. This will accelerate the work, and look equally well.

Silk Leaves.-If no grounding is required, work in tent stitch. The pattern should be large in proportion to the fineness of the material. The finer the canvas, the larger the pattern.

Color.-An attention to shade is of the utmost consequence; as on this, in an eminent degree, depends the perfection of the work. The shades must be so chosen, as to blend into each other, or all harmony of coloring will be destroyed. The canvas must be more distinct in tent stitch than in cross stitch, or rather more strongly contrasted, especially in the dark shades of flowers: without attention to this point, a good resemblance of nature cannot be obtained.

Wool, (English and German) white, black, and various colors.-Two, three, four, five, or six shades of each color, as the nature of the work may require. The same observation applies to silk and cotton, in cases where those materials are used.

Split wool, for mosaic work.

Silk. Split silk. Floss. Half twist. Deckers. China silk. Fine purse silk.

Cotton, of various kinds.

Gold twist. Silver thread. Chenille.

Beads. Thick and transparent gold. Bright and burnt steel. Silver plated, &c.

Perforated cards.

Canvas, called bolting, for bead work.

SCALE OF CANVASES.

English Canvas.

Canvas No. Cross stitch. Tent stitch.

16 4? 9

18 5 10

20 5? 11

22 6 12

24 6? 13

26 7 14

28 7? 15

30 8 16

32 9 18

34 9? 19

36 10 20

38 10? 21

40 11 22

42 11? 23

45 12? 25

48 13 26

50 14 28

55 15 30

60 17 34

Silk Canvas.

Canvas No. Cross stitch. Tent stitch.

14 28

French Canvas.

Canvas No. Cross stitch. Tent stitch.

10 6? 13

12 7? 15

14 8? 17

16 9? 19

18 10 20

19 11 22

20 12 24

22 13 26

24 14 28

Continue Reading

Other books by Anonymous

More
The Works of Aristotle the Famous Philosopher

The Works of Aristotle the Famous Philosopher

Literature

5.0

Aristotle's Masterpiece, also known as The Works of Aristotle, the Famous Philosopher, is a sex manual and a midwifery book that was popular in England from the early modern period through to the 19th century. It was first published in 1684 and written by an unknown author who falsely claimed to be Aristotle. As a consequence the author is now described as a Pseudo-Aristotle, the collective name for unidentified authors who masqueraded as Aristotle. It is claimed that the book was banned in Britain until the 1960s, although there was no provision in the UK for "banning" books as such. However reputable publishers and booksellers might have been cautious about vending Aristotle's Masterpiece, at least in the wake of the 1857 Obscene Publications Act. After Nicholas Culpeper's Directory for Midwives had been published in 1651, other writers and booksellers sought to emulate its great success. Aristotle's Masterpiece was among the two dozen works in the genre which were published in the following decades. This was in sharp contrast to the three titles which had been published on the subject in the previous century. Through the seventeenth and eighteenth century, the work was published in three different versions in 9, 20 and 78 editions respectively. It was probably the most widely reprinted book on a medical subject in the eighteenth and early nineteenth century. The first version borrowed most of its content from two earlier works, the Secret Miracles of Nature by Levinus Lemnius and the anonymous Complete Midwives Practice Enlarged. The latter had been a successful work by itself, coming second only to Culpeper's Directory for Midwives in number of seventeenth century editions.[1] A second version was released by publisher Benjamin Harris in 1697. The first half contained most of the first version and the second half was borrowed from John Sadler's A Sick Women's Private Looking-Glas, which was published in 1636. The third version was published around 1710 was more different from the previous versions, but again copied material from other works on the subject. These included the Directory for Midwives, John Pechey's 1698 version of the Compleate Midwive's Practice Enlarged and other popular books on sex and reproduction available at the time.[The third version was still printed and sold to a general audience in the early twentieth century. It remained unchanged from the eighteenth century editions because scientifically superior information on sexuality had not yet become available. Because the book was still based on the ancient theory of humorism it provided some misinformation, in particular on the home remedies it prescribed. Nevertheless, it was in fact more accurate and less harmful than some popular works on sexuality dating from the late nineteenth century. The title of the work was possibly chosen because Aristotle was seen as a sex expert in early modern England. Another popular pseudo-Aristotelian text which covered sex and reproduction, Aristotle's Problems (1595), had been responsible for this reputation. The real Aristotle had also written works about the reproduction of animals (such as History of Animals and Generation of Animals) and was considered an authority on scientific matters in general. The third version is divided in two parts. The first part covers anatomy, sexual intercourse and marriage. The second part was intended for married women and explains pregnancy and midwifery. The first part starts with a description of the male and female sex organs in the first chapter. The second chapter advocates sexual intercourse in monogamous relationships and warns against polygamy and adultery because it is forbidden by Christian doctrine. It finishes with an explanation of when the reproductive age begins and ends. The third chapter explores virginity. It correctly states that a torn hymen does not mean a woman is not a virgin

You'll also like

Reborn Heiress: The Wolf's Vengeance Deal

Reborn Heiress: The Wolf's Vengeance Deal

Sibeal Sallese
5.0

I lay paralyzed on stiff white sheets, a prisoner in my own skin, listening to the rain lash against the window like nails on a coffin. My father, Elmore Franco, didn't even look at my face as he checked his clipboard. He just listened to the steady, monotonous beep of the heart monitor-the only thing proving I was still alive. Without a hint of remorse, he pulled a pen from his pocket and signed the Do Not Resuscitate order. My stepmother, Ophelia, stepped out from behind him, wearing my favorite pearl necklace and smelling of cloying perfume. She leaned close to my ear to whisper the truth that turned my blood to ice. "It was the tea, darling. Just like your mother. A slow, tasteless poison." She chuckled as she revealed that my fiancé, Bryce, had a two-year-old son with my sister, Daniela. My inheritance had been funding their secret life for years, and now that the money was secure, I was an inconvenience they were finally scrubbing away. As my father yanked the power cord from the wall, the beeping died, and the darkness swallowed me whole. I was being murdered by my own flesh and blood, used as a bank account until I was no longer needed. I died in that sterile room, drowning in the realization that every person I ever loved was a monster who had been waiting for me to take my last breath. Then, I gasped. I woke up in a luxury hotel suite surrounded by silk sheets, five years in the past-the very morning of my wedding. Next to me lay Basile Delgado, the "Wolf of Wall Street" and my family's most dangerous enemy. In my first life, I ran from this room in a panic and lost everything. This time, I looked at the man who would eventually destroy my father's empire and decided to join him. "I'm not leaving, Basile. Marry me. Right now. Today."

Flash Marriage To My Best Friend's Father

Flash Marriage To My Best Friend's Father

Madel Cerda
4.6

I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.

No Longer Mrs. Cooley: The Architect's Return

No Longer Mrs. Cooley: The Architect's Return

Xiao Xiaosu
4.5

I went to the City Clerk’s office for a routine copy of my marriage license to finalize a trust fund audit. I expected a simple piece of paper, but the clerk’s pitying look told me my entire life was a lie. "The license was never finalized, Ms. Oliver. In the eyes of the state, you are single." The three-hundred-guest wedding at the Plaza and the Vogue features meant nothing. My husband, Gray Cooley, had intentionally filed the documents with a "procedural defect" so he could discard me without a legal divorce. Moments later, an iCloud invite titled "Our Little Secret" popped up on my screen. It was a photo of my best friend, Brylee, holding a positive pregnancy test at our Hamptons estate. Gray’s text to her was the final blow: "Happy anniversary, babe. This baby is the best gift. Once the trust unlocks today, we’re done with the charade." I soon discovered they were even stealing my career, reassigning my architectural masterpiece to Brylee while preparing my eviction notice. Gray's mother called me a "barren mule" in a leaked recording, mocking the infertility I suffered after saving Gray’s life in a construction accident. I wasn't a wife; I was a three-year placeholder used to secure his inheritance. How could the man I bled for treat me like a disposable prop? How could my best friend carry his child while pretending to comfort me through my darkest moments? The betrayal burned until it turned into a cold, hard stone of fury. I didn't cry. Instead, I walked into the penthouse of the Barretts, the Cooleys' most powerful rivals. I signed a marriage contract with Kane Barrett, the man the tabloids called the "Beast of Wall Street." "I want a wedding," I told his father, my voice steady and lethal. "Bigger than the one I had with Gray." If they wanted me gone, they would have to watch me become the woman who owns their world.

Chapters
Read Now
Download Book
The Ladies' Work-Table Book The Ladies' Work-Table Book Anonymous Literature
“This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.”
1

Chapter 1 MATERIALS AND IMPLEMENTS FOR WORKING.

06/12/2017

2

Chapter 2 30 15 30

06/12/2017