Theory & History of Historiography

conception of history. Not only is this clearly to be seen from inspection, but it is also quite evident logically

t. Hence it should rather be said that it wishes to be, but is not, immanent, and whatever its efforts may be in the contrary direction, it becomes converted into transcendency. All this does not present any difficulty to one who has clearly in mind the conceptions of the transcendent and of the

eloquent and picturesque theorists of that school, Taine. Facts are brute, dense, real indeed, but not illumined with the light of science, not intellectualized. This intelligible character must be conferred upon them by means of the search for causes. But it is very well known what

who is a thinker and a critic, is ashamed,[Pg 66] an act of will which is useful, but which for that very reason is wilful. The fig-leaf, however, is a sign of modesty, and as such has its value, because, if shame be lost, there is a risk that it will finally be declared that the 'causes' at which an arbitrary halt has been made are the 'ultimate' causes, the 'true' causes, thus raising the caprice of the individual to the rank of an act creative of the world, treating it as though it were God, the God of certain theologians, whose caprice is truth. I should not wish again to quote Taine just after having said this, for he is a most estimable author, not on account of his mental constitution, but of his enthusiastic faith in science; yet it suits me to quote him nevertheless. Taine, in his search for causes, having reached a cause which he sometimes calls the 'race' and sometimes the 'age,' as for instance in his history of English literature, when he reaches the concept of the 'man of the North' or 'German,' with the character and intellect that would be

im save that of beginning all over again and following a different path, or that of going forward but changing his direction. The naturalistic presupposition, which still holds its ground ("first collect the facts, then seek the causes": what is more evident and more unavoidable than that?), necessarily leads to the second alternative. But to adopt the second alternative is to supersede

ory by means of their various shocks and gyrations, to which they can also put an end by returning to their primitive state of dispersion, whether the hidden God be termed Matter or the Unconscious or something else, or whether, finally, He be conceived as an Intelligence which avails itself of the chain of causes in order to actualize His counsels. And every philosopher of history is on the other hand a naturalist, because he is a dualist and conceives a God and a world, an idea and a fact in addition to or beneath the Idea, a kingdom of ends and a kingdom or sub-kingdom of causes, a celestial city an

logical thought. The void of logical thought is immediately filled with praxis, or what is called sentiment, which then appears as poetry, by theoretical refraction. There is an evident poetical character running through all 'philosophies of history.' Those of antiquity represented historical events as strife between the gods of certain peoples or of certain races or protectors of certain individuals, or between the god of light and truth and the powers of darkness and lies. They thus expressed the aspirations of peoples, groups, or individuals toward hegemony, or of man toward goodness and truth. The most modern of modern forms is that inspired by various national and ethical feelings (the Italian, the Germanic, the Slav, etc.), or which represents the course of history as leading to the kingdom of liberty, or as the passage from the Eden of primitive communism, through the Middle Ages of slavery, servitude, and wages,

nce, too, writers on method are wont to be empirical and therefore eclectic, we find that with them also history is divided into the history which unites and criticizes documents and reconstructs events, and 'philosophy of history' (see Bernheim's manual, typical of all of them). Finally, since ordinary thought is eclectic, nothing is more easy than to find agreement as to the thesis that simple history, which presents the series of facts, does not suffice, but that it is necessary that thought should return to the[Pg 71] already constituted chain of events, in order to discover there the hidden design and to answer the questions as to wh

o that "metaphysic to be constructed by means of the experimental method" which was recommended by the neocritics (Zeller and others), for it claimed, not indeed to supersede two voids that reciprocally confute one another,[Pg 72] but to make them agree together,

by which Hegel was led to discover the same relation between a priori and historical facts as between mathematics and natural facts: Man muss mit dem Kreise dessen, worin die Prinzipien fallen, wenn man es so nennen will, a priori vertraut sein, so gut als Kepler mit den Ellipsen, mit Kuben und Quadrat

or he lost him-self in preliminaries of historical docum

I

t understood, for which determinism had tried to employ the cement of causality, the 'philosophy of history,' the magic wand of finality. What shall we do with these facts? How shall we make them clear rather than dense as they were, organic rather than inorganic, intelligible rather than unintelligible? Truly, it seems difficult to do anything with them, especially to effect their desired transformation. The spirit is helpless before that which is, or is supposed to be, external to it. And when facts are understood in that wa

sal method claims to start and before which we, who are now abandoned by it and by its complement, the philosophy of history, appear to find ourselves again. Methodical doubt will suggest above all things the thought that those fa

icular determination of the spirit, and to which we therefore assign its place in history, with all its surroundings and all its relations. But when this actuality of our thought and imagination has come to an end—that is to say, when that mental process is completed—we are able, by means of a new act of the spirit, separately to analyse its elements. Thus, for instance, we shall classify the concepts relating to 'Florentine civilization,' or to 'political poetry,' and say that the Divine Comedy was an effect of Florentine civilization, and this in its turn an effect of the strife of the communes, and the like. We shall also thus have prepared the way for those absurd problems which used to annoy de Sanctis so much in relation to the work of Dante, and which he admirably described when he said that they arise only when lively ?sthetic expression has grown cold and poetical work has fallen into the hands of dullards addicted to trifles. But if we stop in time and do not enter the path of those absurdities, if we restrict ours

ted 'brute facts,' and we shall see the light of thought resplendent upon their foreheads. And that true point of departure will reveal itself not merely as a point of departure, but both as a point of arrival and of departure, not as the first step in historical construction, but the whol

author really do come to pass, if we really do make live again in imagination individuals and events, and if we think what is within them—that is to say, if we think the synthesis of intuition and concept, which is thought in its concreteness—history is already achieved: what more is wanted? There is nothing more to seek. Taine replies: "We must seek causes." That is to say, we must slay the living 'fact' thought by thought, separate its abstract elements—a useful thing, no doubt, but useful for memory and practice. Or, as is the custom of Taine, we must misunderstand and exaggerate the value of the function of this abstract analysis, to lose ourselves in the mythology of races and ages, or in other different but none the less similar things. Let us beware how we slay poor facts, if we wish to think as historians, and in so far as we are suc

espect to the whole. Correlatively with this, the histories of these forms of activity have become ever more complex and more firmly united. We know 'the causes' of civilization as little as did the Greeks; and we know as little as they of the god or gods who control the fortunes of humanity. But we know the theory of civilization better than did the Greeks, and, for instance, we know (as they did not know, or did not know with equal clearness and security) that poetry is an eternal form of the theoretic spirit, that regression or decadence is a relative concept, that the world is not divided into ideas and shadows of ideas, or into potencies and acts, that slavery is not a category of the[Pg 78] real, but a historical form of economic, and so forth. Thus it no longer occurs to anyone (save to the survivals or fossils, still to be found among us) to write the history of poetry on the p

o proposes to schematize and to imagine without thinking. For there is a great difference between the determinism that can now appear, after Descartes and Vico and Kant and Hegel, and that which appeared after Aristotle; between the philosophy of history of Hegel and Marx and that of gnosticism and Christianity. Transcendency and false immanency are at work in both these conceptions respectively; but the abstract forms and mythologies that have appeared in more mature epochs of thought contain this new maturity in themselves. In proof of this, let us pause but a moment (passing by the various forms of naturalism) at the case of the 'philosophy of history.' We observe already a great difference between the philosophy of history, as it appears in the Homeric world, and that of Herodotus, with whom the conception of the anger of the gods is a simulacrum of the moral law, which spares the humble and treads the proud underfoot; from

t is not altogether clear, for at bottom the false persuasion still persists that history is constructed with the 'material' of brute facts, with the 'cement' of causes, and with the 'magic' of ends, as with three successive or concurrent methods. The same thing occurs with religion, which in lofty minds liberates itself almost altogether from vulgar beliefs, as do its ethics from the heteronomy of the divine command and from the u

trivial. Notwithstanding, since I prefer the accusation of semi-triviality to that of equivocation, I shall add that since the criticism of the 'concepts' of cause and transcendental finality does not forbid the use of these 'words,' when they are simple words (to talk, for example, in an imaginative way of liberty as of a goddess, or to say, when about to undertake a study of Dante, that our intention is to 'seek the cause' or 'causes' of this or that work or act of his), so nothing forbids our continuing to talk of 'philosophy of history' and of philosophizing history, meaning the necessity of treating or of a better tr

ving changed his name—"the right of every man to the letters of the alphabet." But the question treated above is not one of the letters of the alphabet. The 'philosophy of history,' of whi