No Longer His To Break

No Longer His To Break

Marrvelous

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The drug pulsed through my veins, every inch of my body screaming for release, yet my husband, Ethan, stood over me, his face etched with familiar disgust. Just thirty minutes earlier, his childhood sweetheart, Scarlett, had forced 99 pills down my throat, challenging me: if Ethan was still repulsed by my 200-pound body, even under the aphrodisiac's influence, I had to sign the divorce papers. Scarlett' s taunt echoed: "I bet even if you strip naked and beg like a dog, he won't touch your two-hundred-pound body!" Consumed by the drug, I sank to the floor, pressing my lips against Ethan' s polished shoes, begging for help, for the man who once swore to protect me. He commanded, cold and devoid of emotion: "Use your mouth. Unbuckle my belt." He promised to help if I complied. My heart, already shattered, splintered as I fumbled with his belt, a memory piercing through the haze: I had endured agonizing experimental treatments, nearly dying, to cure the rare disease that was killing him. He had vowed eternal gratitude, promised to cherish me forever. But the cure had ravaged my metabolism, ballooning my body and his affection dwindled just as fast. Then, his sneer: "You really think I'd touch this? You' re disgusting. Trying to manipulate me with drugs? You' re pathetic." He kicked me away, walking out, leaving me to burn while Scarlett posted a triumphant selfie with him: "He's mine. Alone." I was just a placeholder, a life-saving tool that had outlived its usefulness. The fire inside raged, but a chilling resolve hardened. I wouldn't die here. A numb voice whispered: "I will erase Ava Miller, the hopeful artist, the loving wife, the pathetic, two-hundred-pound woman begging on the floor. I will leave this life behind and become someone else. Someone powerful."

Introduction

The drug pulsed through my veins, every inch of my body screaming for release, yet my husband, Ethan, stood over me, his face etched with familiar disgust.

Just thirty minutes earlier, his childhood sweetheart, Scarlett, had forced 99 pills down my throat, challenging me: if Ethan was still repulsed by my 200-pound body, even under the aphrodisiac's influence, I had to sign the divorce papers.

Scarlett' s taunt echoed: "I bet even if you strip naked and beg like a dog, he won't touch your two-hundred-pound body!"

Consumed by the drug, I sank to the floor, pressing my lips against Ethan' s polished shoes, begging for help, for the man who once swore to protect me.

He commanded, cold and devoid of emotion: "Use your mouth. Unbuckle my belt." He promised to help if I complied.

My heart, already shattered, splintered as I fumbled with his belt, a memory piercing through the haze: I had endured agonizing experimental treatments, nearly dying, to cure the rare disease that was killing him.

He had vowed eternal gratitude, promised to cherish me forever. But the cure had ravaged my metabolism, ballooning my body and his affection dwindled just as fast.

Then, his sneer: "You really think I'd touch this? You' re disgusting. Trying to manipulate me with drugs? You' re pathetic."

He kicked me away, walking out, leaving me to burn while Scarlett posted a triumphant selfie with him: "He's mine. Alone." I was just a placeholder, a life-saving tool that had outlived its usefulness.

The fire inside raged, but a chilling resolve hardened. I wouldn't die here. A numb voice whispered: "I will erase Ava Miller, the hopeful artist, the loving wife, the pathetic, two-hundred-pound woman begging on the floor. I will leave this life behind and become someone else. Someone powerful."

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I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.

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