Craftsmanship in Teaching

found, his or her work is well worth the most careful sort of study. Success, of course, may be due to other factors than the methods employed,-to personality, for example. But, in

entified with the methods that theoretical pedagogy had worked out from a priori bases. For example, the type of lesson which I call the "deductive development" lesson[7]

ficiency of our craft is one of its weakest characteristics. It is the factor that more than any other discounts it in the minds of laymen. Fortunately it is less frequently a professional characteristic than in former years, but it still persists in some quarters. I recently met a "pedagogue" who impressed me as the most "knowing" individual that it had ever been my privilege to become acquainted with. An enthusiastic friend of his, in dilating upon this man's virtues, used these words: "When you propose a subject of conversation in whatever field you may cho

with using them to promote immediate and direct efficiency lies in the paucity of the literature that is at our disposal. Most of our present-day works upon education are very general in their nature. They are not without their value, but this value is general and

"general method." I teach a subject that often goes by that name, but I always take care to explain that the name does not mean, in my class, what the words seem to signify. There are certain broad and general principles which describe very crudely and roughly and inadequately certain phases of certain processes that mind undergoes in organizing experience-perception, apperception, conception, induction, deduction, inference, generalization, and the like. But these terms have only a vague and general connotation; or, if their connotation is specific and definite, it h