Craftsmanship in Teaching

ledge that the initiate takes to do the work that his hand finds to do in the best possible manne

m the pains which he took with that work, an observer would have concluded that it was, to the painter, the most important task in the world. And that, after all, is the true test of craft artistry: to the true craftsman the work that he is doing must be the most important thing that can be done. One of the best teachers that I know is that kind of a craftsman in education. A studen

them, through the strenuous processes of self-discipline in the actual work of the years that are to come. This is a process that takes time, energy, constant and persistent application. All that this school or any school can do for its students in this respect is to start them upon the right track in the acquisition of skill. But do not make the mistake of assuming that this is a small and unimportant matter. If this school did nothing more than this, it would still repay tenfold the cost of its establishment and maintenance. Three fourths of the failures in a world that sometimes seems full of fa

be reduced as rapidly as possible to the plane of automatism and dismissed from the mind. I believe that you will outgrow this notion. As you go on with your work, as you increase in skill, ever and ever the fascination of its technique will take a stronger and stronger hold upon yo

twenty-five thousand dollars on his past reputation and started in to have some fun. I was his only employee at the time, and I sat across the big double desk from him, writing his letters and keeping his accounts. He would sit for hours, planning for the establishment of some

r points of technique,-those little things that seem so trivial in themselves and yet which mean everything to skill and efficiency,-what pride the competent artisan or the maste

unless we accept George Eliot's definition of genius as an infinite capacity for receiving discipline. That teacher's success, by her own statement, is due to a mastery of technique, gained through successive years of growth checked by a rigid responsibility for results. She has found out by repeated trial how to do her work in the best way; she has discovered the attitude toward her pupils that will get the best work from them,-the clearest methods of presenting subject matter; the most effective ways in which to drill; how to use tex

ling idealized the technique of the marine engineer, as Balzac idealized the technique of the journalist, as Du Maurier and a hundred other novelists have idealized the technique of the artist. We need some one to exploit our shop-talk on the reading public, and to show up our work as you and I know it, not as you and I have been told by laymen that it ou

you will count the weeks, the days, the hours, the minutes that lie between you and vacation time. Then will be the need for all the strength and all the energy that you can summon to your aid. Fail here, and you

aching attitude. With others is a long, uphill fight. But it is safe to say that if, at the end of three years, your eyes still habitually se