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The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric

Chapter 10 PRIDE AND IMPUDENCE

Word Count: 2926    |    Released on: 01/12/2017

ly and easily ruined in the city. He knew that there were many such cases, of mere girls, carefully reared, who were drawn to the city only to be singed or ruined, as moths by the glaring

mplish so much by throwing the weight of his infl

Nan to beg on the city streets? Did Nell know about it? he wondered. A vision of her beauty and grace of manner rose before him. What strength of character she seemed to possess, and how thoughtful she was of her father's comfort. But what was the my

to have any idea that he was interested in the Strongs. Though he would not acknowledge it to himself, yet his hesitation, in fact, was due to the feeling that in

e for Jake. It was from Si Stubbles, who wanted Jake to help him that afternoon wit

ur drove away. "He's always thinkin' of himself, an

?" Douglas asked. "It isn't fair

on't help him this afternoon, he'll never fergit it, an' next winter, when I w

suggested. "It will be better for you to st

ed, much relieved. "You w

this was too good an opportunity to miss. He would, no doubt, see Stubbles, and thus be able to f

Everything about the place was in excellent condition, the lawn well kept, and the hedges neatly trimmed. To protect the grounds from trespassers, a strong wire fence had bee

it came in front of the house, Stubbles himself appeared upon the verandah, carrying a table napkin in his hand, fo

driving in front of t

u know an

eamster surlily replied. "If I don't go in this way, how a

out, then, yo

o do it, an' then ye'll growl at m

es roared. "I'll make an example of yo

d there chastise the man with his own hands. As he did so, he stepped off the platform, and with a w

er and man. But when he saw Stubbles take the wild plunge, he rushed forward and picked up the injured man. The l

, Douglas carried him u

came from

r?" she cried. "What h

"Hold the door open while I carry him in

him upon a large sofa near the window. Mrs. Stubbles follow

ie?" she asked. "Shall

ome warm water and bathe my bruises. Confound that teamster! I'll discharge him at once. What busine

home this morning,"

e never does. He should have been here to look after the haying. I've go

Simie. He is to bring the girls, y

terested in business as he is in running around in the car and spending so much time in the

more now, I suppose," D

he room. "I might a

tle squinting eyes upon Douglas' face. For the first time he

" was the reply. "I have come to give

't Jake

n to get in, and so I off

a fix I am in. I don't know what this place is coming to, anyway. One can't get a neigh

" Douglas soothed. "We can get

anything ab

a farm, and should kn

viewed him from head to foot. "Say, are you the

ut that little en

ter. But what are you doing here, anyway? You don't lo

daily bread, and farming s

h you," Stubbles growled. "Get to

pleasant working companion, w

eelin' now?"

ht. He had a nasty fall a

kinned alive by somebody one of these days. I'd like to be around an' hear him squeal. It would make up fer a great deal of impudence I've stood

he matter

trings, ribbons, an' all its other gear. Ben thinks he knows, an' that's where he makes a fool of himself. He gives orde

only son?" D

s bad enough, dear knows, b

does B

wouldn't like

rk at anyth

n'. Instead of stayin' home an' lookin' after the hayin', he went to the cit

yesterday,

ally in the evenin'. He's gine

hy

. Her father doesn't like the Stubbles crowd, an

the professor's daughte

uglas had just handed up. "The whole thing is a mystery. Nell's as fine a girl a

she must know something about his life if what the teamster had just told him were true. He could not understand it. She did not seem like a woman who

teamster was stooping for the reins, when the raucous hon

now," he exclaimed. "Ye'

l get through all rig

vil if ye don't. If ye won't, then I'll have to git down an' do it. T

across the field toward the gate. He did not wish to hurry, as

lazy devil!" Ben shouted.

. But he would have known it anywhere, for it had been indelibly impressed upon his memory. So Ben Stubbles was the contemptible coward who had pushed that woman into the water and left her to her fate! He

. "Didn't you ever see human beings before? Op

eelings he clutched the gate and tore it open. The occupants of the

idn't it?" Ben sneered, as the car lurc

ew what he was doing, so greatly was his mind agitated. Why had he not given that fellow the sound thrashing he deserved? And yet he was thankful that he had controlled himself, as he might have spo

e told him. "Si Stubbles won't t

Douglas replied. "I'm not working by

since the encounter at the gate, and he was hoping that he would not meet him again that afternoon. He did not

it was Ben hurrying after him. As he approached, Douglas saw that his manner was altogether changed, a

"I understand you

it?" Douglas cu

ally do

n I feel

here's to be a dance in the hall this evenin

u get any

ap who tries to, but you would think he wa

can't do

t. Jake and his wife ha

pt

pread the re

y, you'll pla

e act at Long Wharf. He did not want to play at the dance, and yet he knew it would be too good an opportunity

hall?" he at

ner, about a mile a

does the da

. The crowd won't get t

will be there and

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The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric
The Art Of Writing & Speaking The English Language / Word-Study and Composition & Rhetoric
“Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.”
1 Chapter 1 STREET MUSIC2 Chapter 2 WHERE FLOWS THE TIDE3 Chapter 3 CONSCIENCE MONEY4 Chapter 4 SECRET PLANS5 Chapter 5 PUT TO THE TEST6 Chapter 6 DOWN BY THE RIVER7 Chapter 7 MENDING THINGS8 Chapter 8 HOME FOR REPAIRS9 Chapter 9 EVENING GLOW10 Chapter 10 PRIDE AND IMPUDENCE11 Chapter 11 THE FACE AT THE DOOR12 Chapter 12 ASTRAY ON THE HILLS13 Chapter 13 NOTICE TO QUIT14 Chapter 14 SETTLING THINGS15 Chapter 15 A WET DAY16 Chapter 16 TWIN FIRES17 Chapter 17 CRUEL AS THE GRAVE18 Chapter 18 SILENT STRIFE19 Chapter 19 WARMER THAN HE EXPECTED20 Chapter 20 CONFIDENCE21 Chapter 21 OUTDONE22 Chapter 22 COMPELLED TO SERVE23 Chapter 23 DISPELLING THE CLOUDS24 Chapter 24 EMPTY HEARS SOMETHING25 Chapter 25 PERVERTING JUSTICE26 Chapter 26 ON THE ROCKS27 Chapter 27 THE WILL OF THE PEOPLE28 Chapter 28 KNUCKLING UNDER29 Chapter 29 THE CHALLENGE30 Chapter 30 BY THE OLD PINE TREE