Alphas Luna is a Fae Siren Mage

The Last Night of Carnival

It was Carnival time in the ancient and once imperial, but now provincial and remote, city of Ravenna. It was Carnival time, and the very acme and high-tide of that season of mirth and revel. For the theory of Carnival observance is, that the life of it, unlike that of most other things and beings, is intensified with a constantly crescendo movement up to the last minutes of its existence. And there now remained but an hour before midnight on the Tuesday preceding the first day of Lent, Ash Wednesday-Dies Cinerum!-that sad and sober morrow which has brought with it "sermons and soda-water" to so many generations of revellers.

Of course Carnival, according to the Calendar and Time's hour-glass, is over at twelve o'clock on the night of Shrove Tuesday. Generally, however, in the pleasure-loving cities of Italy, a few hours' law are allowed or winked at. The revellers are not supposed to become aware that it is past midnight till about three or four in the morning.

Very generally the wind-up of the season of fun and frolic consists of what is called a "Veglione," or "great making a night of it," which means a masked ball at the theatre. And the great central chandelier does not begin to descend into the body of the house, to have its lights flapped out by the handkerchiefs of the revellers amid a last frantic rondo, till some four hours after midnight. But in provincial Ravenna, a Pope's city under the rule of a Cardinal Legate, there is-or was in the days when the Pope held sway there-no Veglione. Its place was supplied, as far as "the society" of the city was concerned, by a ball at the "Circolo dei Nobili."

It was not, therefore, till four o'clock in the morning, or perhaps even a little later, that the lights would be extinguished on the night in question at the "Circolo dei Nobili," and Carnival would, in truth, be over, and the tired holiday-makers would go home to their beds.

A few hours more remained, and the revelry was at its height, and the dancers danced as knowing that their minutes were numbered.

There had been a ball on the previous night at the Palazzo of the Marchese Lamberto di Castelmare. But the scene at the Circolo was a much more brilliant, animated, and varied one than that of the night before at the Castelmare palace. The Marchese Lamberto was the wealthiest noble in Ravenna, and-putting aside his friend the Cardinal Legate-was, in many other respects, the first and foremost man of the city. He was a bachelor of some fifty years old. And bachelors' houses and bachelors' balls have the reputation of enjoying the privilege of a somewhat freer and more unreserved gaiety and jollity than those of their neighbours more heavily weighted with the cares and responsibilities of life. But such was not the case at the Palazzo Castelmare. Presided over on such occasions as that of the great annual Carnival ball by a widowed sister-in-law of the Marchese, the Castelmare palace was the most decorous and respectable house, as its master was the most decorous and respectable man, in Ravenna.

Not that it was a dull house. The Marchese Lamberto, though a grave and dignified personage in the eyes of the "jeunesse doree" of Ravenna, was looked up to as one of the best loved, as well as most respected, men in the city. And there was not a member of the "society" who would not have been sadly hurt at not being invited to the great annual Carnival ball at the Castelmare palace. But the same degree of laissez aller jollity would not have been "de mise" there as was permissible at the Circolo. The fun was not so fast and furious as it was wont to be at the club of the nobles on the last night of Carnival.

The whole society were at the latter gathering. All the nobles of Ravenna were the hosts, and everybody was there solely and entirely to amuse and enjoy themselves. Host and guests, indeed, were almost identical. There were but few persons present, and those strangers to the town, who did not belong to their own class.

To the Marchese, on the previous night, most of the company had contented themselves with going in "domino." At the Circolo ball a very large proportion of the dancers were in costume. The Conte Leandro Lombardoni,-lady-killer, Don Juan, and poet, whose fortunes and misfortunes in these characters had made him the butt of the entire society, and had perhaps contributed, together with his well-known extraordinarily pronounced propensity for cramming himself with pastry, to give him the pale, puffed, pasty face, swelling around a pair of pale fish-like eyes, that distinguished him,-the Conte Leandro Lombardoni; indeed, had gone to the Castelmare palace as "Apollo," in a costume which young Ludovico Castelmare, the Marchese Lamberto's nephew, would insist on mistaking for that of Aesop; and had now, according to a programme perfectly well known previously throughout the city, come to the Circolo as "Dante." The Tuscan "lucco," or long flowing gown, had at least the advantage of concealing from the public eye much that the Apollo costume had injudiciously exhibited.

Ludovico Castelmare had adopted the costume of a Venetian noble of the sixteenth century; and very strikingly handsome he looked in that most picturesque of all dresses. The Marchese Lamberto was at the ball, of course, but not in costume. Perhaps the most striking figure in the rooms, however, was one of those few persons who have been mentioned as present, but not belonging to Ravenna, or to the class of its nobles. This was a lady, well known at that day throughout Italy as Bianca Lalli-"La Lalli," or "La Bianca," in theatrical parlance-for she was one of the first singers of the day. Special circumstances-to be explained at a future page-had rendered it possible for remote little Ravenna to secure the celebrated artist for the Carnival, which was now expiring. The Marchese Lamberto, who, among many other avocations and occupations, all of them contributing in some way or other to the welfare and advantage of his native city, was a great lover and connoisseur of music, and patron of the theatre, had been mainly instrumental in bringing La Lalli to Ravenna. The engagement had been a most successful one. The "Diva Bianca" had sung through the Carnival, charming all ears and hearts in Ravenna with her voice, and all eyes with her very remarkable and fascinating beauty. And now, on this last night of the festive season, she was the cynosure of all eyes at the ball.

Bianca had, as it so happened, also chosen a Venetian costume of the same period as that of Ludovico-about the middle of the sixteenth century. In truth, it was mere chance that had led to this similarity. And neither of them, as it happened, had mentioned to the other the dress they intended to wear. Bianca, in fact, used as she was to wear costumes of all sorts, and to outshine all beauties near her in all or any of them, had thought nothing about her dress, till the evening before; and then had consulted the Marchese Lamberto on the subject: but had been so much occupied with him during nearly the whole of that evening at his ball, that she had not said a word about it to any one else.

It could not but seem, however, to everybody that the Marchese Ludovico and La Lalli had agreed together to represent a pair belonging to the most gorgeous and picturesque days of Venetian history. And a most magnificently handsome pair they made. Bianca's dress, or at least the general appearance and effect of it, will readily be imagined by those acquainted with the full-length portraits of Titian or Tintoretto. A more strictly "proper" costume no lady could wish to wear. And the jeunesse doree of Ravenna, who had thought it likely that the Diva would appear as some light-skirted Flora, or high-kirtled Diana, were altogether disappointed.

But there was much joking and raillery about the evident and notable pair-ship of Ludovico and Bianca; and it came to pass that, almost without any special intention on their own part, they were thrown much together, and danced together frequently. And this, under the circumstances, was still more the case than it would have otherwise been, in consequence of the Marchese Lamberto not dancing. It was a long time since he had done so. There were many men dancing less fitted than he, as far as appearance and capability, and even as far as years went, to join in such amusements. Nevertheless, all Ravenna would have been almost as much surprised to see the Marchese Lamberto dressed in mumming costume, and making one among Carnival revellers, as to see the Cardinal himself doing the same things. He had made for himself a social position, and a life so much apart from any such levities, that his participation in them would have seemed a monstrosity.

It may be doubted, however, whether on this occasion, at least, the dignified Marchese was satisfied with the position he had thus made for himself. It would have been too absurd and remarkable for La Bianca to have abstained from dancing and attached herself to him in the ball-room, instead of consorting with the younger folks. Of course that was entirely out of the question. But none the less for that was the evening a time of cruel suffering and martyrdom to the Marchese. Of course he believed that the adoption of so singularly similar a costume by Bianca and his nephew was the result of pre-arranged agreement. And the thought, and all that his embittered fancy built upon the thought, were making everything around him, and all the prospect of his life before him, utterly intolerable to him.

Ludovico and Bianca had been dancing together for the third time-a waltz fast and furious, which they had kept up almost incessantly till the music had ceased. Heated and breathless, he led her out of the ball-room to get some refreshment. There was a large supper-room which, on the cessation of the waltz, immediately became crowded by other couples bent on a similar errand. But there had also been established a little subsidiary buffet in a small cabinet at the furthest end of the suite of rooms, for the purpose of drawing off some of the crowd from the main supper-room. And thither Ludovico led Bianca, thinking to avoid the crush of people rushing in to the larger room.

The young Marchese-the "Marchesino," as he was often called, to distinguish him from his uncle, the Marchese Lamberto-was one of the small committee of the Circolo, who had had the management of all the arrangements for the ball; and was, accordingly, well aware of the whereabouts of this little "succursale" to the supper-room. But it is probable that the existence of it was unknown to the great majority of the company. At all events, so it happened, that when Ludovico and Bianca reached it, it was wholly untenanted, save by Dante, in his long red gown, solitarily occupied in cramming himself with pastry.

"What, Dante in exile!" cried Ludovico. "Pray, Sir Poet, which bolgia was set apart for those who are lost by the 'peccato della gola?' or is a bilious fit in the more immediate future bolgia fearful enough?"

"It is not so bad a bolgia as that appointed some other sins," said the Conte Leandro, with mouth stuffed with cake, as he moved out of room.

"What an animal it is!" said Ludovico, laughing, as he gave Bianca a glass of champagne, and filled another for himself.

"Take some of this woodcock pie, Signora Bianca? You must be starved by this time; and I can recommend it."

"How so? You have not tasted it yourself yet."

"No; but I am going to do so. And my recommendation is based on my knowledge of the qualities of our woodcocks. They are the finest in the world. The marshes in the neighbourhood of the Pineta breed them in immense quantities."

"Oh, I have heard so much of the Pineta. They say it is so lovely."

"The most beautiful forest in the world. And this is just the time when it is in its greatest beauty,-the early spring, when the wild flowers are all beginning to blossom, and the birds are all singing. There is nothing like our Pineta!"