Vanishing England

serve the memory of them. It may be said that we have begun our quest too late; that so much has already vanished that it is hardly worth while to record what is left. Alth

guard some few of our towns, the old moot halls and public buildings. We shall see the old-time farmers and rustics gathering together at fair and market, t

hat knows no rest or peace. Inventions tread upon each other's heels in one long vast bewildering procession. We look back at the peaceful reign of the pack-horse, the rumbling wagon, the advent of the merry coaching days, the "Lightning" and the "Quicksilver," the chaining of the rivers with locks and bars, the network of canals that spread over the whole country; and then the first shriek of the railway engine start

d slow-footed rustics and scampering children, dogs and hens, and clouds of dust strive in very mercy to hide the view of the terrible rushing demon. In a few ye

nce beacons. Forward,

n for ever down the rin

d the progressive-I attach no political meaning to the term-delight in their present environment, and care not to inquire too deeply into the origin of things; the study of evolution and development is outside their sphere; but yet, as Dean Church once wisely said, "In our eagerness for i

rther spoliation of the heritage of Englishmen, if we can awaken any respect or reverence for the work of our forefathers, the labours of both artist and author will not have been in vain. Our heritage has been sadly diminished, but it has not yet altog

am, the banks of which were clad with trees and foliage. The sun shone brightly, and the sky was blue, with fleeting clouds. "This is what you are doing with your scenery," said the lecturer, as he took his palette and brushes; he began to paint on the glass that covered the picture, and in a few minutes the scene was transformed. Instead of the beautiful bridge a hideous iron girder structure spanned the stream, which was no longer pellucid and clear, but black as the Styx; instead of the trees arose a monstrous mill with a tall chimney vomiting black smoke that spread in

ments, Cap

fathers were content with hangings to keep out the draughts and open fireplaces to keep them warm. They were a hardy race, and feared not a touch or breath of cold. Their degenerate sons must have an elaborate heating apparatus, which again distresses the old timbers of the house and fires their hearts of oak. Our forefathers, indeed, left behind them a terrible legacy of danger-that beam in the chi

he following conversation was overheard at Christie's: "Here is a beautiful thing; you should buy it," said the speaker to a newly fledged baronet. "I'm afraid I can't afford it," replied the baronet. "Not afford it?" replied his companion. "It will cost you infinitely less than a baronetcy and do you infinitely more credit." The new baronet seemed rather offended. At the great art sales rare folios of Shakespeare, pictures, Sevres, miniatures from English houses are put up for auction, and of course find their way to America. Sometimes our cousins from across the Atlantic fail to secure their treasures. They have striven very eagerly to buy Milton's cottage at Chalfont St. Giles, for transportation to America; but this effort has happily be

tury Table in Milton's Co

and corner-post, it was said, had been secured by a London firm for shipment to America. We are glad to hear

metimes fashion decrees the downfall of old houses. Such a fashion raged at the beginning of the last century, when every one wanted a brand-new house built after the Palladian style; and the old weather-beaten pile that had sheltered the family for generations, and was of good old English design with nothing foreign or

y were only fit residences for owls and bats. Some loyal owners destroyed the remains of their homes lest they should afford shelter to the Parliamentary forces. David Walter set fire to his house at Godstow lest it should afford accommodation to the "Rebels." For the same reason Governor Legge burnt the new episcopal palace, which Bancroft had only finished ten years before at Cuddesdon. At the same time Thomas Gardiner burnt his manor-house in Cuddesdon village, and many other houses were so battered that they were left untenanted, and so fell to ruin.1 Sir Bulstrode Whitelock describes how he slighted the works at Phillis Court, "causing the bulwarks and lines to be digged down, the grafts [i.e. moats] filled,

nth-cent

tages by the wayside, which form such attractive features of the English landscape. We have only to look at the west end of St. Albans Abbey Church, which has been "Grimthorped" out o

them. Too often they have decided to entirely demolish the old building, the most characteristic feature of the English landscape, with its square grey tower or shapely spire, a tower that is, perhaps, loopholed and battlemented, and tells of turbulent times when it afforded a secure asylum and stronghold when hostile bands were roving the countryside. Within, piscina, ambrey, and rood-loft tell of the ritual of former days. Some monuments of knights and dames proclaim the achievements of some great local family. But all this weighs for nothing in the eyes of the renovating squire and parson. They must have a grand, new, modern church with much architectural pretension and fine decorations which can never have the charm which attaches to the old building. It has no memories, this new structure. It has nothing to connect it with the historic past. Besides, they decree that it must not cost too much. The scheme of decoration is stereotyped, the construction mechanical. There is an entire absence of true feeling and of any real inspiration of devotional art. The design is conventional, the pattern uniform. The work is often scamped and hurried, very different from the old method of building. We note the contrast. The medieval builders were never in a hurry to finish their work. The old fanes took centuries to build; each generation doing its share, chancel or nave, aisle or window, each trying to make the church as perfect as the art of man could achieve. We shall see how much of

standing in Cliff

ly things that are passing away. The extensive use of motor-cars and highway vandalism are destroying the peculiar beauty of the English roadside. The swift-speeding cars create clouds of white dust which settles upon the hedges and trees, covering them with it and obscuring the wayside flowers and hiding all their attractiveness. Corn and grass are injured and destroyed by the dust clouds. The charm and poetry of the country walk are destroyed by motoring demons, and the wayside cottage-gardens, once the most attractive feature of the English landscape, are ruined. The elder

the fragments that remain that nothing be lost; and though there may be much that we have not gathered, the examples herein given of some of the treasures that are left may be useful in creating a greater reverence for the work bequeathed to us by our forefathers, and in strengthening the hands of those who would p

Square,