The Romantic
wa
the stretcher. His car, packed with wounded, stood a little way up the street, headed for Ghent. Sutto
on into the house opposite, the house with the narrow grey shutte
es, his back propped against the stable wall. He was safe th
e been left behind if they had not foun
the house with the narrow shutters, wounded, limping, his foot bound to a splint. Then Sutton came, hurrying to
ad to Sutton's car; she saw them get in
omething behind him in the room. The same instant she heard the explosion and saw the shell burst in the middle of the street, not fifty yards from the
lift up the Belgian and carry him out. She stooped over him, put her hands under his armpi
the grating noise of a car backing, it was the scream of a c
d she saw John's car rushi
t. His eyes moved. Blac
he said, that they
but he would remember; he would come back. In fi
ng something. He compla
xious about himself,
to have been left. She
besid
d. "He'll come back." When he
aited hal
over there at the backs of t
street under the wall of the Town Hall. They would be sure to ai
ormous chute. It came from the other side of the street a little way down. It couldn't be far from the Town Hall. That settled it. Mu
ohn was not coming back
reath, of the warm sweat that oozed through his tunic, the hot, fetid smell that came through his unlaced boots. She didn't care; she was too sorry for him. She could feel nothing but the helpless pressure of his body against hers
re for life, a horror of the unjus
ath. If nobody came she would walk bac
nd the cranking of the engine. But she could see him rushing. If only she knew why he had left them.... She wanted t
forgetting the wounded man. How could you forget a wounded man? Whe
too?... He hadn't forgotten. She could see him looking back over his shoulder; looking at something that was lying there, that couldn't be anything but a wounded man. Or a dead man. Whatever
man in the room John had left; she saw his head turning to the doorway, and his eyes, frighten
there. She raised the Belgian's head, gently, from her shoulder. She would have to wake him and
oss the road. It was too dangerous. Mademoiselle would be hit. He played on her pity with
nute. I think there's a wounded man
ity of her purpose. "If only I were not wounded, if only
*
one hand, half clenched, half relaxed, on his breast under the drooped chin; so that at first she thought he was alive, sleeping. She knelt down beside him and clasped his wrist; she unbuttoned his tunic and put
Not more than sixteen. Jo
certainty so long as she didn't know w
unless he had been dead. Her mind worked rapidly, jumping from point to point, trying to find some endurable resting place.... He was so young, so small, so light. Light. It wouldn't take
hat John had left there. She felt tired out and weak, sick with her belief, her fear of what John had
e yard. He had dragged himself there, crawling o
o look for you,
John. Something closed down between them. Black. Black; shutting him off, closing her heart against him, leaving her heart hard and sick. The light went slo
again when she heard the amb
*
you, Ch
What made
nk. Said he'd lost you. He th
would be if
o go on with you." She could hear him tell
enough. I had an operation.... Is that a wounded
t know he
s
Billy would know. B
when you left him! The bo
ng his bandages, and he didn't answer a
?" she
that Billy w
uldn't say to him, "I want to know w
on's voice came up slow and m
e known. Vaguely for a moment she wondered why Billy
n isn't hu
made him go and lie down.... Loo
*
hey greeted her with shouts of joy, but their eyes looked at her
in with us, Charlotte,"
mislaid among the shell
ok Charlotte out among
leave h
try n
ot her or not. But John cared. If only she knew why.... Their queer faces sobered her and suddenly she knew. She saw S
e must really have thought
n't go. He must have known that if he told
w John standing between the glasses of the two doors. He came in and she heard Mrs. Ran
use she couldn't make him come to her, couldn't make him look with pleasure at her beautiful, arrogant face. She disliked Sutton and McClane for the same reason, but she hated John. He treated her f
ectly awake. But at the sound of the rasping voice his mouth had tightened; it was pinched and sharp with pain. He di
got up, one after a
d, "did you really
left me. But I
it wasn't
side me
ld me you were going on with
Billionaires
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