icon 0
icon TOP UP
rightIcon
icon Reading History
rightIcon
icon Sign out
rightIcon
icon Get the APP
rightIcon

Stage Confidences: Talks About Players and Play Acting

Chapter 9 ALIXE. THE TRAGEDY OF THE GOOSE GREASE

Word Count: 1350    |    Released on: 01/12/2017

had commanded me to play at the Saturday performance, saying that if the work made me worse, the doctor would have all day Sunday to treat me in. He really seemed to think that using a c

s, was excruciatingly tender and very sensitive to cold; and the doctor, desiring to heal, and at the same time to protect it

e theatre resolved to keep as silent as the grave on the subject of my flamboyant armour of grease and flannel. But the first faint muttering of the coming storm reached me even in my dressing-room, when the theatre maid (I had n

be wrapped up in a great big shawl, through which the odour could not quite penetrate, so no one suspected me when m

e garden seat, and I had to look up at him with wide-eyed admiration, I saw him turn his fa

bees. Miss Dietz kept her handkerchief openly to her pretty nose; Miss Morant, in stately dudgeon, demanded that Mr. Daly should be sent for, that he might learn the condition of his theatre, and the dangers his people w

he people excitedly declared that awful smell was worst right there, and I had the misery of seeing th

ad just taken my seat opposite him at the chess table, when he gave a little jer

bert, Augustin Daly, Ja

re upon my miserable face, with suspicion sticking straight out of them. With trembling hand I made my move at chess, saying, "Queen to Queen

most outrageous odour," came so swiftly, so convincingl

the audience and of the characters I heard from James the unfinished, half-doubting sentence, "Well, I believe in my soul it's-" But the mother (Miss Morant) approached me then, took my hand, touched my brow, called for help, for a physician; then with the wild cry, "She is dead! she is dead!" flung herself down beside the sofa with her head upon my goose-grease breast. Scarcely had she touched me,

yes to them and said, "I am so sorry for your discomfort, but you can go out and get fresh air; but, boys, just

om sending the prompter (who did not know of the discovery) with a lantern to search back of the scenes for the ca

-table; but Alixe's altar could boast an entirely new votive offering. I received a letter and a box. The letter was an outburst of admiration for Alixe, the "lily maid the tender, the poetical," etc. The writer then went on to tell me how she had yearned to express to me her feelings; how she had consulte

r was evenly warmed with an evident old French brandy,-no savagely burning cooking brandy, mind,-and when the flaky marvel had stood upon the h

Claim Your Bonus at the APP

Open
Stage Confidences: Talks About Players and Play Acting
Stage Confidences: Talks About Players and Play Acting
“This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.”
1 Chapter 1 A WORD OF WARNING2 Chapter 2 THE STAGE AND REAL LIFE3 Chapter 3 IN CONNECTION WITH DIVORCE AND DALY'S4 Chapter 4 MISS MULTON AT THE UNION SQUARE5 Chapter 5 THE NEW MAGDALEN AT THE UNION SQUARE6 Chapter 6 ODETTE IN THE WEST. A CHILD'S FIRST PLAY7 Chapter 7 A CASE OF TRYING IT ON A DOG 8 Chapter 8 THE CAT IN CAMILLE 9 Chapter 9 ALIXE. THE TRAGEDY OF THE GOOSE GREASE10 Chapter 10 J.E. OWENS'S WANDERING BOYS. A HOLE IN THE WALL INCIDENT11 Chapter 11 STAGE CHILDREN. MY LITTLE BREECHES IN MISS MULTON 12 Chapter 12 THE STAGE AS AN OCCUPATION FOR WOMEN13 Chapter 13 THE BANE OF THE YOUNG ACTRESS'S LIFE14 Chapter 14 THE MASHER, AND WHY HE EXISTS15 Chapter 15 SOCIAL CONDITIONS BEHIND THE SCENES16 Chapter 16 THE ACTRESS AND RELIGION17 Chapter 17 A DAILY UNPLEASANTNESS18 Chapter 18 A BELATED WEDDING19 Chapter 19 SALVINI AS MAN AND ACTOR20 Chapter 20 FRANK SEN A CIRCUS EPISODE21 Chapter 21 STAGE FORFEITS AND THEIR HUMOUR22 Chapter 22 POOR SEMANTHA