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A History of Roman Literature

Chapter 4 LUCRETIUS

Word Count: 2695    |    Released on: 01/12/2017

(?) B. C.-Philosophy at Rome-The poem of

xternal matters this was a time of great unrest. Sulla's dictatorship, which seemed to put an end to strife, served only to strengthen the power of the senate, not to diminish its abuses; the increase of the slave population of Italy still continued to drive the freeborn farmers to Rome to swell the number of the city rabble; the slaves themselves broke out into open war; the prov

language had become a proper medium of expression in prose and verse, though its natural qualities of rigidity and precision made it always better adapted to the needs of the commander, orator, jurist, and historian than to the lighter and more varied uses of the poet. Among the poets of the time, some followed in the footsteps of Ennius, while others imitated the poem

not agree with the statement of Jerome. Cicero, in a letter written in February, 54 B. C.,20 mentions the poems of Lucretius, but says nothing about correcting or editing them. This is the only contemporary reference to Lucretius or his work. Now the great poem of Lucretius was evidently never entirely finished by its author, who was therefore probably dead when Cicero wrote this letter. The date (55 B. C.) for his death is thus corroborated. The date of his birth must remain uncertain, but

o Africanus, and were clearly congenial to the Roman temperament; for the Stoics taught that virtue is the highest good, that nothing else is worth striving for, and that the ordinary pleasures of life are mere interruptions of the philosopher's peace. The Epicurean doctrine, that pleasure is the highest good, was popular only with those who wished to devote themselves to selfish and physical enjoyment, for the higher aspects of the doctrines of Epicurus were not understood. As early

and Lucretius is thoroughly in earnest. If he adopts the poetic form, it is in order to make his presentation of the doctrines more attractive, in the hope that it will thus have gr

what remaineth

Well in my o

is obscure; b

ruck my heart wi

blow implante

of the Muses, f

esh mind through

rides, unt

l's foot. 'T

ew and drink;

ow'rs and seek

d, whence ne'e

ned for any m

ause I teach o

ourse to set t

ion's closely

use concernin

lucid verses,

grace. Then, too

eason; but as

s to give the

e edges round

liquid of th

s careless age

he lips, and m

tter herb, and

med, but rathe

strength, so I n

for the most

not familiar,

it, have wished

weetly speaking

ith the Muses'

ed. In Book ii it is explained how the atoms combine to form the various things in the world, because as they fall through space they depart from a straight line and come in contact with each other. It is also shown that the atoms, although infinite in number, are limited in variety. In Book iii the mind and the soul, or principle of life, are shown to be mate

is naught, co

s nature is as

escribed, the beginning of life is explained, and the progress of civilization, from the time when men were savages, is depicted. Some passages in this book anticipate in a measure the modern doctrine of the survival of the fittest. Since our world was not created, but came into being naturally by the com

being and are to pass away without any action of the gods, ethical doctrines are not systematically treated. Lucretius accepts, however, the Epicurean dogma th

nds of men, oh

ades of life a

e'er of age we

ature makes de

pain be absent

ed from care at

leasure in the

us, which opens the fifth book, he says

n not live with

ssion, qualities which would naturally awaken admiration in the mind of Lucretius. His reading, observation, and love of nature. That Lucretius was well acquainted with the great works of Greek literature and with the writings of N?vius, Ennius, Pacuvius, Lucilius, and Accius, is evident from direct references to them, or imitations of them. But h

ith an invocation to Venus, which is

hom descends t

h and heaven s

t all beneath

grain and seas w

erishest! Where

h decks her wi

ent; clouds and

ht smiles over

ng of Book ii, which has been transla

's water is stirred to it

descry one afar off

s sorrow to you yiel

a sweetness, of ills o

hold, on a broad pla

t battle, one's self u

this: To possess,

the sages which have

fellows, observe them

aths, poor straggler

th mind, and escutch

e, which is waged 'neath

e surface whereon res

r Latin author, but in other parts long passages are dull and monotonous. Yet even in these parts the verses have a serious, dignified music, the language is carefully chosen, and the subject is treated with consistency, clearness, and vigor. In the more animated portions of his work, Lucretius speaks almost like an inspired prophet. His thought hurries his lines along with increasing impetus,

oncrete facts, but the method of his reasoning is unlike that of modern science. Lucretius, like other philosophers of ancient times, having once accepted a theory which explains certain phenomena, makes his theory the rule by which all phenomena are to be measured and in accordance with which they are to be understood. It is interesting to note that Lucretius, following Democritus and Epicurus, antic

His subject is too abstruse and his style too austere and dignified to appeal to the taste of the masses, which probably acco

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A History of Roman Literature
A History of Roman Literature
“Formatted for the Kindle. Linked Contents:<br>Introduction<br>PART I<br>I. Prehistoric man \u2014 His language one of signs and sounds \u2014 The story of Psammetichus and the Two Babies \u2014 Idiom of language a survival of primitive peoples<br>II. Modern types of early man \u2014 Sign-language of people living on the globe to-day \u2014 The custom of the Uvinza grandees \u2014 The \"good-morning\" of the Walunga tribe \u2014 Signs of hospitality in the sign vocabulary of the North American Indian \u2014 The \"attingere extremis digitis\" of the Romans \u2014 Clap-hands one of the first lessons of the Nursery \u2014 The modern survival of hand-clapping \u2014 \"Is it rude to shake hands, Nurse?\" \u2014 A hypercritical mother \u2014 Plato's rebuke \u2014 Agesilaus and his children \u2014 Nursery classics and critical babies \u2014 \"Lalla, lalla, lalla\" of the Roman child \u2014 The well-known baby dance of \"Crow and caper, caper and crow\"<br>III. Writers on comparative religions show that entire religious observances come down to modern peoples from heathen sources \u2014 The Bohemian Peasant and his Apple Tree \u2014 A myth of long descent found in the rhyme of \"A Woman, a Spaniel, and Walnut Tree\"; our modern \"Pippin, pippin, fly away,\" indicates the same sentiment \u2014 The fairy tale of Ashputtel and the Golden Slipper, the legend from which came our story of Cinderella \u2014 Tylor on Children's Sports \u2014 The mystery of Northern Europe at Christ's coming \u2014 The Baby's Rattle \u2014 Ancestral worship follows sun and moon worship, and gives us the tales of fairies, goblins, and elves \u2014 Boyd Dawkins' story of the Isle of Man farmer \u2014 A Scandinavian Manxman \u2014 Modernised lullaby of a Polish mother \u2014 \"Shine, Stars\" \u2014 \"Rain, rain, go away\" \u2014 Wind making \u2014 Lullabies \u2014 Bulgarian, German, \"Sleep, Baby, Sleep\" \u2014 The lullaby of the Black Guitar \u2014 \"Baby, go to Sleep\" \u2014 English version, \"Hush thee, my Babby\" \u2014 Danish lullaby of \"Sweetly sleep, my little Child\" \u2014 \"Bye, baby bunting\"<br>IV. Elf-land \u2014 Old-time superstitions \u2014 A custom of providing a feast for the dead known in Yorkshire, North-west Ireland, and in Armenia \u2014 The Erl King of Goethe \u2014 Ballet of the Leaf-dressed Girl \u2014 The Spirit of the Waters \u2014 An Irish legend of Fior Usga \u2014 Scotch superstition \u2014 Jenny Greenteeth of Lancashire \u2014 The Merrow of the West of Ireland \u2014 Soul Cages \u2014 The German rhyme of \"O Man of the Sea, come list unto Me\" \u2014 Mysticism among uncivilised races \u2014 The Corn Spirit \u2014 The Rye-wolf \u2014 \"The Cow's in the Corn\" \u2014 \"Ring a ring a rosies\" \u2014 \"Cuckoo Cherry Tree\" \u2014 Our earliest song, \"Summer is a-coming in\" \u2014 \"Hot Cockles\" at Yorkshire funerals \u2014 \"Over the Cuckoo Hill, I oh!\" \u2014 Indian Lore<br>PART II<br>I. Games \u2014 Whipping-tops, Marbles, etc. \u2014 \"I am good at Scourging of my Toppe,\" date 15 \u2014 (?) \u2014 Dice and Pitch-and-Toss \u2014 \"Dab a Prin in my Lottery Book\" \u2014 \"A' the Birds of the Air\" \u2014 Hop Scotch \u2014 \"Zickety, dickety, dock\" \u2014 \"All good Children go to Heaven\" \u2014 \"Mary at the Cottage Door.\" <br>Marriage Games \u2014 \"If ever I Marry I'll Marry a Maid,\" 1557 A.D. \u2014 London Street Games \u2014 A Wedding \u2014 \"Choose one, choose two, choose the nearest one to you\" \u2014 \"Rosy Apple, Lemon, and Pear\" \u2014 The King of the Barbarines \u2014 \"I've got Gold and I've got Silver\" \u2014 A Lancashire Round Game \u2014 \"Fol th' riddle, I do, I do, I do\" \u2014 Round Game of the Mulberry Bush \u2014 \"Pray, Mr. Fox, what time is it?\" \u2014 \"Mother, buy me a Milking Can\" \u2014 \"Here comes a Poor Sailor from Botany Bay\" \u2014 \"Can I get there by Candle-light?\"<br>II. Nursery Games\u2014 A Game for a Wet Day \u2014 \"Cows and Horses walk on four legs\" \u2014 A Game nearly 300 years old \u2014 \"There were two birds sitting on a stone\" \u2014 A B C Game \u2014 \"Hi diddle diddle\" \u2014 \"I Apprentice my Son\" \u2014 An Armenian Child's Game, \"Jack's Alive\" \u2014 Russian Superstition<br>III. Jewish Rhymes<br>...”
1 Chapter 1 INTRODUCTION-EARLY ROMAN LITERATURE-TRAGEDY2 Chapter 2 COMEDY3 Chapter 3 EARLY PROSE-THE SCIPIONIC CIRCLE-LUCILIUS4 Chapter 4 LUCRETIUS5 Chapter 5 CATULLUS-MINOR POETS6 Chapter 6 CICERO7 Chapter 7 C SAR-SALLUST-OTHER PROSE WRITERS8 Chapter 8 THE PATRONS OF LITERATURE-VIRGIL9 Chapter 9 HORACE10 Chapter 10 TIBULLUS-PROPERTIUS-THE LESSER POETS11 Chapter 11 OVID12 Chapter 12 LIVY-OTHER AUGUSTAN PROSE WRITERS13 Chapter 13 TIBERIUS TO VESPASIAN14 Chapter 14 THE FLAVIAN EMPERORS-THE SILVER AGE15 Chapter 15 NERVA AND TRAJAN16 Chapter 16 THE EMPERORS AFTER TRAJAN-SUETONIUS-OTHER WRITERS17 Chapter 17 LITERARY INNOVATIONS18 Chapter 18 EARLY CHRISTIAN WRITERS19 Chapter 19 PAGAN LITERATURE OF THE THIRD CENTURY20 Chapter 20 THE FOURTH AND FIFTH CENTURIES21 Chapter 21 CONCLUSION