The Perfect First Fulton U 1 VK

The Happy Family, waiting for the Sunday supper call, were grouped around the open door of the bunk-house, gossiping idly of things purely local, when the Old Man returned from the Stock Association at Helena; beside him on the buggy seat sat a stranger. The Old Man pulled up at the bunk-house, the stranger sprang out over the wheel with the agility which bespoke youthful muscles, and the Old Man introduced him with a quirk of the lips:

"This is Mr. Mig-u-ell Rapponi, boys-a peeler straight from the Golden Gate. Throw out your war-bag and make yourself to home, Mig-u-ell; some of the boys'll show you where to bed down."

The Old Man drove on to the house with his own luggage, and Happy Jack followed to take charge of the team; but the remainder of the Happy Family unobtrusively took the measure of the foreign element. From his black-and-white horsehair hatband, with tassels that swept to the very edge of his gray hatbrim, to the crimson silk neckerchief draped over the pale blue bosom of his shirt; from the beautifully stamped leather cuffs, down to the exaggerated height of his tan boot-heels, their critical eyes swept in swift, appraising glances; and unanimous disapproval was the result. The Happy Family had themselves an eye to picturesque garb upon occasion, but this passed even Pink's love of display.

"He's some gaudy to look at," Irish murmured under his breath to Cal Emmett.

"All he lacks is a spot-light and a brass band," Cal returned, in much the same tone with which a woman remarks upon a last season's hat on the head of a rival.

Miguel was not embarrassed by the inspection. He was tall, straight, and swarthily handsome, and he stood with the complacence of a stage favorite waiting for the applause to cease so that he might speak his first lines; and, while he waited, he sifted tobacco into a cigarette paper daintily, with his little finger extended. There was a ring upon that finger; a ring with a moonstone setting as large and round as the eye of a startled cat, and the Happy Family caught the pale gleam of it and drew a long breath. He lighted a match nonchalantly, by the artfully simple method of pinching the head of it with his fingernails, leaned negligently against the wall of the bunk-house, and regarded the group incuriously while he smoked.

"Any pretty girls up this way?" he inquired languidly, after a moment, fanning a thin smoke-cloud from before his face while he spoke.

The Happy Family went prickly hot. The girls in that neighborhood were held in esteem, and there was that in his tone which gave offense.

"Sure, there's pretty girls here!" Big Medicine bellowed unexpectedly, close beside him. "We're all of us engaged to `em, by cripes!"

Miguel shot an oblique glance at Big Medicine, examined the end of his cigarette, and gave a lift of shoulder, which might mean anything or nothing, and so was irritating to a degree. He did not pursue the subject further, and so several belated retorts were left tickling futilely the tongues of the Happy Family-which does not make for amiability.

To a man they liked him little, in spite of their easy friendliness with mankind in general. At supper they talked with him perfunctorily, and covertly sneered because he sprinkled his food liberally with cayenne and his speech with Spanish words pronounced with soft, slurred vowels that made them sound unfamiliar, and against which his English contrasted sharply with its crisp, American enunciation. He met their infrequent glances with the cool stare of absolute indifference to their opinion of him, and their perfunctory civility with introspective calm.

The next morning, when there was riding to be done, and Miguel appeared at the last moment in his working clothes, even Weary, the sunny-hearted, had an unmistakable curl of his lip after the first glance.

Miguel wore the hatband, the crimson kerchief tied loosely with the point draped over his chest, the stamped leather cuffs and the tan boots with the highest heels ever built by the cobbler craft. Also, the lower half of him was incased in chaps the like of which had never before been brought into Flying U coulee. Black Angora chaps they were; long-haired, crinkly to the very hide, with three white, diamond-shaped patches running down each leg of them, and with the leather waistband stamped elaborately to match the cuffs. The bands of his spurs were two inches wide and inlaid to the edge with beaten silver, and each concho was engraved to represent a large, wild rose, with a golden center. A dollar laid upon the rowels would have left a fringe of prongs all around.

He bent over his sacked riding outfit, and undid it, revealing a wonderful saddle of stamped leather inlaid on skirt and cantle with more beaten silver. He straightened the skirts, carefully ignoring the glances thrown in his direction, and swore softly to himself when he discovered where the leather had been scratched through the canvas wrappings and the end of the silver scroll ripped up. He drew out his bridle and shook it into shape, and the silver mountings and the reins of braided leather with horsehair tassels made Happy Jack's eyes greedy with desire. His blanket was a scarlet Navajo, and his rope a rawhide lariat.

Altogether, his splendor when he was mounted so disturbed the fine mental poise of the Happy Family that they left him jingling richly off by himself, while they rode closely grouped and discussed him acrimoniously.

"By gosh, a man might do worse than locate that Native Son for a silver mine," Cal began, eyeing the interloper scornfully. "It's plumb wicked to ride around with all that wealth and fussy stuff. He must 'a' robbed a bank and put the money all into a riding outfit."

"By golly, he looks to me like a pair uh trays when he comes bow-leggin' along with them white diamonds on his legs," Slim stated solemnly.

"And I'll gamble that's a spot higher than he stacks up in the cow game," Pink observed with the pessimism which matrimony had given him. "You mind him asking about bad horses, last night? That Lizzie-boy never saw a bad horse; they don't grow 'em where he come from. What they don't know about riding they make up for with a swell rig-"

"And, oh, mamma! It sure is a swell rig!" Weary paid generous tribute. "Only I will say old Banjo reminds me of an Irish cook rigged out in silk and diamonds. That outfit on Glory, now-" He sighed enviously.

"Well, I've gone up against a few real ones in my long and varied career," Irish remarked reminiscently, "and I've noticed that a hoss never has any respect or admiration for a swell rig. When he gets real busy it ain't the silver filigree stuff that's going to help you hold connections with your saddle, and a silver-mounted bridle-bit ain't a darned bit better than a plain one."

"Just take a look at him!" cried Pink, with intense disgust. "Ambling off there, so the sun can strike all that silver and bounce back in our eyes. And that braided lariat-I'd sure love to see the pieces if he ever tries to anchor anything bigger than a yearling!"

"Why, you don't think for a minute he could ever get out and rope anything, do yuh?" Irish laughed. "That there Native Son throws on a-w-l-together too much dog to really get out and do anything."

"Aw," fleered Happy Jack, "he ain't any Natiff Son. He's a dago!"

"He's got the earmarks uh both," Big Medicine stated authoritatively. "I know 'em, by cripes, and I know their ways." He jerked his thumb toward the dazzling Miguel. "I can tell yuh the kinda cow-puncher he is; I've saw 'em workin' at it. Haw-haw-haw! They'll start out to move ten or a dozen head uh tame old cows from one field to another, and there'll be six or eight fellers, rigged up like this here tray-spot, ridin' along, important as hell, drivin' them few cows down a lane, with peach trees on both sides, by cripes, jingling their big, silver spurs, all wearin' fancy chaps to ride four or five miles down the road. Honest to grandma, they call that punchin' cows! Oh, he's a Native Son, all right. I've saw lots of 'em, only I never saw one so far away from the Promised Land before. That there looks queer to me. Natiff Sons-the real ones, like him-are as scarce outside Calyforny as buffalo are right here in this coulee."

"That's the way they do it, all right," Irish agreed. "And then they'll have a 'rodeo'-"

"Haw-haw-haw!" Big Medicine interrupted, and took up the tale, which might have been entitled "Some Cowpunching I Have Seen."

"They have them rodeos on a Sunday, mostly, and they invite everybody to it, like it was a picnic. And there'll be two or three fellers to every calf, all lit up, like Mig-u-ell, over there, in chaps and silver fixin's, fussin' around on horseback in a corral, and every feller trying to pile his rope on the same calf, by cripes! They stretch 'em out with two ropes-calves, remember! Little, weenty fellers you could pack under one arm! Yuh can't blame 'em much. They never have more'n thirty or forty head to brand at a time, and they never git more'n a taste uh real work. So they make the most uh what they git, and go in heavy on fancy outfits. And this here silver-mounted fellow thinks he's a real cowpuncher, by cripes!"

The Happy Family laughed at the idea; laughed so loud that Miguel left his lonely splendor and swung over to them, ostensibly to borrow a match.

"What's the joke?" he inquired languidly, his chin thrust out and his eyes upon the match blazing at the end of his cigarette.

The Happy Family hesitated and glanced at one another. Then Cal spoke truthfully.

"You're it," he said bluntly, with a secret desire to test the temper of this dark-skinned son of the West.