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The Rejected Luna by Sarah Keats

In Bed With My Ex's Brother-in-Law

In Bed With My Ex's Brother-in-Law

Ady Daniels
He left her on the streets. His brother-in-law picked her up. and made her his wife. On the day her ex, Mark, married the wealthy socialite Bella, Elena was thrown out with nothing but the clothes on her back-humiliated, broken, and utterly alone. Until Eric Thompson appeared. Bella's older brother. Mark's powerful brother-in-law. And the most feared Alpha in the city. He offered her a hand when no one else would. Then, he offered her a deal: A marriage in name only. A shield against her past. A chance to rebuild. Elena accepted, expecting a cold arrangement between strangers. But behind closed doors, Eric's carefully guarded control unraveled-and so did hers. Their chemistry was explosive, their nights intense, and the lines between business and pleasure blurred beyond recognition. He was the one man she could never have. and the only one she couldn't resist. But when Mark realizes what he truly lost, and Bella discovers the secret behind her brother's bride, Elena must decide: Is this just a contract? Or is this the love she was always meant to fight for?
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Birth and Parentage-School Life at Enfield-Life as Surgeon's Apprentice at Edmonton-Awakening to Poetry-Life as Hospital Student in London. [1795-1817.]

Science may one day ascertain the laws of distribution and descent which govern the births of genius; but in the meantime a birth like that of Keats presents to the ordinary mind a striking instance of nature's inscrutability. If we consider the other chief poets of the time, we can commonly recognize either some strain of power in their blood, or some strong inspiring influence in the scenery and traditions of their home. Thus we see Scott prepared alike by his origin, associations, and circumstances to be the 'minstrel of his clan' and poet of the romance of the border wilds; while the spirit of the Cumbrian hills, and the temper of the generations bred among them, speak naturally through the lips of Wordsworth. Byron seems inspired in literature by demons of the same froward brood that had urged others of his lineage through lives of adventure or of crime. But Keats, with instincts and faculties more purely poetical than any of these, was paradoxically born in a dull and middling walk of English city life; and 'if by traduction came his mind,'-to quote Dryden with a difference,-it was through channels too obscure for us to trace. His father, Thomas Keats, was a west-country lad who came young to London, and while still under twenty held the place of head ostler in a livery-stable kept by a Mr John Jennings in Finsbury. Presently he married his employer's daughter, Frances Jennings; and Mr Jennings, who was a man of substance, retiring about the same time to live in the country, at Ponder's End, left the management of the business in the hands of his son-in-law. The young couple lived at the stable, at the sign of the Swan-and-Hoop, Finsbury Pavement, facing the then open space of Lower Moorfields. Here their eldest child, the poet John Keats, was born prematurely on either the 29th or 31st of October, 1795. A second son, named George, followed on February 28, 1797; a third, Tom, on November 18, 1799; a fourth, Edward, who died in infancy, on April 28, 1801; and on the 3rd of June, 1803, a daughter, Frances Mary. In the meantime the family had moved from the stable to a house in Craven Street, City Road, half a mile farther north[1].

In the gifts and temperament of Keats we shall find much that seems characteristic of the Celtic rather than the English nature. Whether he really had any of that blood in his veins we cannot tell. His father was a native either of Devon or of Cornwall[2]; and his mother's name, Jennings, is common in but not peculiar to Wales. There our evidence ends, and all that we know further of his parents is that they were certainly not quite ordinary people. Thomas Keats was noticed in his life-time as a man of intelligence and conduct-"of so remarkably fine a common sense and native respectability," writes Cowden Clarke, in whose father's school the poet and his brothers were brought up, "that I perfectly remember the warm terms in which his demeanour used to be canvassed by my parents after he had been to visit his boys." It is added that he resembled his illustrious son in person and feature, being of small stature and lively energetic countenance, with brown hair and hazel eyes. Of his wife, the poet's mother, we learn more vaguely that she was "tall, of good figure, with large oval face, and sensible deportment": and again that she was a lively, clever, impulsive woman, passionately fond of amusement, and supposed to have hastened the birth of her eldest child by some imprudence. Her second son, George, wrote in after life of her and of her family as follows:-"my grandfather [Mr Jennings] was very well off, as his will shows, and but that he was extremely generous and gullible would have been affluent. I have heard my grandmother speak with enthusiasm of his excellencies, and Mr Abbey used to say that he never saw a woman of the talents and sense of my grandmother, except my mother." And elsewhere:-"my mother I distinctly remember, she resembled John very much in the face, was extremely fond of him, and humoured him in every whim, of which he had not a few, she was a most excellent and affectionate parent, and as I thought a woman of uncommon talents."

The mother's passion for her firstborn son was devotedly returned by him. Once as a young child, when she was ordered to be left quiet during an illness, he is said to have insisted on keeping watch at her door with an old sword, and allowing no one to go in. Haydon, an artist who loved to lay his colours thick, gives this anecdote of the sword a different turn:-"He was when an infant a most violent and ungovernable child. At five years of age or thereabouts, he once got hold of a naked sword and shutting the door swore nobody should go out. His mother wanted to do so, but he threatened her so furiously she began to cry, and was obliged to wait till somebody through the window saw her position and came to the rescue." Another trait of the poet's childhood, mentioned also by Haydon, on the authority of a gammer who had known him from his birth, is that when he was first learning to speak, instead of answering sensibly, he had a trick of making a rhyme to the last word people said and then laughing.

The parents were ambitious for their boys, and would have liked to send them to Harrow, but thinking this beyond their means, chose the school kept by the Rev. John Clarke at Enfield. The brothers of Mrs Keats had been educated here, and the school was one of good repute, and of exceptionally pleasant aspect and surroundings. Traces of its ancient forest character lingered long, and indeed linger yet, about the neighbourhood of the picturesque small suburban town of Enfield, and the district was one especially affected by City men of fortune for their homes. The school-house occupied by Mr Clarke had been originally built for a rich West-India merchant, in the finest style of early Georgian classic architecture, and stood in a pleasant and spacious garden at the lower end of the town. When years afterwards the site was used for a railway station, the old house was for some time allowed to stand: but later it was taken down, and the fa?ade, with its fine proportions and rich ornaments in moulded brick, was transported to the South Kensington Museum as a choice example of the style.

Not long after Keats had been put to school he lost his father, who was killed by a fall from his horse as he rode home at night from Southgate. This was on the 16th of April, 1804. Within twelve months his mother had put off her weeds, and taken a second husband-one William Rawlings, described as 'of Moorgate in the city of London, stable-keeper,' presumably therefore the successor of her first husband in the management of her father's business. This marriage turned out unhappily. It was soon followed by a separation, and Mrs Rawlings went with her children to live at Edmonton, in the house of her mother, Mrs Jennings, who was just about this time left a widow[3]. In the correspondence of the Keats brothers after they were grown up, no mention is ever made of their step-father, of whom after the separation the family seem to have lost all knowledge. The household in Church Street, Edmonton, was well enough provided for, Mr Jennings having left a fortune of over £13,000, of which, in addition to other legacies, he bequeathed a capital yielding £200 a year to his widow absolutely; one yielding £50 a year to his daughter Frances Rawlings, with reversion to her Keats children after her death; and £1000 to be separately held in trust for the said children and divided among them on their coming of age[4]. Between this home, then, and the neighbouring Enfield school, where he was in due time joined by his younger brothers, the next four or five years of Keats's boyhood (1806-1810) were passed in sufficient comfort and pleasantness. He did not live to attain the years, or the success, of men who write their reminiscences; and almost the only recollections he has left of his own early days refer to holiday times in his grandmother's house at Edmonton. They are conveyed in some rhymes which he wrote years afterwards by way of foolishness to amuse his young sister, and testify to a partiality, common also to little boys not of genius, for dabbling by the brookside-

"In spite

Of the might

Of the Maid,

Nor afraid

Of his granny-good"-

and for keeping small fishes in tubs.

If we learn little of Keats's early days from his own lips, we have sufficient testimony as to the impression which he made on his school companions; which was that of a boy all spirit and generosity, vehement both in tears and laughter, handsome, passionate, pugnacious, placable, loveable, a natural leader and champion among his fellows. But beneath this bright and mettlesome outside there lay deep in his nature, even from the first, a strain of painful sensibility making him subject to moods of unreasonable suspicion and self-tormenting melancholy. These he was accustomed to conceal from all except his brothers, between whom and himself there existed the very closest of fraternal ties. George, the second brother, had all John's spirit of manliness and honour, with a less impulsive disposition and a cooler blood: from a boy he was the bigger and stronger of the two: and at school found himself continually involved in fights for, and not unfrequently with, his small, indomitably fiery elder brother. Tom, the youngest, was always delicate, and an object of protecting care as well as the warmest affection to the other two. The singularly strong family sentiment that united the three brothers extended naturally also to their sister, then a child: and in a more remote and ideal fashion to their uncle by the mother's side, Captain Midgley John Jennings, a tall navy officer who had served with some distinction under Duncan at Camperdown, and who impressed the imagination of the boys, in those days of militant British valour by land and sea, as a model of manly prowess[5]. It may be remembered that there was a much more distinguished naval hero of the time who bore their own name-the gallant Admiral Sir Richard Godwin Keats of the Superb, afterwards governor of Greenwich Hospital: and he, like their father, came from the west country, being the son of a Bideford clergyman. But it seems clear that the family of our Keats claimed no connection with that of the Admiral.

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The Rejected Luna by Sarah Keats

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