Friendship Village Love Stories
all find in them something all my own. For the old rosewood clock which has told time for me these m
swells richly to its zenith of expression and almost says something else. Through even the organ fulness of the cathedral bells I shall hear the tingling melody of the rosewood clock chimes, for their sweet incidence has been to me both matins and lullaby and often trembles within my sleep. I have the clock always[Pg 34] with me. It is a little voice-friend, it is one of those half folk, like flowers
turned from me, and she was wearing a high-necked gingham apron faded to varying values of brown and faint purple and
t again," she said, standing w
haps, to-morro
dlongs. Who of us has not chosen a vase, a chair, a rug, by some motive transcending taste, by the bidding of a friendly-faithful monitor who, somewhere inside one, nodded a choice which we obeyed? And yet a vase is a dead thing with no little seeking tentacles that catch and cling, while in choosing the living it is that one's friendly-faithful monitor is simply recognizing
regarding
day, where the crape is on the door,"
very big people brush aside the minor conventions and do it
there was your frie
didn't always bother her head to[Pg 36] speak to me. I j
rdon. To get-w
our own breath better-like it was something alive inside you. That's why I nev
the nearest to the truth about things, but as I grow older I find myself getting to take a surpassing comfort in the
hinks you should be my secretary." (It is a big wor
d Miggy, simply, "I wa
n anybody's secret
never saw anybody befo
r think you would do," I suggest
get ahead. And I think so because I generally think I can do anyth
ese extraordinary qualifications for duty; "excep
er how much I wanted to come back. Calliope Marsh says she's always expecting to find some folks' heads
I never have a fr
ome," said M
k of anxiety, and her face was pointed and bi
forgot. I meant t
not come, after all
said Miggy, soberly. "A
es me, though at the wrist they taper and in their extreme littleness are yet round. Because
u that?" I a
'most," said Miggy. "They all laugh
n that,-save with my neighbour, and Calliope, and a few more whom I love-here in the village I miss the simple good breeding of the perception that nothing is nobler than
rve that I instance a commercialization which I deplore by not insisting on this secre
ttle nods which seeme
39] isn't me that's in love at all. It's Peter.
ter to such a Miggy. I must have looked "Poor Peter," because the girl's face took on its first sm
all day and then he practises violin and tinkers. I only see h
make a mental note for me: remind me
al scared. Now about my being your secretary
child!" I
a secretary and she takes down every single thing
hat I had a secretary, but rather that I had surprisingly acquired a Miggy, who might be of use in many a little
it up with a sigh. "Everything is, ain't it?
is," I t
best when you have to do just exactly what you
ending to interfere with set tasks in Miggy's possible duties with me. She had the truth, though: that the strong creative instinct is the chi
at eleven, if it is, as it often is, my one and my eleven and nobody else's. For, as between the clock and me alone, one and eleven and all other o'clocks are mine and I am not theirs. But I have known men and women living in hotels who would[Pg 41
ess, a hint which I welcomed. I think that every one to whom I am permanently d
nice things to do and I do 'em. But I'm always waking up in the night and thinking what a lot there must be th
at faint, swift, solemn minute which sometimes reveals on a face the childlike wist
do not feel this sense of emptiness whenever we leave one another. Would you not think that it would be so with us who live above the abyss and below the uttermost spaces? It is not so, and there are those from whose presence I long to be gone in a discomfort which is a kind of orison of my sou
fancy that Miggy is no o'clock. She is not Dawn o'clock, because already she has lived so much; nor Noon o'clock, because she is far from her high moment; nor is she Du
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