In the Glow of Cameras

Once upon a time-fairy tales always begin with once upon a time-once upon a time there lived in a fine old castle on the Rhine a certain Baron von Schrochslofsleschshoffinger. You will not find it an easy name to pronounce; in fact, the baron never tried it himself but once, and then he was laid up for two days afterwards; so in future we will merely call him "the baron," for shortness, particularly as he was rather a dumpy man.

After having heard his name, you will not be surprised when I tell you that he was an exceedingly bad character. For a baron, he was considered enormously rich; a hundred and fifty pounds a year would not be thought much in this country; but still it will buy a good deal of sausage, which, with wine grown on the estate, formed the chief sustenance of the baron and his family.

Now, you will hardly believe that, notwithstanding he was the possessor of this princely revenue, the baron was not satisfied, but oppressed and ground down his unfortunate tenants to the very last penny he could possibly squeeze out of them. In all his exactions he was seconded and encouraged by his steward Klootz, an old rascal who took a malicious pleasure in his master's cruelty, and who chuckled and rubbed his hands with the greatest apparent enjoyment when any of the poor landholders could not pay their rent, or afforded him any opportunity for oppression.

Not content with making the poor tenants pay double value for the land they rented, the baron was in the habit of going round every now and then to their houses and ordering anything he took a fancy to, from a fat pig to a pretty daughter, to be sent up to the castle. The pretty daughter was made parlor-maid, but as she had nothing a year, and to find herself, it wasn't what would be considered by careful mothers an eligible situation. The fat pig became sausage, of course.

Things went on from bad to worse, till, at the time of our story, between the alternate squeezings of the baron and his steward, the poor tenants had very little left to squeeze out of them. The fat pigs and pretty daughters had nearly all found their way up to the castle, and there was little left to take.

The Daughter of the Baron

The only help the poor fellows had was the baron's only daughter, Lady Bertha, who always had a kind word, and frequently something more substantial, for them when her father was not in the way.

Now, I'm not going to describe Bertha, for the simple reason that if I did you would imagine that she was the fairy I'm going to tell you about, and she isn't. However, I don't mind giving you a few outlines.

In the first place, she was exceedingly tiny,-the nicest girls, the real lovable little pets, always are tiny,-and she had long silken black hair, and a dear, dimpled little face full of love and mischief. Now, then, fill up the outline with the details of the nicest and prettiest girl you know, and you will have a slight idea of her. On second thoughts, I don't believe you will, for your portrait wouldn't be half good enough; however, it will be near enough for you.

Well, the baron's daughter, being all your fancy painted her and a trifle more, was naturally much distressed at the goings-on of her unamiable parent, and tried her best to make amends for her father's harshness. She generally managed that a good many pounds of the sausage should find their way back to the owners of the original pig; and when the baron tried to squeeze the hand of the pretty parlor-maid, which he occasionally did after dinner, Bertha had only to say, in a tone of mild remonstrance, "Pa!" and he dropped the hand instantly and stared very hard the other way.

Bad as this disreputable old baron was, he had a respect for the goodness and purity of his child. Like the lion tamed by the charm of Una's innocence, the rough old rascal seemed to lose in her presence half his rudeness, and, though he used awful language to her sometimes (I dare say even Una's lion roared occasionally), he was more tractable with her than with any other living being. Her presence operated as a moral restraint upon him, which, possibly, was the reason that he never stayed down-stairs after dinner, but always retired to a favorite turret, which, I regret to say, he had got so in the way of doing every afternoon that I believe he would have felt unwell without it.

The hour of the baron's afternoon symposium was the time selected by Bertha for her errands of charity. Once he was fairly settled down to his second bottle, off went Bertha, with her maid beside her carrying a basket, to bestow a meal on some of the poor tenants, among whom she was always received with blessings.

At first these excursions had been undertaken principally from charitable motives, and Bertha thought herself plentifully repaid in the love and thanks of her grateful pensioners.

Of late, however, another cause had led her to take even stronger interest in her walks, and occasionally to come in with brighter eyes and a rosier cheek than the gratitude of the poor tenants had been wont to produce.

The fact is, some months before the time of our story, Bertha had noticed in her walks a young artist, who seemed to be fated to be invariably sketching points of interest in the road she had to take. There was one particular tree, exactly in the path which led from the castle-gate, which he had sketched from at least four points of view, and Bertha began to wonder what there could be so very particular about it.

At last, just as Carl von Sempach had begun to consider where on earth he could sketch the tree from next, and to ponder seriously upon the feasibility of climbing up into it and taking it from that point of view, a trifling accident occurred which gave him the opportunity of making Bertha's acquaintance,-which, I don't mind stating confidentially, was the very thing he had been waiting for.

It so chanced that, on one particular afternoon, the maid, either through awkwardness, or possibly through looking more at the handsome painter than the ground she was walking on, stumbled and fell.