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Stage Confidences: Talks About Players and Play Acting

Chapter 2 THE STAGE AND REAL LIFE

Word Count: 1248    |    Released on: 01/12/2017

only happen in a play!" and yet it's surprising how often actors receiv

e, and gesture; and the one action of drawing the knee up into her clasping arms, and then swaying the body mechanically from side to side, while muttering rapidly to herself, thrilled the audience with the conviction of her affliction more subtly than words cou

he fashion then, stopped and half rose from their places. It was a dreadful moment! Somehow I kept a desperate hold upon my strained and st

Clara Morris in

is an audience-those people, brought to their feet in an agony of terror, of fire, panic, and sudden death by a woman's cry, now at that familiar tap, tap, tap, broke here and there in

moment, and said, "Good girl, good girl!" and I, pleased, deprecatingly remarked, "It was the

heer her up (Heaven save the mark!) and help her to forget her dreadful and recent experience of placing her own mother in an insane asylum. Learned, too, that her very first suspicion of that p

all unexpectedly that dread scene was reproduced be

, volatile style of acting, and he had a high opinion of his power as a maker of fun; so that he was considerably ann

lking to himself, and ran against Mr. Lewis and me, as we were just about "going on." Instantly he exclaimed, "Look here! look here!" taking from his vest poc

I've toiled over him till I sweat like a harv

a graven image"; while Lewis sugge

t look here now, you're a deucedly funny pair; just turn yourselves loose in this scene. I'll protect y

the star had failed. I seized one moment in which to notify old man Davidge of what was

es they knew the actors had taken the bit between their teeth and were off on a mad race of fun. Everything seemed to "go." We three knew one another well. Each saw another's idea and caught it, with the certainty

mad?" to the little Frenchman whom he had made prompter because he could not speak English well enough to prom

tthews's protection, we grinned cheerfully at him and continued on our downward path. At last we r

gh. Yes, he was moving! his face wore some faint expression; but-but he was turnin

whole business was that man in the box; while Mr. Daly angrily declared, "The man in the box co

ngs under his breath; and then Mr. Matthews, exclaiming with wonder, told us he had been playing for years in a farce where th

s found to reflect a s

ion: Charl

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Stage Confidences: Talks About Players and Play Acting
Stage Confidences: Talks About Players and Play Acting
“This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.”
1 Chapter 1 A WORD OF WARNING2 Chapter 2 THE STAGE AND REAL LIFE3 Chapter 3 IN CONNECTION WITH DIVORCE AND DALY'S4 Chapter 4 MISS MULTON AT THE UNION SQUARE5 Chapter 5 THE NEW MAGDALEN AT THE UNION SQUARE6 Chapter 6 ODETTE IN THE WEST. A CHILD'S FIRST PLAY7 Chapter 7 A CASE OF TRYING IT ON A DOG 8 Chapter 8 THE CAT IN CAMILLE 9 Chapter 9 ALIXE. THE TRAGEDY OF THE GOOSE GREASE10 Chapter 10 J.E. OWENS'S WANDERING BOYS. A HOLE IN THE WALL INCIDENT11 Chapter 11 STAGE CHILDREN. MY LITTLE BREECHES IN MISS MULTON 12 Chapter 12 THE STAGE AS AN OCCUPATION FOR WOMEN13 Chapter 13 THE BANE OF THE YOUNG ACTRESS'S LIFE14 Chapter 14 THE MASHER, AND WHY HE EXISTS15 Chapter 15 SOCIAL CONDITIONS BEHIND THE SCENES16 Chapter 16 THE ACTRESS AND RELIGION17 Chapter 17 A DAILY UNPLEASANTNESS18 Chapter 18 A BELATED WEDDING19 Chapter 19 SALVINI AS MAN AND ACTOR20 Chapter 20 FRANK SEN A CIRCUS EPISODE21 Chapter 21 STAGE FORFEITS AND THEIR HUMOUR22 Chapter 22 POOR SEMANTHA