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Old Fires and Profitable Ghosts: A Book of Stories

Old Fires and Profitable Ghosts: A Book of Stories

Arthur Quiller-Couch

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Arthur Quiller-Couch was one of the 20th century's most famous literary critics, but he also wrote many popular works of his own, including this horror tale.

Chapter 1 No.1

My Dear Violet,-So you "gather from the tone of two or three recent letters that my spirit is creeping back to light and warmth again"? Well, after a fashion you are right. I shall never laugh again as I used to laugh before Harry's death. The taste has gone out of that carelessness, and I turn even from the remembrance of it. But I can be cheerful, with a cheerfulness which has found the centre of gravity. I am myself again, as people say.

After months of agitation in what seemed to be chaos the lost atom has dropped back to its place in the scheme of things, and even aspires (poor mite!) to do its infinitesimal business intelligently. So might a mote in a sunbeam feel itself at one with God!

But when you assume that my recovery has been a gradual process, you are wrong. You will think me more than ever deranged; but I assure you that it has been brought about, not by long strivings, but suddenly-without preparation of mine-and by the immediate hand of our dead brother.

Yes; you shall have the whole tale. The first effect of the news of Harry's death in October last was simply to stun me. You may remember how once, years ago when we were children, we rode home together across the old Racecourse after a long day's skating, our skates swinging at our saddle-bows; how Harry challenged us to a gallop; and how, midway, the roan mare slipped down neck over crop on the frozen turf and hurled me clean against the face of a stone dyke. I had been thrown from horseback more than once before, but somehow had always found the earth fairly elastic. So I had griefs before Harry died and took some rebound of hope from each: but that cast repeated in a worse degree the old shock-the springless brutal jar-of the stone dyke. With him the sun went out of my sky.

I understand that this torpor is quite common with men and women suddenly bereaved. I believe that a whole week passed before my brain recovered any really vital motion; and then such feeble thought as I could exert was wholly occupied with the desperate stupidity of the whole affair. If God were indeed shaping the world to any end, if any design of His underlay the activities of men, what insensate waste to quench such a heart and brain as Harry's!-to nip, as it seemed out of mere blundering wantonness, a bud which had begun to open so generously: to sacrifice that youth and strength, that comeliness, that enthusiasm, and all for nothing! Had some campaign claimed him, had he been spent to gain a citadel or defend a flag, I had understood. But that he should be killed on a friendly mission; attacked in ignorance by those East Coast savages while bearing gifts to their king; deserted by the porters whose comfort (on their own confession) he had studied throughout the march; left to die, to be tortured, mutilated-and all for no possible good: these things I could not understand. At the end he might have escaped; but as he caught hold of his saddle by the band between the holsters, it parted: it was not leather, but faced paper, the job of some cheating contractor. I thought of this, too. And Harry had been through Chitral!

But though a man may hate, he cannot easily despise God for long. "He is great-but wasteful," said the American. We are the dust on His great hands, and fly as He claps them carelessly in the pauses of His work. Yet this theory would not do at all: for the unlucky particles are not dust, not refuse, but exquisite and exquisitely fashioned, designed to live, and to every small function of life adapted with the minutest care. There were nights indeed when, walking along the shore where we had walked together on the night before Harry left England and looking from the dark waters which divided me from his grave up to the nightly moon and to the stars around her, I could well believe God wasteful of little things. Sirius flashing low, Orion's belt with the great nebula swinging like a pendant of diamonds; the ruby stars, Betelgueux and Aldebaran-my eyes went up beyond these to Perseus shepherding the Kids westward along the Milky way. From the right Andromeda flashed signals to him: and above sat Cassiopeia, her mother, resting her jewelled wrists on the arms of her throne. Low in the east Jupiter trailed his satellites in the old moon's path. As they all moved, silent, looking down on me out of the hollow spaces of the night, I could believe no splendid waste too costly for their perfection: and the Artificer who hung them there after millions of years of patient effort, if more intelligible than a God who produced them suddenly at will, certainly not less divine. But walking the same shore by daylight I recognised that the shells, the mosses, the flowers I trampled on, were, each in its way, as perfect as those great stars: that on these- and on Harry-as surely as on the stars-God had spent, if not infinite pains, then at least so superlative a wisdom that to conceive of them as wastage was to deny the mind which called them forth.

There they were: and that He who had skill to create them could blunder in using them was simply incredible.

But this led to worse: for having to admit the infallible design, I now began to admire it as an exquisite scheme of evil, and to accuse God of employing supreme knowledge and skill to gratify a royal lust of cruelty. For a month and more this horrible theory justified itself in all innocent daily sights. Throughout my country walks I "saw blood." I heard the rabbit run squeaking before the weasel; I watched the butcher crow working steadily down the hedge. If I turned seaward I looked beneath the blue and saw the dog-fish gnawing on the whiting. If I walked in the garden I surprised the thrush dragging worms from the turf, the cat slinking on the nest, the spider squatting in ambush. Behind the rosy face of every well-nourished child I saw a lamb gazing up at the butcher's knife. My dear Violet, that was a hideous time!

And just then by chance a book fell into my hands-Lamartine's Chute d'un Ange. Do you know the Seventh and Tenth Visions of that poem, which describe the favourite amusements of the Men-gods? Before the Deluge, beyond the rude tents of the nomad shepherds, there rose city upon city of palaces built of jasper and porphyry, splendid and utterly corrupt; inhabited by men who called themselves gods and explored the subtleties of all sciences to minister to their vicious pleasures. At ease on soft couches, in hanging gardens set with fountains, these beings feasted with every refinement of cruelty. Kneeling slaves were their living tables; while for their food-

Tous les oiseaux de l'air, tous les poissons de l'onde,

Tout ce qui vole ou nage ou rampe dans le monde,

Mourant pour leur plaisir des plus cruels trepas

De sanglantes savours composent leurs repas. . . .

In these lines I believed that I discerned the very God of the universe, the God whom men worship-

Dans les infames jeux de leur divin loisir

Le supplice de l'homme est leur premier plaisir.

Pour que leur oeil feroce a l'envi s'en repaisse

Des bourreaux devant eux en immolent sans cesse.

Tantot ils font lutter, dans des combats affreux,

L'homme contre la brute et les hommes entre eux,

Aux longs ruisseaux de sang qui coulent de la veine,

Aux palpitations des membres sur l'arene,

Se levant a demi de leurs lits de repos

Des frissons de plaisir fremissent sur leurs peaux.

Le cri de la torture est leur douce harmonie,

Et leur oeil dans son oeil boit sa lente agonie.

I charged the Supreme Power with a cruelty deliberate, ruthless, serene. Nero the tyrant once commanded a representation in grim earnest of the Flight of Icarus; and the unhappy boy who took the part, at his first attempt to fly, fell headlong beside the Emperor's couch and spattered him with blood and brains. For the Emperor, says Suetonius, perraro praesidere, ceterum accubans, parvis primum foraminibus, deinde toto podio adaperto, spectare consuerat. So I believed that on the stage of this world men agonised for the delight of one cruel intelligence which watched from behind the curtain of a private box.

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Other books by Arthur Quiller-Couch

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Shining Ferry

Shining Ferry

Literature

5.0

Dodo Collections brings you another classic from Arthur Quiller-Couch 'Shining Ferry.'Shining Ferry was first published in 1905.Sir Arthur Thomas Quiller-Couch was a Cornish writer, who published under the pen name of Q. He published his Dead Man's Rock (a romance in the vein of Stevenson's Treasure Island) in 1887, and he followed this up with Troy Town (1888) and The Splendid Spur (1889). After some journalistic experience in London, mainly as a contributor to the Speaker, in 1891 he settled at Fowey in Cornwall. He published in 1896 a series of critical articles, Adventures in Criticism, and in 1898 he completed Robert Louis Stevenson's unfinished novel, St Ives. With the exception of the parodies entitled Green Bays: Verses and Parodies (1893), his poetical work is contained in Poems and Ballads (1896). In 1895 he published an anthology from the sixteenth and seventeenth-century English lyrists, The Golden Pomp, followed in 1900 by an equally successful Oxford Book of English Verse, 1250-1900 (1900). He was made a Bard of Gorseth Kernow in 1928, taking the Bardic name Marghak Cough ('Red Knight').Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.

Brother Copas

Brother Copas

Literature

5.0

Dodo Collections brings you another classic from Arthur Quiller-Couch, 'Brother Copas.'To those who are acquainted with the literary standing of "Q" the lightness and slightness of his novels always come as a surprise. They have, however, a distinctive touch of learning here and there and a fair and elegant style. The setting in the present case is easily identified as the Hospital of St. Cross at Winchester, although Sir Quiller-Couch confusingly calls his town Merchester suggesting Melchester, the name given by Mr. Hardy to the cathedral town of Salisbury. The dissensions and difficulties in this community of noble poverty, the great unsettled question of high church or low church, and the final solution by means of that charity which covers a multitude of sins is the theme of rother Copas. There is a delightful Swinburnian translation of a late Latin poem-the sort of thing that Sir Quiller-Couch does con amore. There is a town pageant which brings peace after dissension and there is a perfectly unreal and perfectly impossible but equally charming American child. But, on the whole, there is enough background and enough setting, enough learning, and enough ease of writing to make the whole book very readable and pleasant for an idle half-hour. If this is the only way in which Sir Quiller-Couch can earn the liberty to do his literary studies we pardon his novels.Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.

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