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ion to pierce the world's cobwebs, that forces us to remember that we are enwrapped by the supernatural, is helpful and stimulating. A human life lived only in the seen and felt, with no sense of the invisible, is a fatally impoverished life, a poor, blind, wingless life, but to believe

his age the absolute reality of the spiritual world that surrounds us. He was born into a time when there existed on the one hand, poverty and misery; on the other, selfish and debasing self-indulgence of wealth and its corresponding oppression of the poor. The Church itself wa

uty of h

etfulness, o

nd of unfailing fidelity to his high purpose. Through good report or through evil report he kept the faith, and pressed onward to the high calling of God. The twelfth and the thirteenth centuries had been a period of religious unrest and

the things live not.

, but is born of the

alley with amethyst peaks shining fair against the sky, with precipitous rocks, and the dense growth of oak and pine trees. In some places the valley is so narrow that the hills, on either side, rise almost within touch of the hand from the car window. The hill towns are frequent, and the apex of these towns is invariably crowned with a castle, a cathedral, or a ruin, and around it, circling in terraces, is built the town. The charm largely vanishes when fairly in these circling roads, for on either side are high walls, so that one's view is completely bounded by t

town, perched on the top of a rocky hill, is the birthplace of St. Francis, the founder of the Franciscan order; in it were the scenes of his early life, and here, in 1226, at the age of forty-four years, he died. The convent-church of San Francesco,

AN CONVENT-C

onious manner and resemble military fortifications rather than an edifice of the church. The old walls still surround Assisi, and the houses all rise white under the blue Italian sky. The narrow streets, hardly wide enough for one carriage to pass another, are so intricate in their curves as they climb the steep hill, that it requires a faith hardly less than the traditional degree said to move mountains to lead the visitor to suppose that he will ever emerge from one that he has entered. Many of the houses along these curious thoroughfares have no windows, the only light and air coming through the open door. The bells from the campanile of the Francescan convent-church, from the Duomo and from the Church of Santa Chiara ring every quarter of an hour; and this c

e, and ever is the eye satisfied with the grace and grandeur of the curves of mountain outline, and the changing hues of an incomparable sky. There are rivers and cities and lakes,-from Thrasymene, just hidden by a line of crests, to the Paglia and Tiber beneath, where Orvieto crowns its severe and lonely rock. With the chang

termined his life of consecration. Tradition invested his birth with legends, one of which is, that in his infancy an aged man came to the door and begged to be permitted to take the child in his arms, prophesying that he was destined to accomplish a great work. Pietro Bernardone was a wealthy merchant of Assisi. Pica, the mother of Francis, is said to have been of noble origin and of a deeply religious natur

ad entered on his ministry, this chapel was given to him, "and no sooner had they come to live here," it is said, "than the Lord multiplied their number from day to day." At one time he had gone to his devotions in great depression of spirits, "when, suddenly, an unspeakable ecstasy filled his breast. 'Be comforted, my dearest,' he said, 'an

nedict erected a tiny chapel, called "St. Maria della Portiuncula" (St. Mary of the Little Patron), and once, when praying in the chapel, Benedict had a vision of a vast crowd of people kn

ll the tales there breathes a certain sincerity and simplicity of worship. The little dark primitive shops teem with relics, which make, it is true, a great draft on imagination, and by what miracle modern photography has contrived to present the saint of Assisi in various impressive attitudes and groups it

. the

of the sai

by St. Francis. "Poverty," he asserted, "is the happy state of life in which men are set free from the trammels of conventionalism, and can breathe the pure air of God's love. The richest inward life is enjoyed when life is poorest outwardly. Be poor," he continued, "try a new principle; be care

For him there were no ideals of cloistered seclusion or of devotion to learning and art, but the ideal alone to upli

ties. Day by day they were to live by God's providence, eating what was given to them, taking no thought how they were to be fed, or wherewithal clothed; 'neither gold nor silver in your purses;' not even the scrip to collect fragments in-as if God could not provide for every returning necessity. There had been monasteries in Italy for centuries, and the Benedictines were already a great and flourishing community; but this absolute renunciation of all things struck a certain chill to the hearts of all who heard of it, except the devoted band who had no will but that of Francis. His friend, the Bishop of Assisi, was

ame three great vows, where life at this moment was going on so placidly, with flocks and herds and vineyards to supply the communities, and studious monks in their retirement, safe from all secular anxieties, fostering all the arts in their beginning, and carrying on the traditions of learning; while all around them the great unquiet, violent world heaved and struggled, yet within the convent walls there was leisure and peace. Blessed peace and leisure it was often, let us allow, preserving for us the germs of many good things we now enjoy, and raising

the hillside in an olive grove. It was here that the scene of the miracle of the crucifix is laid. Before the altar Francis knelt, praying: "Great and Glo

aviour assumed life; the eyes turned attentively on him; a voice spoke accepting his service and he felt at once endowed with the most marvellous tide of vitality, of joy, and

rts, as said the legend of that Christmas at Greccia; and, as in one of the bold and artless pictures just then beginning to yield to a more refined and subtle art, Francis set forth before the world the image of his Master. The Son of man was lifted up, as on another cross, before the eyes of Umbria, before all Italy, warlike and wily, priest and baron, peasant and Pope. In this world Francis knew nothing, acknowledged nothing, cared for nothing save Christ and Him crucified-except, indeed, Christ's world, the universe redeemed, the souls to be saved, the poor to be comforted, the friends to be cherishe

the supreme completeness of life. It is not alone St. Paul, but every man, who may truly say, "I can do all things through Christ, who strengtheneth me." Nor does this experience, when translated aright into daily life and action, require any abnormal form of expression. It does not, in its truest significance, mean a life apart from the ordinary duties, but rather it means that these duties shall be fulfilled in the larger and nobler way. The exceptional man may be called to be the standard bearer; to renounce all domestic ties and give his servic

with his head drooping, he said,-it is evident, with a spark of the impatience natural to his own vivacious spirit,-'You may surely repent of your sins, my brother, without showing your grief so openly. Let your sorrow be between God and you:

s. But while the dreamer gazed at this awful spectacle, the Virgin Mother arose and pleaded for the world, declaring that she had two faithful servants whom she was about to send into it to bring sinners to the feet of the Saviour; one of these was Dominic himself, the other was a poor man, meanly clad, whom he had never seen before. This vision came to the devout Spaniard, according to the legend, during the night, which he spent, as he

r to work through him without obstruction. He became a very perfect instrument, so to speak, in the divine hand. After repairing the little chapel called the Portiuncula, on the level ground at the foot of the hill, some two miles from Assisi, his plan was to there pass his time in meditation and prayer. But the legend runs that on the feast of St. Mathias (February 24), in the winter of 1209, a Benedictine monk was celebrating mass and on his turning to read, "Wherever ye go preac

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si, named Bernardo. He was impressed with the conviction that he should distribute his possessions and unite with Francis in all his aims and work. Without definite organization, others joined them. They passed that spring and summer going up and down the country, sometimes assisting the harvesters and haymakers, and everywhere entering into the common life of the people. The Bishop of Assisi, however, remonstrated with Francis, saying that to him it seemed very harsh and unwise to try to live without owning anything. To which Francis

ints out clearly that the founder of the Franciscans contemplated a laboring and not a mendicant order. During the decade 1211 to 1221, which Francis and his followers passed at the Portiuncula, a portion of the time was constantly passed in industrial pursuits. "With all his gentleness, Fr

NCIS D'

UOMO,

anni

family, and as a girl of sixteen, coming under the influence of Francis from hearing one of his sermons, she, too, became one of his followers and left her father's palace in Assisi to take the vows of perpetual and voluntary poverty at the altar of the Portiuncula. Followed by two women, she passed swiftly through the town in the dead of the night, and through dark woods, her hurrying figure seeming like some spirit driven by winds towards an unknown future. One thing alone was clear before her-that she was ne

cut off her long, fair hair and unclasped the jewels from her neck. But a few minutes more and a daughter of the proud house of Scifi stood clothed in the brown habit of the order, the

the final vows had been taken, St. Francis took her by the hand and they passed out of the chapel together just as dawn was breaking, while the brethren

4, and died in 1253, surviving Francis by twenty-seven years. Her father was the Count Favorini Scifi, and he had destined his daughter-who had great bea

hip between Francis and Clara is t

difficulty was in his way. He went to see her when he was in trouble; especially once on his way to Rieti to have an operation performed on his eyes. Once the two friends ate together at a sacramental meal, the pledge and almost the conclusion on earth of that tenderest, most disinterested, and unworldly love which existed between them. That he was sure of her sympathy in all things, of her prayers and spiritual aid, whatsoever he might be doing, wheresoever he might be, no doubt was sweet to Francis in all his labors and trials. As he walked many a weary day past that church of St. Damian, every stone of which was familiar to him, and many laid with his own hands, must not his heart have warmed at thought of the sister within, sa

tations regarding Francis, sprang up and have been

eams and parables with which that intercourse was attended. Already the mind of the people, so slow to adopt, but so ready to become habituated to, anything novel, had used itself to the sight of the brethren in their brown gowns, and, leaping from one extreme to the other, instead of madmen, learned to consider them saints. The air about the little cloister began to breathe of miracles,-miracles which must have been a matter of common report among the contemporaries of the saint, for Celano wrote within three years of Franc

a pathetic scene i

pride, or the excitement of this universal triumph, be brought to rejoice. The bier was set down within the chancel, the coffin opened, and opened also was the little window through which the nuns received the sacrament on ordinary occasions. To this little opening the pale group of nuns, ten of them, with Clara at their head, came marching silently, with tears and suppressed cries. Clara herself, even in face of that multitude, could not restrain her grief. 'Father, father, what will become of us?' she cried out; 'who will care for us now, or console us in our t

s dying there came "a long procession of white-robed virgins, led by the Queen of Heaven, whose head was crowned wi

ovement or work was to be undertaken, he invariabl

d group of ecclesiastics, among whom was Cardinal Pecci, later Pope Leo XIII. In this tomb a form is said to have been found, and it has been placed in a reliquary of alabaster and Carrara marble especially constructed for

the body of Santa Chiara is seen lying in a glass case upon a satin bed, her face clearly outlined against her black and white veils, whilst her brown habit is

RA, THE DU

ia D

y Cimabue and by Giotto; in the ancient Duomo; in Santa Chiara and in Santa Maria degli Angeli-statues of the two saint

life of Francis; but his influence imparted a powerful wave of sympathetic and vital insight and awakened a world of new sensibilities of feeling. Indeed, it is a proverb of Italy, "Without Francis, no Dante." Certainly the life of Francis was the inspiration of the early Italian art. Cimabue and Giotto drew from the inspiration of that unique and lovely life the pictorial conceptions that have made Assisi the cradle of Italian painting. The great works of Giotto are in the lower church of the Franciscan monastery. One of these frescoes represents chastity as a maiden kneeling in a shrine, while angels bring to her branches of palm. Obedience is depicted as placing a yoke upon the bowed figure of a priest, while St. Francis, attended by two angels, looks on; Poverty, whom Francis declared to be his bride, is pictured as accompanied by Hope and Charity, who give her in marriage to St. Francis, the union being blessed by Christ, while t

o, that the Renaissance itself was the outgrowth of the new vitality communicated to the world by the life and character of St. Francis. He gave to the world the realization of the living Christ; he taught that religion was in action, not in theology. He liberated the spirit; and when this colossal church was bein

ning his body was discovered in 1818, and then placed here in a little chamber espe

arches is always dark, the upper is flooded with light from vast windows. There is a series of frescoed panels on either side, accredited to pupils of Giotto, full of forcible action

arches and colonnades that makes it so conspicuous a feature of all the Umbrian valley. Formerly hundreds of monks dwelt h

either side, as one approaches the high altar, stand the statues of St. Francis and of Santa Chiara.

cathedral,-the rude structure encased in marble, and decorated, above the entrance, with a picture by Overbeck, whose motive is St. Francis as he stands, hushed and reverent, listening to the voice that tells him to em

love of God, and then the love of man and the love of nature; who had lifted the people out of their misery and degradation, and awakened the church out of its stiffness and worldliness; it was he, too, who inspired, who may at most be said to have created, Italian art,-the gre

SCHIA, FRO

man conqueror is still seen in many places. Perugia was a firm citadel, as is attested by the fact that Totila and his army of Goths spent seven years in besieging it. The centuries from the thirteenth to the fifteenth inclusive, when it was under the sway of the Guelphs and the Ghibellines, were years of tragic violence. Even the cathedral became the scene of riot, and its interior was entirely washed with wine, and it was reconsecrated before it could be again used for holy offices. The little piazza in front of the cathedral, now dreaming in the sun, has been the scene of strange and contrasting crises of life. Strife and warfare have desolated it; the footsteps of Bernardino of Siena have consecrated it, as he passed within the great portals to preach the gospel of peace. He was one of the most potent of the Francescan disciples, and Bernardino (born

Ah! put this thing right for the love of God. Love one another! What I have done to make peace among you and to make you like brothers, I have done with that zeal I should wish my own soul to re

eenth-century architecture. Here also is the colossal fountain with three basins, decorated with pictorial designs from the Bible by Niccolo

io in the frescoes that adorn the Collegio del Cambio, now held as a priceless treasure hall of art. They still glow with rich coloring,-the Christ seen on the Mount of Transfi

green gleam of olive orchards and the silver threads of winding streams; the towers and ruins and castles of a dozen towns and villages that crown the slopes, and th

offers the charm of art, and attracts the visitor, also, by an exceptional degree of modern comfort and convenience; but Assisi is the shrine before which he kneels, where the footsteps of saints who have knelt in prayer ma

anxiety, that they may be able to consecrate themselves entirely to serve, love, and honor t

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