100 New Yorkers of the 1970s

Geraldine Fitzgerald over the past 40 years hear nothing but earthy humanity in the voice. One of the most versatile actresses in America, as unorthodox as she is gif

to ceiling - carpet, chairs, tables, sofa, and even the television. The only picture is

customary smile. "And if everything is white, it's different in the morning

racter play that she is directing at the Manhattan Theatre Club; it will open in mid May. "It's by a very young author called Bill Davis. We did it last October at the Circle Rep Lab, and it was very

e Nora in A Doll's House. The only difference is, she's my age. So of course her options are few. And she goes right down to the bottom: she becom

pare her acclaimed one woman show, Street Songs

g her remarkable acting technique to make the songs personal and moving. She has performed the act at Reno Sweeney,

en they're on their own - whether singing in the streets, singing in the shower, singing in the car - they do not sing losing songs. We

cceptable. Well, 'Danny Boy,' believe it or not, is a winning song. At the end of it, the girl says, 'Even if I'm dead, if you come back and you whisper that you love me still, I'll hear y

ir before heading for Hollywood, where she made such classic films as Dark Victory, Watch on the Rhine, and Wuthering Heights, for which she received an Osca

Into Night as her favorite play. When it was revived Off Broadway in 1971, her portrayal of the morphine-addicted Mary T

Lindsay-Hogg, the hugely successful young director who was nominated for a Tony Award for Whose Life is this Any

e such a funny voice. ... Then I realized that I needed a vehicle for expressing what I feel about the world and about people that was very flexible, and wa

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ER JOAN

author with