Blessed Edmund Campion

Blessed Edmund Campion

Louise Imogen Guiney

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This little book leans much, as every modern work on the subject must do, upon Mr. Richard Simpson’s monograph: Edmund Campion, Jesuit Protomartyr of England. In many points supplementing or contradicting that splendid though biased narrative, the present writer has gratefully taken advantage of the researches of the Rev. John Hungerford Pollen, S.J. It may also be useful to state that the contemporary citations, when not otherwise specified, are from two invaluable witnesses, Parsons and Allen. The translated passages have been compared with the originals, and sometimes newly rendered.

PREFATORY NOTE

This little book leans much, as every modern work on the subject must do, upon Mr. Richard Simpson's monograph: Edmund Campion, Jesuit Protomartyr of England. In many points supplementing or contradicting that splendid though biased narrative, the present writer has gratefully taken advantage of the researches of the Rev. John Hungerford Pollen, S.J. It may also be useful to state that the contemporary citations, when not otherwise specified, are from two invaluable witnesses, Parsons and Allen. The translated passages have been compared with the originals, and sometimes newly rendered.

St. Ives, Cornwall: Epiphany, 1908.

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Brownies and Bogles

Brownies and Bogles

Literature

5.0

A FAIRY is a humorous person sadly out of fashion at pre-sent, who has had, nevertheless, in the actors' phrase, a long and prosperous run on this planet. When we speak of fairies nowadays, we think only of small sprites who live in a kingdom of their own, with manners, laws, and privileges very different from ours. But there was a time when "fairy" suggested also the knights and ladies of romance, about whom fine spirited tales were told when the world was younger. Spenser's Faery Queen, for instance, deals with dream-people, beautiful and brave, as do the old stories of Arthur and Roland; people who either never lived, or who, having lived, were glorified and magnified by tradition out of all kinship with common men.   Our fairies are fairies in the modern sense. We will make it a rule, from the beginning, that they must be small, and we will put out any who are above the regulation height.   Such as the charming famous MELUSINA, who wails upon her tower at the death of a LUSIGNAN, we may as well skip; for she is a tall young lady, with a serpent's tail, to boot, and thus, alas! half-monster; for if we should accept any like her in our plan, there is no reason why we should not get confused among MERMAIDS and DRYADS, and perhaps end by scoring down great JUNO herself as a fairy! Many a DWARF and GOBLIN, whom we shall meet ANON, is as big as a child.   "ELF" and "GOBLIN," too, are interesting to trace. There was a great Italian feud, in the twelfth century, between the German Emperor and the Pope, whose separate partisans were known as the GUELFs and the GHIBELLINEs.  As time went on, and the memory of that long strife was still fresh, a descendant of the Guelfs would put upon anybody he disliked the odious name of Ghibelline; and the latter, generation after generation, would return the compliment ardently, in his own fashion. Both terms, finally, came to be mere catch-words for abuse and reproach. And the fairies, falling into disfavor with some bold mortals, were angrily nicknamed "elf" and "goblin"; in which shape you will recognize the last threadbare reminder of the once bitter and historic faction of Guelf and Ghibelline.

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THE SPITEFUL BRIDE: MARRY TO RIVAL'S SON

THE SPITEFUL BRIDE: MARRY TO RIVAL'S SON

Ray Nhedicta
4.6

"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?

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