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Being an author actually at work, and not an author being photographed at work by a lady admirer, he did not gaze large-eyed at a poppy in a crystal vase, one hand lightly touching his forehead, the other tossing off page after page in high godlike frenzy. On the contrary, the young man at the table yawned, lolled, sighed, scratched his ear, read snatches of Virginia Carter's "Letters to My Girl Friends" in the morning's "Post," read snatches of any printed matter that happened to be about, and even groaned.

When he gazed, it was at no flower, but more probably at his clock, a stout alarm-clock well known to the trade as "Big Bill"; and the clock gazed back, since there was a matter between them this evening, and seemed to say, "Well, are you going to the Redmantle Club, or are you not?" But that was precisely the point on which the young man at the table had not yet made up his mind.

Of course, if he went to the Redmantle Club, he could not possibly spend the whole evening here, writing, and, oddly enough, this was at once a cogent reason for staying away from the Redmantle Club, and a seductive argument for going to the same. No lady admirer could ever grasp this paradox, but every true writer must admit that I know his secret perfectly.

From time to time, no diversion offering, the author would read over the last sentence he had written, which very likely ran as follows:-

We have a society organized on the agreeable assumption that every woman, at twenty-five or thereabouts, finds herself in possession of a home, a husband, and three darling little curly-headed children.

Stimulated a trifle, he would thereupon sharpen up his pencil and charge forward a few sentences, as now:-

Slipshod people never test such old assumptions against actuality; they cling to what their grandfathers said, and call their slipshodness conservatism. So (like ostriches) they avoid the fact that there are three large and growing classes of women who simply have no relation to their comfortable old theory. I refer, of course, to the classes of Temporary Spinsters, of Permanent Spinsters, and of Married but Idle-childless wives living in boarding-houses, for example. Let no Old Tory conceive that he has disposed of the Woman Question until he can plainly answer: What are all these various women to DO in their fifteen waking hours a day?

Following which, he lit a cigarette in a moody manner, and sat frowning at the back of the head of his relative and secretary, who was clacking away all the while on a second-hand typewriter near by.

It will be contended that some hesitancy was fitting enough to the writer's thesis, Woman having raised perplexities in the bosoms of philosophers from the earliest times on. But perplexity did not happen to be the trouble with this philosopher, Charles King Garrott. These sentences Mr. Garrott so apathetically set down were the ancient commonplaces of his mind, the familiar bare bones of special researches long holding a unique position in his life. The dull General Public, with its economic eye, might yet rate him merely as a private tutor, formerly of Blaines College; the relative and secretary there might judge him only a young man of an unmasculine thin sedentary quality, who mysteriously gave his youth to producing piles of strange stuff that all had to be copied out on the typewriter. But, in the privacy of his own soul, Charles Garrott was, through all, not alone the coming American novelist (which rather went without saying), but, in that direct connection, probably the only man in the world who really understood Woman.

Old times used this phrase unscientifically; "understanding women" has acquired misleading connotations. The words seem to call up the picture of a purely gallant observer, one with a polished mustache and amorous gay eyes, sitting under a sidewalk awning and ogling out over a purplish drink. We may go so far as to state plainly that they call up the picture of a Frenchman. The young man at the table is scarcely imagined as this sort of authority, viewing Woman crudely as La Femme. As he could not put pencil to paper without revealing, Charles Garrott viewed Woman, never as La Femme, but exclusively as a Question. Himself the New Man obviously, he saw Woman solely as a Movement, meditated about her strictly as an Unrest. When he considered her in the concrete-and that he seldom did nowadays, if we need not count his friend, Mary Wing, who was as New as he, to say the least of it-his eye reviewed and criticized her, not as a Sex, but strictly as a human being against an environment. Charles Garrott would scientifically diagnose a Woman to her face, in a manner which she, poor creature, but little suspected.

Romance [he began again] left us with the sentimental tradition that a w--

"Charles!" said his relative and secretary, speaking for the first time in ten minutes, a long silence for him-"I'll thank you for your attention a moment."

"Certainly, Judge," said Charles Garrott, with that alacrity with which a true writer habitually welcomes an interruption.

"Here, near the end of this story-passage I can't for the life of me.... Here! Seems to go like this: 'Let a man,' cried Dionysius, cracking walnuts with a sort of splendid sadness, 'but free his eyes from the magic of sex, and mask my words'-no!-let's see-'mark my words, Bishop, he shall see strange truths.'"

There was a pause.

"Mistake somewhere!" said the gentleman at the typewriter, with a chuckle. "Well, what's what?"

"No, that's right, I believe. Why, what's the matter with it?"

"Why!-there's no sense in it!"

"Oh-it's advanced talk, you know. Modern, epigrammatic stuff, you might call it."

"Conceding that, here's the bit about the nuts. That's where the mistake is, I claim. Let me see-'cracking walnuts with a sort of splendid sadness.' Good gad,-that can't be right, Charles! 'Sober sadness,' 'sorrowful sadness'-something of that sort you meant, eh?"

The secretary had swung about suddenly, revealing a face almost startlingly handsome, fine-cut as a cameo, pink and white as a professional beauty's, and topped with a magnificent crown of snow-white hair.

"'Pathetic sadness,' now, my dear fellow? Go just a little better, wouldn't it?"

"Well-no, Judge, not just in this particular story. Fact is, it's meant to be a little queer, you see."

"It is queer, that's my point!" said the Judge, rather worried. "'Cracking walnuts with a sort of splendid sadness'-if the public understands that!-Well, as you like, of course."

Having thus washed his hands of all responsibility, the relative gazed a moment at a little red "Nothing But Business, Please" sign that hung above his typewriter-table, hummed a bar or two in a sweet tenor voice, and resumed his now expert clacking.

Similarly his employer resumed his composition:-

Romance left us with the sentimental tradition that a woman's sex was a complete, indeed a glorious, justification of her existence (v. F. Dell: "Women as World Builders"). Because she some day would be, or might possibly be, a mother of children, she was set upon a pedestal and left there, exempt from further responsibilities meanwhile. The potentiality of motherhood became a claim to life-long support in idleness, etc., etc.-