Gilbert Keith Chesterton
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ved to Warwick Gardens. As old-fashioned London houses go, 11 Warwick Gardens is small. On the ground floor, a back and front room were for the Chestertons drawing-room and dining-room with a folding door between, the only other sitting-room being a small study built out over the garden. A long, narrow, green str
a prophecy remembered by all parties because it proved so singularly false. As soon as Cecil could speak, he began to argu
he remembered a fall she had from a rocking-horse more clearly than he remembered her death,
terature. For Gilbert Chesterton most perfectly remembered the exact truth, not only about what happened to a child, but about how a child thought and felt. What is more, he sees childhood n
beginning of the life of man; and that it is man who afterwards darkens it with dreams or goes astray from it in self-dec
iography
nder in it, as if the world were as new as myself." A child in this world, like God in the moment of creation, looks upon it and sees that it is very good. It was not that he was never unhappy as a child, and he had his share
lly recall; not the things I should think most worth recalling. This is where it differs from the other great thrill of the past, all that is connected with first love and the romantic passion
ography,
often to be noted in the childhood of exceptional men: a combination of backwardness and precocity. Gilbert Ches
came to him out of the old fairy tales and made the first basis for his philosophy. And George Macdonald's story The Princess and the Goblin made, he says, "a difference to my whole existence, which helped me to see things in a certain way from the start." It is the story of a house where goblins were in the cellar and a kind of fairy godmother in a hidden room upstairs. This sto
one and watch against the other. . . . Since I first read that story some five alternative philosophies of the universe have come to our colleges
to George Macdon
f any story he ever read-then or later! Another recurrent image in books by the same author is that of a great white horse. A
Ibi
he care of a girl with ropes of golden hair; to whom my mother afterwards called out from the house, 'You are aenlivening my early years than most." She has a vivid memory of Sheffield Terrace where all three Chesterton children were born and where the little sister, Beatrice, whom they called Birdie, die
such a fear of sickness or accident. If Cecil gave the slightest sign of choking at dinner, Gilbert would throw down his spoon or fork and rush from the room. I have seen him do it so
re always rudimentary human beings, sometimes a good deal more, and they are taken through lengthy adventures drawn on the backs of bits of wall paper, of insurance forms, in little books sewn together, or sometimes on long strips glued end to end by his father. These drawings can often be dated exactly, for E
notes in the Autobiography, a power of invention which "created for children the permanent anticipation of what is profoundly called a 'surprise.'" The child of today chooses his Christmas present in advance and decides between Peter Pan and the Pantomime (when he does not get both). The Chesterton children saw their first glimpses of fantasy through the framew
with the most refractory. Gilbert was never refractory, merely absent-minded; but it is doubtful whether he was sent upstairs to wash his hands or brush his hair, except in preparation for a visit or ceremonial occasion ("not even then!" interpolates Annie). And it is perfectly certain that he ought to have been so sent several times a day. No one minded if he was late for meals; h
ward?" Edward: "I think I'd like a bit of chicken!" Aunt M. fiercely: "No, you won't, you'll have mutton!" That happened so often. Sometimes Alice Grosjean, the youngest of Aunt M.'s family, familia
ation. Schoolboy contemporaries of Gilbert say that although immensely kind, she alarmed them by a rather forbidding appearance-"her clothes thrown on anyhow, and blackened and protruding teeth which g
added darling to them. I have heard her address Bentley when a young man thus; 'Bentley darling, come and sit ov
dressed her maids waiting at t
arance, and was still open to the appeal of millinery. ("She always was," says Annie.) The letter is from John Barker of High St
DA
pose of offering for your selection a Bonnet of the latest Parisian taste, of which we ha
ou may appoint, unless you would prefer to pay
n as you have made your selection he
embrance of the anniversary of what, he instructs us to say, he regards as a happ
ay we very respectfully join to them our own, and add that during many years to come we trust to be permitted to supply you with g
to be Madam Your mo
BARKE
K. himself says of another story) that Dick Swiveller really did say, "When he who adores thee has left but the name-in c
ry long and wavy. He used to sit behind her in Church. She liked pretty clothes, but lacked the vanity to buy them
able fragments written in his early twenties, he describes a family of girls who had played with him when they were very young together. It is headed
latry at one shrine is apt to lose its purely intellectual character, but a genial polytheism is always bracing and platonic. Besides, the Vivians lived in the same street or rather "gardens" as ourselve
ees to the prejudice of their white frocks, and otherwise misbehaving myself in the funny old days, before I went to school and became a son of gentlemen only. I have never been able, in fact I have never tried, to tell which of the three I really liked best. And if the severer usefulness and domesticity of the eldest girl, with her quiet art-colours, and broad, brave forehead as pale as the white roses
dash of sentiment and a strong penchant for being her own emotional pint-stoup on the traditional subjects and occas
ng how even Nina, miracle of diligence and self-effacement, remembered a new pink frock across the abyss of the years. . . . Walking with my
lished f
nty years later, Cecil was to remark with amusement that he had as a small boy heard every part of the teaching now (1908) being set out by R. J. Campbell under the title, "The New Religion." The Chesterton Liberalism en
ead, as had every good Liberal of that day. What was to be done about it? He took the Lays and rewrote them in an excellent imitation of Aytoun, but on the opposite side. In view of his own later developments such a line as "Drive the trembling Papists backward
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