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The secret of the bald lady translator

His Twisted Game, My Dangerous Love

His Twisted Game, My Dangerous Love

Elroy Notman
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
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Who that has ever seen them can forget the ruins of Blossholme Abbey, set upon their mount between the great waters of the tidal estuary to the north, the rich lands and grazing marshes that, backed with woods, border it east and south, and to the west by the rolling uplands, merging at last into purple moor, and, far away, the sombre eternal hills! Probably the scene has not changed very much since the days of Henry VIII, when those things happened of which we have to tell, for here no large town has arisen, nor have mines been dug or factories built to affront the earth and defile the air wi

th their hideousness and smoke.

The village of Blossholme we know has scarcely varied in its population, for the old records tell us this, and as there is no railway here its aspect must be much the same. Houses built of the local grey stone do not readily fall down. The folk of that generation walked in and out of the doorways of many of them, although the roofs for the most part are now covered with tiles or rough slates in place of reeds from the dike. The parish wells also, fitted with iron pumps that have superseded the old rollers and buckets, still serve the place with drinking-water as they have done since the days of the first Edward, and perhaps for centuries before.

Although their use, if not their necessity, has passed away, not far from the Abbey gate the stocks and whipping-post, the latter arranged with three sets of iron loops fixed at different heights and of varying diameters to accommodate the wrists of man, woman, and child, may still be found in the middle of the Priests' Green. These stand, it will be remembered, under a quaint old roof supported on rough, oaken pillars, and surmounted by a weathercock which the monkish fancy has fashioned to the shape of the archangel blowing the last trump. His clarion or coach-horn, or whatever instrument of music it was he blew, has vanished. The parish book records that in the time of George I a boy broke it off, melted it down, and was publicly flogged in consequence, the last time, apparently, that the whipping-post was used. But Gabriel still twists about as manfully as he did when old Peter, the famous smith, fashioned and set him up with his own hand in the last year of King Henry VIII, as it is said to commemorate the fact that on this spot stood the stakes to which Cicely Harflete, Lady of Blossholme, and her foster-mother, Emlyn, were chained to be burned as witches.

So it is with everything at Blossholme, a place that Time has touched but lightly. The fields, or many of them, bear the same names and remain identical in their shape and outline. The old farmsteads and the few halls in which reside the gentry of the district, stand where they always stood. The glorious tower of the Abbey still points upwards to the sky, although bells and roof are gone, while half-a-mile away the parish church that was there before it-having been rebuilt indeed upon Saxon foundations in the days of William Rufus-yet lies among its ancient elms. Farther on, situate upon the slope of a vale down which runs a brook through meadows, is the stark ruin of the old Nunnery that was subservient to the proud Abbey on the hill, some of it now roofed in with galvanised iron sheets and used as cow-sheds.

It is of this Abbey and this Nunnery and of those who dwelt around them in a day bygone, and especially of that fair and persecuted woman who came to be known as the Lady of Blossholme, that our story has to tell.

It was dead winter in the year 1535-the 31st of December, indeed. Old Sir John Foterell, a white-bearded, red-faced man of about sixty years of age, was seated before the log fire in the dining-hall of his great house at Shefton, spelling through a letter which had just been brought to him from Blossholme Abbey. He mastered it at length, and when it was done any one who had been there to look might have seen a knight and gentleman of large estate in a rage remarkable even for the time of the eighth Henry. He dashed the document to the ground; he drank three cups of strong ale, of which he had already had enough, in quick succession; he swore a number of the best oaths of the period, and finally, in the most expressive language, he consigned the body of the Abbot of Blossholme to the gallows and his soul to hell.

"He claims my lands, does he?" he exclaimed, shaking his fist in the direction of Blossholme. "What does the rogue say? That the abbot who went before him parted with them to my grandfather for no good consideration, but under fear and threats. Now, writes he, this Secretary Cromwell, whom they call Vicar-General, has declared that the said transfer was without the law, and that I must hand over the said lands to the Abbey of Blossholme on or before Candlemas! What was Cromwell paid to sign that order with no inquiry made, I wonder?"

Sir John poured out and drank a fourth cup of ale, then set to walking up and down the hall. Presently he halted in front of the fire and addressed it as though it were his enemy.

"You are a clever fellow, Clement Maldon; they tell me that all Spaniards are, and you were taught your craft at Rome and sent here for a purpose. You began as nothing, and now you are Abbot of Blossholme, and, if the King had not faced the Pope, would be more. But you forget yourself at times, for the Southern blood is hot, and when the wine is in, the truth is out. There were certain words you spoke not a year ago before me and other witnesses of which I will remind you presently. Perhaps when Secretary Cromwell learns them he will cancel his gift of my lands, and mayhap lift that plotting head of yours up higher. I'll go remind you of them."

Sir John strode to the door and shouted; it would not be too much to say that he bellowed like a bull. It opened after a while, and a serving-man appeared, a bow-legged, sturdy-looking fellow with a shock of black hair.

"Why are you not quicker, Jeffrey Stokes?" he asked. "Must I wait your pleasure from noon to night?"

"I came as fast as I could, master. Why, then, do you rate me?"

"Would you argue with me, fellow? Do it again and I will have you tied to a post and lashed."

"Lash yourself, master, and let out the choler and good ale, which you need to do," replied Jeffrey in his gruff voice. "There be some men who never know when they are well served, and such are apt to come to ill and lonely ends. What is your pleasure? I'll do it if I can, and if not, do it yourself."

Sir John lifted his hand as though to strike him, then let it fall again.

"I like one who braves me to my teeth," he said more gently, "and that was ever your nature. Take it not ill, man; I was angered, and have cause to be."

"The anger I see, but not the cause, though, as a monk came from the Abbey but now, perhaps I can hazard a guess."

"Aye, that's it, that's it, Jeffrey. Hark; I ride to yonder crows'-nest, and at once. Saddle me a horse."

"Good, master. I'll saddle two horses."

"Two? I said one. Fool, can I ride a pair at once, like a mountebank?"

"I know not, but you can ride one and I another. When the Abbot of Blossholme visits Sir John Foterell of Shefton he comes with hawk on wrist, with chaplains and pages, and ten stout men-at-arms, of whom he keeps more of late than a priest would seem to need about him. When Sir John Foterell visits the Abbot of Blossholme, at least he should have one serving-man at his back to hold his nag and bear him witness."

Sir John looked at him shrewdly.

"I called you fool," he said, "but you are none except in looks. Do as you will, Jeffrey, but be swift. Stop. Where is my daughter?"

"The Lady Cicely sits in her parlour. I saw her sweet face at the window but now staring out at the snow as though she thought to see a ghost in it."

"Um," grunted Sir John, "the ghost she thinks to see rides a grand grey mare, stands over six feet high, has a jolly face, and a pair of arms well made for sword and shield, or to clip a girl in. Yet that ghost must be laid, Jeffrey."

"Pity if so, master. Moreover, you may find it hard. Ghost-laying is a priest's job, and when maids' waists are willing, men's arms reach far."

"Be off, sirrah," roared Sir John, and Jeffrey went.

Ten minutes later they were riding for the Abbey, three miles away, and within half-an-hour Sir John was knocking, not gently, at its gate, while the monks within ran to and fro like startled ants, for the times were rough, and they were not sure who threatened them. When they knew their visitor at last they set to work to unbar the great doors and let down the drawbridge, that had been hoist up at sunset.

Presently Sir John stood in the Abbot's chamber, warming himself at the great fire, and behind him stood his serving-man, Jeffrey, carrying his long cloak. It was a fine room, with a noble roof of carved chestnut wood and stone walls hung with costly tapestry, whereon were worked scenes from the Scriptures. The floor was hid with rich carpets made of coloured Eastern wools. The furniture also was rich and foreign-looking, being inlaid with ivory and silver, while on the table stood a golden crucifix, a miracle of art, and upon an easel, so that the light from a hanging silver lamp fell on it, a life-sized picture of the Magdalene by some great Italian painter, turning her beauteous eyes to heaven and beating her fair breast.

Sir John looked about him and sniffed.

"Now, Jeffrey, would you think that you were in a monk's cell or in some great dame's bower? Hunt under the table, man; sure, you will find her lute and needlework. Whose portrait is that, think you?" and he pointed to the Magdalene.

"A sinner turning saint, I think, master. Good company for laymen when she was sinner, and good for priests now that she is saint. For the rest, I could snore well here after a cup of yon red wine," and he jerked his thumb towards a long-necked bottle on a sideboard. "Also, the fire burns bright, which is not to be wondered at, seeing that it is made of dry oak from your Sticksley Wood."

"How know you that, Jeffrey?" asked Sir John.

"By the grain of it, master-by the grain of it. I have hewn too many a timber there not to know. There's that in the Sticksley clays which makes the rings grow wavy and darker at the heart. See there."

Sir John looked, and swore an angry oath.

"You are right, man; and now I come to think of it, when I was a little lad my old grandsire bade me note this very thing about the Sticksley oaks. These cursed monks waste my woods beneath my nose. My forester is a rogue. They have scared or bribed him, and he shall hang for it."

"First prove the crime, master, which won't be easy; then talk of hanging, which only kings and abbots, 'with right of gallows,' can do at will. Ah! you speak truth," he added in a changed voice; "it is a lovely chamber, though not good enough for the holy man who dwells in it, since such a saint should have a silver shrine like him before the altar yonder, as doubtless he will do when ere long he is old bones," and, as though by chance, he trod upon his lord's foot, which was somewhat gouty.

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