The Hindoos as they Are
ge, is a meritorious act as discharging one of the primary obligations of life. They are, there
d when a mere child of from eight to ten years, all unconscious as yet of the real meaning and obligations of the relation, although her g
ner. As they live on their wits, their descriptive powers and insinuating manners are almost matchless. When the qualities of a girl are to be commended, they, indulging in a strain of exaggeration, unblushingly declare, "she is beautiful as a full moon, the symmetry of her person is exact, her teeth are like the seeds of a pomegranate, her voice is remarkably swee
in amount of money in lieu of Foolshajay.[16] Before proceeding further, I should observe that of late years a great change has taken place in the profession of the Ghatucks. The question of marriage, though not absolutely, yet chiefly, is a question the solution of which rests with the females. Their voice in such matters has a preponderating influence. Availing themselves of this powerful agency a new class of female Ghatucks or rather Ghatkees have sprung up among the people. Hence the occupation of the male Ghatucks is nearly gone, except in rare cases where nice points of caste distinction are to be decided. The great influences of Shibi Ghatkee and Badnee's mother-two very popular female Ghatkees,-is well known to the respectable Hindoo community of Calcutta. These two women have made a decent fortune by plying this trade. Though certainly not gifted with the imaginative powers of a poetic bard of Rajpootana,[17] their suasive influence is very tellin
ssfully passed some of these examinations and got a scholarship, his parents, naturally priding themselves on their valuable acquisition, demand a preposterously long catalogue of gold ornaments, which, it is not often in the power of a family in middling circumstances easily to bestow. The parents of the girl, on the other hand, seeing the long list, demur at first to give their consent, but their demurring is of no avail; marry their daughter, they must. The present ruinous scale of nuptial expenses must be submitted to at any sac
l that they look for is a desirable match. It is the middle and poorer classes, who form by far the largest aggregate of population in every country, that suffer most severely from the present enhanced scale of matrimonial charges. The late Rajah Rajkissen, Baboos Ramdoolal Dey,[19] Nemy Churn Mullick and other Hindoo millionaires, spent extraordinary sums of money on the marriage of their sons. The amount in each instance far exceeded a lakh of Rupees. The annals of Rájasthan furnish numerous instances of lavish expenditure, varying from five to ten lakhs of Rupees and upwards, on the solemnization of nuptials. There was a spirit of rivalry which animated the princes to surpass each other in magnificence and splendour on such occasions, regardless alike of the state of their exchequer, and the demoralizing effects of such conduct. Marriages in such a magnificent style are seldom to be seen in Calcutta now-a-days, not
m is to make a pranám or bow to all present, and then she is asked to squat down on the clean white sheet spread on the floor. A solemn pause ensues for a minute or so, when one of the company, more officious than the rest, breaks the silence by putting to her a few questions. She naturally feels herself somewhat out of her element in the midst of so many strangers, and unconsciously shows a sort of embarrassment even of self conflict almost distressing to witness. This internal agitation of feeling, arising pa
t beats with throbbing sensations while watching the scene from behind a half closed window, does not feel herself at ease, until she hears that her daughter has acquitted herself creditably. Before the girl leaves the room, the father or brother of the b
ot to eat anything before bathing and performing their daily worship. If in the evening, they are treated to a good dinner consisting of the best fruits of the season, sweet and sour milk and sweetmeats of various kinds. It is on such ceremonious occasions, that the Hindoos make a display of their wealth by serving the dinner to their new friends with silver salvers, plates, glasses a
re, composition, grammar, history, &c. It is a noteworthy fact that a boy however intelligent and expert in other respects, betrays a lamentable deficiency, arising from diffidence, when required to undergo an examination in the presence of his father-in-law and a University graduate. The thought of failure acts as a heavy incubus on his mind. He finds himself bewildered in a maze of confusion. If he do not actually stammer, he talks at least very slowly and diffident
peenauth Bose, in marriage with Nobinmoney Dossee, the eldest daughter of Issen Chunder Dutt, who is also bound by his contract; the marriage to be solemnized on a day to be named hereafter." Here the signatures of both the fathers as well as of the witnesses follow. When finished, it is rolled up in red thread. The Koolin gentleman hands it to the Mowleek gentleman, when the latter embraces the former, and gives him at the same time Koola marjádá and Pattra Darshanee, as a mark of respect for his superior caste,-or about fifty Rupees. The articles required for the matrimonial contract are paddy, doov grass, turmeric, betel leaf, betel-nuts, sandal paste, cowries (small shells) and alta[20] all whic
rapid spread of English education, and the manifold advantages derivable from it, has practically impaired his influence and lowered his dignity. A Koolin who happens to be the father of a girl married to a Mowleek, is, in the present day, degraded into the rank of his traditional inferior, simply because he is the father of the girl; he must even be pr
tle articles consisting of several kinds of peas, rice, paddy, gold, silver, &c. From this day, the boy carries about a pair of silver nut-crackers, and the girl a pair of kajulnatha,[23] which must remain with them till the solemnization of the nuptials, for the purpose of repelling evil spirits. A little of the turmeric paste with which the body of the bridegroom was anointed is sent by the family barber to the bride in a silver cup, her body is also anointed with it. A number of other gifts follow, namely, a large brass vessel of oil, various kinds of perfumery, three pieces of cloth (one must be a richly embroidered Benares saree, on
amily, with this difference only, that in the case of the former no Palkees are required, whereas in the case of the latter these covered conveyances have to be engaged for bringing in the females. In either case the number of guests generally varies from two to three hundred, and as the present style of living among the Hindoos in the metropolis has become more expensive than that which prevailed in the good old days, partly from a vain desire to
e mother of the bridegroom and the boys of the neighbourhood, and a temporary scaffolding made of bamboos and ornamental paper is erected on the highway in the form of a crescent bearing on it the inscription, "God save the bridegroom." Male and female servants receiving presents of gold and silver bangles move about the house gaily dressed in red uniform, or clothes. As tangible memorials of the happy union, presents of large brass pots, with oil, plates with sweetmeats, fruits, and clothes, &c., are largely distributed among the Brahmins and numerous frien
light, a knife, a Sree, a Brundálá, containing sundry little articles, described before, a small brass pot, some sweetmeats, choora and moorkee, oil, betel, betel-nuts and turmeric, and go to the nearest tank, sounding a conch, and touching the water wit
the union is really consummated. But it properly forms the binding ceremony, as constituting the marriage relative between the t
sed in this uncertain life, in the prolonged misery of a virgin widowhood. On the day of the marriage both the bridegroom and the bride are forbidde
mily, as a mark of honor to the latter, to which, from his superior caste he is fairly entitled. This present is called Adhibassy. Both the fathers are also required during the day to perform th
o go through a few minor rites which are purely the inventions of the females, not being at all enjoined in the Shásters. It is obvious that the primary object of all these female rites is to promote conjugal felicity. Strange as it may appear, it is nevertheless a fact that the mother of the bridegroom eats seven
the marriage ceremony, because Shiva, her husband, was excessively fond of her. They place before her the Chundi Pooty, a sacred book treating of Doorga and Shiva, while her mouth is filled with two betel-nuts to be afterwards chewed with betel by the bridegroom unawares. Meantime active preparations are made on both sides for the auspicious solemnization of the nuptials. At the house of the bridegroom, arrangements are being made for illumination and fireworks, and the grand Nacarras announce the approaching departure of the procession. Fac-similes of mountains and peacocks are made of colored paper spacious enough to accommodate a dozen persons; hundreds of Khás gaylap and silver staves are seen on the roadside; groups of songsters and musicians are posted here and there to give a passing specimen of the vulgar songs of the populace; a Sookasun or bridegroom's seat elegantly fitted up is brought out with two boys gaily dressed to fan the bridegr
ns as to how he should conduct himself at the house of his father-in-law. He is to gaze on the stars in heaven, keep his feet half on the ground and half on the wooden seat when engaged in performing a ceremony, and not to use any other betel but his own. The object of these instructions is to t
h sides of the road; in the midst are placed bands of native and English musicians. Parties of songsters in female dress begin to sing and dance on the Moworpunkhee, borne on the shoulders of coolies. The flaring torches are waved around the procession. Blue and red lights are flashed at intervals. Noise, confusion, and bustle ensue. Men, women and children all flock to see the támáshá. Mischievous boys try to rob the lights. And to lend, as it were, an enchantment to the scene, gay Baboos in open carriages, in their gala dresses bring up the rear. It is on such occasions that modest beauties and newly-married brides (bahus) come out from the Zenana, and, unveiling t
fined native etiquette are exchanged on both sides, comparing favorably with the rude manners of past times. "Come in, come in, gentlemen, and sit down, please," is the general cry. "Bring tobacco, bring tobacco, for both Brahmin's and Soodras," is the next welcome expression. Boys, especially the brother-in-law of the bridegroom, now bring him a couple of betel-nuts, to be cut with the pair of nut-crackers he holds in his hand. He objects and hesitates at first, but no excuse is admitted, no plea heard, he must
ing the chain of interrogations, he asks B. to parse the sentence: "To be good is to be happy." B. hanging down his head, attempts, but fails. "Where is Dundee, and what is it famous for?" B. answers, "Dundee is in Germany." (laughter): A. pressing his adversary, continues, "What was
ey are richly rewarded. It is quite amusing to hear how seriously they rehearse the virtuous acts of the ancestors, carefully refraining from making any allusion to disreputable acts of any kind. Though not like Chundá, the inimitable bard and pole-star of Rajasthan, as Colonel Tod says, their services are duly appreciated by all orthodox Hindoos, who exult in the glowing recital of ancestral deeds.
in-law repeats a mantra or incantation, at the close of which he lets it fall. Rice, flowers and doorva grass are next given him, which he lays near the copper pan containing the holy water. Water is presented as at first with a prayer, and sour milk, then again water. The officiating priest now directs him to put his hand into the copper pan, and placing the hand of the bride on that of the bridegroom ties them together with a garland of flowers, when the father-in-law says: "Of the family of Goutam, the great grand-daughter of Ram Churn Bose, the grand-daughter of Bulloram Bose, the daughter of Ramsoonder Bose, wearing such and such clothes and jewels, I, Dwarkeynath Bose, give to thee, Oma Churn Dutt, of the family of Bharadáz, the great grandson of Dinnonath Dutt, the grandson of Shib Churn Dutt, the son of Jodonauth Dutt." The bridegroom says, "I have received her." The father-in-law then takes off the garland of flowers with which the hands of the married pair were bound, and pouring some holy water on their heads, pronounces his benediction. A piece of silk cloth called Lajá bustur, is then put over the heads of the boy and girl, and they are asked to look at each other for the first time in their lives. While the marriage ceremony is being performed
hands, now bleat thou like a lamb,[29] Bapoo,"-a term of endearment. She also closes his mouth by touching his lips with a padlock, and symbolically sewing the same with twenty-one pins, that he may never scold the girl; touches his nose with a slender Bamboo pipe and breaks it afterwards, throws over
s and curdled milk. These puerile rites, purely the invention of females, are intended to act as charms for securing the love and affection of the husband for his wife. The wish is certainly a good one, but often the agencies employed fail to produce the desired effect! "Charms strike the sight, but merit wins the soul." Before the marriage ceremony is concluded, the boys of the neighbourhood make the usual demand of Gramva? and Barawari Poojah. At first in a polite w
ide? The stereotyped response is, "the bride." This being done, the females throwing a piece of cloth over the heads of both, desire them to glance at each other with all the fond endearments of a wedded pair. As is to be expected, the coy girl, almost in a state of trepidati
h sides must have their dackiná or pecuniary reward. If the boy be of the Mowleek caste and the girl of the Koolin caste, the former must give double what the latter gives, i. e., 16 Rupees and 8 Rupees. Here, as in every other instance, the superiority of caste asserts its peculiar privileges. The professional genealogists, after concluding their recitation and singing their e
obscure position in life to a state of great affluence. The late Rajah Rajkissen Bahadoor, Baboos Ram Doolal Dey, Kisto Ram Bose, Modun Mohun Dutt, Santi Ram Singh, Ram Rutton Roy and others, expended upwards of a lakh of Rupees, or £10,000, each for the possession of the enviable title of Dullaputty, or head of a party. The way by which this noble distinction was secured was to induce first-class Koolins, by sufficient pecuniary inducements, to intermarry into the families of the would-be Dullaputty. The generally impoverished condition of the old aristo
ich, on such occasions, are procured at enormous cost, many uninvited persons in the disguise of respectable looking Baboos contrive somehow or other to mingle in the crowd and behave with such propriety as to elude detection. The proportion of male intruders is larger than that of female ones, simply because the latter, however barefaced, cannot entirely divest themselves of all modesty. It would not be above the mark to put down the number of the former at twenty per cent. Such men are
k their lively spirits. Keeping up their jokes, they place the lovely bride with all her gold trappings on his knee, and unveiling her face ask him to look at it, and say whether or not he likes her; she closes her eyes, moves and jerks to have the veil dropped down, but her sisters yield not to her wish, and keeping her yet unveiled, repeat the question. Of course he makes no reply, but blushes and hangs down his head; their demand being imperative, he sees no other alternative, but to gently reply in the affirmative. They next make the girl bride, much against her inclination, lie down by his side; as often as she is dragged so often she draws back, but yielding at last to the admonition of her mother, she is constrained to lie down, because, on that night, this form is strictly enjoined in the female shaster. The innocent girl, unconscious of the absurd mirth, shrinking together, turns away, and occasionally whimpering, passes the sleepless, miserable hours. The dawn of morning is to her most welcome, although it affords her but a temporary relief. As the first glimpse of light is perceived, she flies into the bosom of her aunt, who tries to animate her drooping spirit by a word or two of solace, citing perhaps at the same time the example of Surrajiney, her elder sister, placed in a similar position three years ago. The women referred to remain in the Basarghur. As a matter of course aged women go to sleep faster than young sprightly girls of sweet seventeen, who are bent on making the best of the occasion by indulging in jokes and witticisms. They literally rack their brains to outwit the bridegroom by their thátá and támáshá (jokes), and their stock of it seems to be almost inexhaustible. They contrive to make him chew the same beera or betel which is first chewed by the bride, and if
akes it up and fills the pots, the girl slowly puts the lids on and inaudibly repeats the name of her husband for the first time,[36] expressing a hope that by the above process she stops his mouth and curbs his tongue, that he may never abuse her. As the first course of breakfast, fruits and sweetmeats are served to the bridegroom and the bride. He eats a little and is requested to offer a portion of the same to his wife, whose modesty forbids her to accept any in his presence, but the earnest importunities of the nearest of kin overcome her shyness, and she is at length prevailed upon to taste a little which is offered her by the hand of her husband, the females expressing a desire at the same time that she may continue to e
her of the bride throws the brass plate right over her head into the cloth of his wife, who stands for the purpose behind her daughter. A sudden and solemn pause is perceptible here, betokening the subsidence of joy and the advent of sorrow. In the midst of the company, mostly females, the father and mother of the bride, alternately clasping both the hands of the bridegroom, with tears in their eyes, commit the very responsible trust of the young wife to his charge, saying at the same time in a faltering tone, among other things, that "hitherto our daughter was placed under our care, but now through the Bhabiturbee or kind dispensation of Providence, she is consigned for ever to your charge, may you kindly overlook her shortcomings and frailties and prove your fidelity by constancy." At this parting expression, tears start into the eyes of all the females who are naturally more susceptible than the sterner sex. With sorrowful countenances and deep emotion they look steadfastly at the married pair and imploringly beseech the bridegroom to treat the bride with all the tenderness of an affectionate husband. The scene is exceedingly affecting, and the sweet sorrow of parting does not permit him to say Bidaya or farewell to the bridegroom. The mother-in-law, especially, should the bride be her only daughter, is overwhelmed with grief, and if she does not cry bitterly, her suppressed emotion is unmistakable; the idea even of a temporary separation is enough to break her heart, and no consolation can restore the natural serenity of her mind.[38] Her relatives endeavour to cheer her by reminding her of their and her own cases, and declare that all females are born to share the same fate. They scarcely enter the world before they must lea
ilk and altawater, and holding in her hand a live shole fish. A small earthen pot of milk is put upon the fire by a female whose husband is alive, and when through heat it overflows, the veil of the girl being lifted, she is desired to witness the overflowing process and say gently three times, "may the wealth and resources of her father-in-law overflow," while her mother-in-law puts round her left hand an iron bangle,[39] and with the usual benediction that she may be ever blessed with her husband, rubs the middle of her forehead with a little vermillion. A small basket of paddy or unhusked rice, over whient girl. Some females then, placing a male child on the thigh of the bridegroom, desire him to hand it to the bride. According to prescribed custom, the mother-in-law, on first seeing the face of her daughter-in-law, presents her with a pair of gold bangles. Other near female relatives, following her example, present her severally with a pair of gold armlets, a pearl necklace, a set of gold pitjhapa, or an ornament for the back, jingling a
resses her, declaring that from this day forward he undertakes to support her with food and clothes. He then partakes of the dinner and retires, while the bride is made to share the residue.[41] She is thus taught, from the moment of her union at the Hymeneal altar, her fundamental duty of absolute submission to, and utter dependence on, her husband. Should she be of dark complexion and her features not beautiful, the bridegroom is thus twitted by his elder brothe
is one thing and to eat jalpan (loochees and sweetmeats) is quite another. A Hindoo can take the latter at the house of one of inferior caste, but he would lose his caste if he were to eat the former at the same place. Even among equals of the same caste, and much more among inferiors, boiled rice is not taken without mature considera
ddy, colored imitation fruits made of curd[43], butter, sugar, sugar-candy, chána (coagulated milk), otto of rose, rose-water, chaplets of flowers and flower ornaments, in great variety, Dacca and embroidered Benares dhooty and saree for the boy and the girl, clothes for all the elderly females, couch-cot, beddings, sets of silver and brass utensils, carpet, embroidered shoes, gold watch and chain, &c., &c. Between 125 and 150 servants, male and female, carry these articles, some in banghy, some in baskets, and some in large brass thálás or trays. These presents being properly arranged in the Thácoor-dállán the male friends of the family are invited to come down and see them, some praising the choice assortment and large variety, as well a
oy, merriment and laughter among the females; and one amongst them exclaims; "look, look, Soudaminey, how our new Rádha and Krishna are sitting side by side and eating together; may they live long and sport thus." The mother of the boy watches the progress of the interesting scene, and in transports of joy wishes for their continued felicity. The young and sprightly, who have once passed through the same process, and whose hearts are enlivened by the reminiscences of past occurrences, too recent to be forgotten, tarry in the room to the last moment, till sleep weighing down the eyelids of the happy pair, the mother of the bridegroom gently calls them aside, and leaves them to rest undisturbed. In accordance with the old established custom, their bed is strewn with flowers and their bodies perfumed with otto of rose. This is not enough for the sprightly ladies, the complement of whose amusement and merriment is not yet full. Even if the night be a chilly one, regardless of the effects of exposure, they must aripato, or jealously watch through the crevices of windows, whether or not the boy talks to the girl, and if he do, what is the nature of the talk. Thus they pass the whole night prying and laughing, chatting with each other on subjects suited t
r by her father-in-law. "Let us see the pearl necklace first," says Bhoopada? "The pearls are not smooth and round, what may be its value?" Geeri Balla, taking her own pearl necklace from off her neck, compares the one with the other. They unanimously pronounce the latter to be more costly than the former; be that as it may, its value cannot be less than Rupees 500. They next take in hand the pitjapa, ornament for the back, looking at it for a few minutes they pass their opinion, saying it is heavier and better made than that of Geeri Balla. The Sita haur, or Jarawya[45] (gold necklace) afterwards attracts their attention, and they roughly estimate its price at Rupees 350. It is not a little surprising that though these women are never permitted to go beyond the precincts of the zenana, yet their valuation of ornaments, unless it be a jarawya bijoutry of enormous cost,
de, followed by a train of other ladies, whose hearts are exhilarated again at the prospect of merriment at the expense of the married pair. When the time comes round for them to retire, the same scene of arepáta is re-enacted by the mirth-loving ladies, with all their "quips and cranks and wanton wiles." At day-break, the girl, as must naturally be expected, quietly walks to her confidential maid-servant, and whispers her to go and tell her mother to send the Mahápáyá Palkee as early as possible. Bearing her message, one of them goes for the purpose but the mother replies, How can she send the Palkee except at the lucky hour after dinner? When this reply is communicated to the girl, she sits sulkily aloof, until her mother-in-law cajoles her and offers for her breakfast a few sweetmeats with milk. After a great deal of hesitation she complies with her request, which, to be effective, is always accompanied by a threat of not allowing her to return to her father's in the event of a refusal. About ten o'clock she takes her regular breakfast as described before, but she does not eat with zest, for whatever delicacy may be offered her, it palls upon her taste; continually brooding on the idea of a return home. This is the day when the
re family, the Dutt family, the Ghosal family, and others, are reported to have spent from fifty thousand rupees to two lakhs (£5,000 to £20,000) and upwards in the marriages of their sons. Whilst writing this I am told Maharajah Jotendro Mohun Tagore is said to have expended about two lakhs of rupees in the marriage of his nephew. The most interesting feature in the extraordinary munificence of the Moharajah is, as I have learnt, his princely contribution to the "District Charitable Socie
r future home. Her affection grows, and she learns to appreciate the grave meaning of a married life. She is still, however, but a girl, in habit and ideas, when the real union of wedded life or the second marriage takes place, which is solemnised when she arrives at the age of puberty, say at her twelfth or thirteenth year. T
obnoxious institution, in the eradication of which every Hindoo whose moral sense is not entirely blunted ought to co-operate. As the delay of the union is in the belief of a Hindoo an unpardonable sin, the fact referred to is announced by the sound of a conch, and the bodies of all the females are smeared with turmeric water,-an unmistakable evidence of joy. The news is also convey
diet is confined to boiled rice, milk, sugar, curd, and tamarind without salt. On the morning of the fifth day, she is taken to a neighbouring tank, accompanied by five women whose husbands are alive. Smeared with turmeric water, they all bathe and return home, throwing away the mat and other things that were in the room. She then sits in another room, and a very low caste woman, in the presence of five other respectable females (not widows), performs a series of what is vulgarly called Nith Kith,[
rites were formally solemnized. After this the hands of the bridegroom and the bride are joined together, and the priest repeating certain formulas, the bridegroom then causes a ring to slide between the bride's silk garment and her waist. Twenty-one small images (twenty male and one female) made of pounded rice are placed before the happy pair, and the priest feeds the bride with sugar, clarified butter, milk, and the urine and dung of a ca
complete set of miniature silver and brass utensils to the girl, while in return the father of the girl sends such presents as a table, chair, writing desk, silver inkstand, gold and silver pencil cases, stationery, perfumery, &c., in addition to an equally large quantity of choice eatables of all kinds too
is father or elder brother. When the remembrance of this heavy domestic bereavement is so very fresh in the memory, it is highly unbecoming and ungenerous to open or enter into a matrimonial negotiation, and have it consummated immediately after the asúchi or mourning is over. A wife is certainly not a beast of burden that is no sooner removed by death than it may be replaced by another. She is a being whose joy and sorrow, ha
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