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Paul Gauguin, His Life and Art

Chapter 4 No.4

Word Count: 927    |    Released on: 01/12/2017

uch an age a man has arrived at his intellectual maturity; and, when this man is a Paul Gauguin, we may feel sure that he does not alter his whole manner of living from a mere desire for ch

incts, this decision might never have been taken. As a husband and father he now had others dependent upon him. That he set aside their claims to follow the deeper call proves that, as he later sa

anked as the wife of a famous and successful man, and her husband may well have dazzled her

collection of modern pictures which he had bought with the proceeds of his career on the Bourse, in order to support himself. The list of these pictures is interesting, as it shows clearly the direction of his tastes at this period. It

e Impressionists, though talked about, had not achieved that purely commercial popularity which is the modern substitute for fame. In any case, the painter soon found himself again without resources. He had ignominiously failed to carve out a new career for himself in P

g except the cookery of his mother-in-law! And he took no pains to conceal his hatred. He defiantly persisted in maintaining his Parisian freedom of speech and manners. One day, walking on the road that overlooks the bay of the Sund, he chanced to look down. Each of the estates adjoining the beach is equipped with a small cabin for bathing. It is the custom there for the sexes to bathe separately and entirely naked

nd wife was inevitable. In 1885 it came about with, one may imagine, no great regrets on either side. To the painter this marriage had all along been a matter of convenience. We shall have ample opportunity to observe throughout his c

ccompany him to Paris, whither he was determined to return. Madame Gauguin agreed with this arrangement, hoping to see her husband, now disembarr

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Paul Gauguin, His Life and Art
Paul Gauguin, His Life and Art
“This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.”
1 Chapter 1 No.12 Chapter 2 No.23 Chapter 3 No.34 Chapter 4 No.45 Chapter 5 No.56 Chapter 6 No.67 Chapter 7 No.78 Chapter 8 No.89 Chapter 9 No.910 Chapter 10 No.1011 Chapter 11 No.1112 Chapter 12 No.1213 Chapter 13 No.1314 Chapter 14 No.1415 Chapter 15 No.1516 Chapter 16 No.1617 Chapter 17 No.1718 Chapter 18 No.1819 Chapter 19 No.1920 Chapter 20 No.2021 Chapter 21 No.21