Theory & History of Historiography

lf, which has not philosophy outside itself, but coincides with philosophy, which has not the reason for its definite form and rhythm outside itself, but within itself—identifies history with the a

ough their very insistence in first imaginin

ave been cancelled, it seems that nothing remains for history as an act of thought but the immediate consciousness of the individual-universal, in which all distinctions are su

prehensible how such an element can subsist in its proper form of intuition, in thought, which always universalizes; or if it is said to be the result of the act of thought itself, then the distinction, believed to have been abolished, reappears in a strengthened form,

usions, but not yet truly full of itself. To sum up, mysticism, which is a violent reaction from naturalism and transcendency, yet retains traces of what it has denied, because it is incapable of substituting anything for it, and thus maintains its presence, in however negative a manner. But th

, imagination and intellect, utility and morality, or however these distinctions of and in unity are formulated, and whatever may be the historical forms and denominations which the eternal system of distinctions, perennis philosophia, may assume. To think is to judge, and to judge is t

ight of the distinction is to be found in history itself. History is thought by judging it, with that judgment which is not, as we have shown, the evaluation of sentiments, but the intrinsic knowledge of facts. And here its unity with philosophy is all the more evident, becaus

when they fail even to pick up the crumbs of the banquet, all of which has been voraciously devoured by the other. Sometimes recourse is had to a feeble expedient, and to general history is accorded the treatment of one of the subjects of the special histories, the latter being then grouped apart from that. Of this arrangement the best that can be said is that it is purely verbal and does not designate a logical distinction and opposition, and the worst that can happen is that a real value should be attributed to it, because in this case a fantastic hierarchy is established, which makes it impossible to understand the genuine development of the facts. And there is practically no special history that has not been promoted to be a general history, now as political or social history, to which those of literature, art, philosophy, religion, and the lesser sides of life should

ompartments or little boxes, containing political history, industrial and commercial history, history of customs, religious history, history of literature and of art, and so on, under so many separate headings. These divisions are merely literary, they may possess some utility as such, but in the case under consideration they do not fulfil merely a literary function, but attempt that of historical understand

sions or as rising to the execution of his duty, and so on. This means that we cannot think the history of philosophy save as at the same time social, political, literary, religious, and ethical history, and so on. This is the source of the illusion that one in particular of these histories is the whole of them, or that that one from which a start is made, and which answers to the predilections and to the competence of the writer, is the foundation of all the others. It also explains why it is sometimes said that the 'history of philosophy' is also the 'philosophy of history,' or that 'social history' is the true 'history of philosophy,' and so on. A history

at is made into an internal history. This distinction of matter and form, of external and internal, would give rise again to the worst sort of dualism, would lead us to think of the pragmatical imagination of man who strives against his enemy nature, if it did not assume an altogether internal and dialectical meaning in its true conception. Because from what has been said it is easy to see that external and internal are not two realities or two forms of reality, but that external and internal, matter and form, both appear in turn as form in respect to one another, and this materialization of each to idealize itself in the other is the perpetual movement of the spirit as relation and circle: a circle that is progress just because n

the eighteenth to triumph at the beginning of the nineteenth century. This is set down to the creation of the history of poetry and myth in the works of Vico in the first place and then of Herder and others, and of the history of the figurative arts in the works of Winckelmann and others. And to the clearer conception of philosophy, law, customs, and language is due their renewal in the respective historiographical fields, at the hands of Hegel, Savigny, and Humboldt, and other creators and improvers of history, celebrated on this account. This also explain

her. We may admire copious lists of this sort in the books of methodologists, all of them proceeding, as is inevitable, according to one or the other of these general criteria: the criterion of the quality of the objects (histories of religions, customs, ideas, institutions, etc., etc.), and that of temporal-spatial arrangement (European, Asiatic, American, ancient, medieval, of modern times, of ancient Greece, of ancient Rome, of modern Greece, of the Rome of the Middle Ages, etc.); in conformity with the abstract procedure which, when dividing the concept, is led to posit on the one hand abstract forms of the spirit (objects) and on the other abstract intuitions (space and time). I shall not say that those titles and divisions are useless, nor eve

ventional, as is finally recognized with much trouble, and as could be recognized with much less trouble if a start were made, not from the periphery, but from the centre—that is to say, from gnoseological analysis. A graver error is the creation of an infinity of entia imaginationis, taken for metaphysical entities and forms of the spirit, and the pretension that arises from this of developing the history of abstractions as though they were so many forms of the spirit with independent lives of their own, whereas the spirit is one. Hence the innumerable otiose problems wi

ndix II.