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Young Adult Books for Women

Bestsellers Ongoing Completed
Beyond the Bell: A Bias Exposed

Beyond the Bell: A Bias Exposed

Ashley, a diligent high school student, usually focused intently on Ms. Davison's history lectures, diligently preparing for her big exam. But one ordinary day, a sudden, brutal pain, deeper and more sinister than any muscle cramp, surged through her right side, accompanied by an unsettling wave of feverish heat. Despite Ashley's desperate plea to see the nurse, Ms. Davison, with icy contempt, casually dismissed her suffering as "dramatic theatrics" designed to skip class, even offering her questionable, unlabeled pills from a dusty drawer before physically blocking Ashley from leaving the classroom, threatening severe detention as Ashley swayed, on the verge of collapse. The raw, infuriating injustice burned through Ashley and later, her distraught nurse mother, Sarah, who had overheard the chaos of her daughter’s collapse over a disconnected phone call, only to receive the terrifying ER diagnosis of a severe, life-threatening kidney infection that, hours earlier, could have claimed Ashley’s life, all because Ms. Davison prioritized her arbitrary biases over a child's urgent medical need. Fueled by an unshakeable resolve to ensure no other child endures such callous neglect, Ashley’s parents, Sarah and Mark, begin their meticulously planned public reckoning, deciding to expose Ms. Davison’s alarming negligence and deeply ingrained prejudices, not with a lawsuit, but with a scathing, sarcastically-worded "award" and a pointed "care package" at the school's widely attended PTA meeting, setting the stage for a dramatic showdown.
The Cricket on the Hearth: A Fairy Tale of Home

The Cricket on the Hearth: A Fairy Tale of Home

Dodo Collections brings you another classic from Charles Dickens, 'The Cricket on the Hearth: A Fairy Tale of Home.' Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol." There followed four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man." The five are known today as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer. The title creature is a sort of barometer of life at the home of John Peerybingle and his much younger wife Dot. When things go well, the cricket on the hearth chirps; it is silent when there is sorrow. Tackleton, a jealous old man, poisons John's mind about Dot, but the cricket through its supernatural powers restores John's confidence and all ends happily. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. A prolific 19th Century author of short stories, plays, novellas, novels, fiction and non-fiction; during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, morals and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics, like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
Animal Ghosts

Animal Ghosts

In opening this volume on Animals and their associations with the unknown, I will commence with a case of hauntings in the Old Manor House, at Oxenby.My informant was a Mrs. Hartnoll, whom I can see in my mind's eye, as distinctly as if I were looking at her now. Hers was a personality that no lapse of time, nothing could efface; a personality that made itself felt on boys of all temperaments, most of all, of course, on those who—like myself—were highly strung and sensitive.She was classical mistress at L.'s, the then well-known dame school in Clifton, where for three years—prior to migrating to a Public School—I was well grounded in all the mysticisms of Kennedy's Latin Primer and Smith's First Greek Principia.I doubt if she got anything more than a very small salary—governesses in those days were shockingly remunerated—and I know,—poor soul, she had to work monstrously hard. Drumming Latin and Greek into heads as thick as ours was no easy task.But there were times, when the excessive tension on the nerves proving too much, Mrs. Hartnoll stole a little relaxation; when she allowed herself to chat with us, and even to smile—Heavens! those smiles! And when—I can feel the tingling of my pulses at the bare mention of it—she spoke about herself, stated she had once been young—a declaration so astounding, so utterly beyond our comprehension, that we were rendered quite speechless—and told us anecdotes.Of many of her narratives I have no recollection, but one or two, which interested me more than the rest, are almost as fresh in my mind as when recounted. The one that appealed to me most, and which I have every reason to believe is absolutely true,[1] is as follows:—I give it as nearly as I can in her own somewhat stilted style:—"Up to the age of nineteen, I resided with my parents in the Manor House, Oxenby. It was an old building, dating back, I believe, to the reign of Edward VI, and had originally served as the residence of noble families. Built, or, rather, faced with split flints, and edged and buttressed with cut grey stone, it had a majestic though very gloomy appearance, and seen from afar resembled nothing so much as a huge and grotesquely decorated sarcophagus. In the centre of its frowning and menacing front was the device of a cat, constructed out of black shingles, and having white shingles for the eyes; the effect being curiously realistic, especially on moonlight nights, when anything more lifelike and sinister could scarcely have been conceived. The artist, whoever he was, had a more than human knowledge of cats—he portrayed not merely their bodies but their souls.
His Humiliation, Her Freedom

His Humiliation, Her Freedom

For seven years, I lived in Liam Sterling' s shadow, meticulously crafting his academic success. Tonight, at our graduation party, he stood on stage, arm around his new girlfriend, Skye Miller, and publicly humiliated me. He announced they were going to Northwood Community College, then suggested I come along, sneering, "You know you can' t manage without me telling you what to do. It' s for the best." Murmurs and snickers filled the room. "His lapdog." "He owns her." Humiliation burned my cheeks, but this time, something snapped. The suffocating feeling that had always compelled my obedience vanished. All the years of silent suffering exploded into rage. When Liam, unaccustomed to resistance, tried to order me around again, I looked him straight in the eye. "No," I said, my voice clear and loud for the first time. His face reddened, but I wasn' t done. "I' m not going to community college with you, Liam. I' m not going anywhere with you." His control shattered, Liam escalated. He and Skye led a mob to my house, turning my sanctuary into a frat party. They poured wine on my graduation dress, laughed at my humiliation, and when I saw my grandmother' s locket-a precious heirloom-around Skye' s neck, a piece of my soul was torn. Liam had stolen it from my room and given it to her. "It' s just a piece of cheap metal, Ava," he scoffed. "It was my grandmother' s! It' s all I have left of her!" I cried, but he just said, "Get over it." Then, Skye whispered to Liam about my college applications, suggesting he destroy my future. My heart pounded as he headed for my room, a cruel smile on his face. No! My future. My laptop. He publicly deleted my Ivy League applications, replacing them with Northwood Vocational School, and submitted it. Then, he smashed my laptop. They dragged me to the basement, locking me in, knowing my deepest fear. My world ended there, swallowed by darkness and their laughter. But somewhere, a father was about to get a call, and Liam Sterling was about to learn a very painful lesson.
Her Death, Their Sinful Secret

Her Death, Their Sinful Secret

The first time Chloe died, I wasn't there. I was in the library, trying to finish a paper, when a text from our friend Emily shattered my world: "Something happened at the dorm. Come back. Now." I ran, only to find flashing lights and yellow tape around our building. Emily, pale and shaking, whispered the horror: "It' s Chloe. She… she fell." The university moved with chilling speed, declaring it a tragic suicide, scrubbing every trace of her from our room as if she never existed. My best friend, gone. But I knew Chloe. She wouldn't just jump. The bruises, the whispered phone calls to a blocked number that made her face tighten with fear-they screamed something else. I tried to tell the police, but they dismissed it, already closing the case. The university wanted me quiet, gone, just like Chloe' s memory. In a haze of grief and rage, I remembered her hidden burner phone and secret journal. I knew they held the truth. That night, I snuck back into our room, found them, and a terrifyingly large man in a dark suit appeared, attacking me. I woke up with a throbbing head, confused, but the buzzing alarm clock confirmed it: Wednesday, 7:00 AM. May 18th. Then I saw her. Chloe, alive, humming at her desk. I had woken up three days in the past. This was my second chance. I could save her. But I failed. Even knowing, even running, I was too late. I watched her fall again, this time on a Wednesday. Despair threatened to swallow me whole, but then a cold, hard determination set in. They had taken everything the first time, covered it up. Not this time. I couldn't save her life, but I could get justice. And the key was the phone and the journal-still hidden where I' d left them in the original timeline. When university officials, including Dean Peterson and the terrifying man who attacked me, burst into my room to silence me, I had a choice. Beg for help? Or fight back? I dialed 911, then deliberately smashed the window, screaming for real police attention. When they finally arrived, I knew my physical evidence was gone. Dean Peterson's smug face confirmed it. So, I played my last card. I looked the officer dead in the eye and said, "I pushed her. I killed my best friend." It was a monstrous lie, a suicide bomb of a confession, but it forced their hand. A suicide they could bury; a murder, they had to investigate. Sitting in the interrogation room, recounting the nightmare to Detective Anderson, the impossible truth started to break through. He listened, he saw the inconsistencies, and for the first time, someone believed me. Chloe's journal and the burner phone, retrieved by my bewildered friend Emily, laid bare the horrifying truth: Dean Peterson was pimping out vulnerable female students, including Chloe, to powerful, wealthy university trustees like the HIV-positive Mr. Thompson. Chloe's death wasn't suicide; it was murder, a desperate escape from a web of abuse and control. My false confession cost me my freedom, my reputation, my sanity, but it ignited a firestorm. The corrupt system crumbled, Thompson and Peterson jailed for life. Standing at Chloe' s grave, the fight over, I knew for the first time: we did it. We changed her story. And no one else would suffer like her again.
Love's Betrayal, Architecture's Triumph

Love's Betrayal, Architecture's Triumph

The acceptance letters for NYU, side-by-side on my desk, symbolized four years of high school effort and a shared dream with David: studying architecture in New York City. Our entire lives were perfectly planned. Then, I overheard David on the phone, his voice low and excited, revealing a horrifying truth: "California is going to be insane. No, she has no idea. I can't do it anymore. The clinginess... I need to be free." My world shattered. The boy I'd loved since childhood, who held our future, was crushing it without a thought. He admitted he was going to UCLA to study film, and when I asked about our plans, he flatly said, "I' m tired of you. I need space to be my own person." His words hit harder than any blow. I realized my devotion had been seen as a cage. All those years I' d put his needs first, sacrificing my own friendships and passions to support him, believing it was love. Now, I saw it was all to make him feel bigger while I made myself smaller. He' d left me feeling like the villain in our story. I couldn't understand. How could the boy who once declared, "Sarah's not a girl. She's Sarah," now call me clingy and dismiss me like trash? Why did he always pull me back with sweet gestures, only to lash out and abandon me when I tried to look out for him? But a tiny, hard kernel of anger began to form. He thought I couldn't survive without him. I would go to NYU, I would study architecture, and I would prove him wrong. Even if it killed me.